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Star Pilot

Aliens from the constellation Hydra crash-land on the island of Sardinia. A prominent scientist, his daughter, several young technicians, and a pair of Oriental spies are taken hostage by the beings so they can use them to repair their spaceship's broken engine. With that done, they take off towards their home planet, taking the earthlings with them. However, the humans attempt to mutiny against their captors, inadvertently sending their tiny spaceship hurtling into the infinite beyond...

Star Pilot

4.8 1966
Operation San Pietro

Small time crook Napoleone falls into an unlikely gang made up of a gangster, called The Baron, and his two cohorts, Agonia and The Captain, where Napoleone takes them to Rome where they shack up with a shady used car dealer caled Il Cajella to help finance their new life of crime by planing to rob a statue from the Vatican. But a big-time American gangster, named Joe Ventura, hears about the heist and wants the priceless statue for himself by having his mistress, Samantha, come onto and betray the woman-hungry Cajella to give the statue away to her.

Operation San Pietro

6.3 1967
A Rather Complicated Girl

Having casually overheard a confusing phone conversation between two women, Alberto manages to get in touch with one of the callers, Claudia, a painter. The two become lovers and things are spiced up by Claudia's ambiguous sexual nature and by the presence of her former lover, Pietro. Alberto discovers a pistol in Claudia's handbag and this leads to a further revelation: she's dominated by her stepmother Greta, who forced her into a clandestine lesbian relationship; of which Claudia is ashamed and wants to end - at all costs. Alberto, now a slave to love, runs Greta over. But Claudia denies urging him to murder...

A Rather Complicated Girl

5.1 1969
Zorro and the Three Musketeers

In the first half of the 1600's, France is at war with Spain. The cousin of the king of Spain, Isabella, is held captive in the French castle, and the Count of Seville is sent to France as a diplomat. While there, he is escorted by the Three Musketeers, who discover that he has secretly made a deal with Cardinal Richelieu to disclose Spanish military secrets in exchange for Isabella's release. However, he is merely bluffing and plans to take Isabella by force. When the musketeers discover this, they come to his aid, and together the four of them work at freeing the Countess. Meanwhile, the Count doubles as Zorro to free the Spanish court from a treacherous suitor.

Zorro and the Three Musketeers

6.0 1963
A Black Veil for Lisa

Franz Bulon is a police inspector intent on bringing down a major drug ring operating in Hamburg. Thwarted at every turn by an assassin who is systematically killing informants, jealous of his beautiful, younger wife, Lisa, and suspecting her of having an affair (is it real or imagined?), Bulon can scarcely focus on his work. With jealousy nearing the boiling point, Bulon hires Max, the assassin he has arrested for the recent informant murders, to kill his wife...

A Black Veil for Lisa

5.8 1968
Arsène Lupin vs. Arsène Lupin

André Laroche, an industrialist, has just passed away. Face to his grave, as he is being buried, Anne de Vierne, the wife of a magistrate, confesses to her son François that Laroche was in fact Lupin and that he is his natural child. But he is not the gentleman thief's only offspring! Lupin had indeed another son by a housemaid, Gérard Dagmar, a dancer, magician and - occasionally - burglar. Which complicates the task of François who, to respect the last wishes of the testator, has gone in search of the treasure of Poldavia. For he keeps finding Gérard on his way and his efforts are constantly thwarted by his half-brother. Will Gérard prevent François from becoming the worthy successor to their father or will the two young men decide to join forces? That is the question.

Arsène Lupin vs. Arsène Lupin

6.0 1962
The Damned Of The Earth

Upon his death, a young African director, Abramo Malonga, bequeathed his first and last unfinished film to his former teacher, the Italian director Fausto Morelli. Morelli, who after seeing the work, is confronted with a confusing, complex and, in part, incomprehensible work. Helped by the young widow of Abramo Malonga and by the notes left by his deceased friend, and again by his personal memories, the Italian director attempts to reconstruct and complete the film. Fausto's work progresses with difficulty, not only because of the problems the film poses for him, but because of the problems that arise in his daily life. After a long crisis, after which he returns to Pisa with his former party companions and abandons himself to love and his own solitude, Fausto takes up the work of his African friend, closing it with a final invention, in which , with a bold metaphor, has refigured the human condition of our time.

The Damned Of The Earth

9.5 1969
Gladiators 7

Framed for the escape of five gladiators from the arena, the son of one of Sparta's leading citizens is sentenced to the arena as gladiator himself and forced to fight for his life in the Roman Colosseum. Years later he manages to escape and return to Sparta, only to find out that his father has been murdered--even though it was ruled a "suicide"--and the woman he loves is about to marry the evil king who has usurped the throne. He sets out to find six of his fellow gladiators and return to Sparta to save his woman and place the rightful king on the throne.

Gladiators 7

3.8 1962
The Crazy Westerners

Little Rita has a dream: she dreams of a better world and she believes that all the evil in the world originates from gold. So she has decided to blow up all the gold she can put her hands on. In her mission she is assisted by the Indian Chief Bisonte Seduto and by her friend Francis. Little Rita kills Ringo and Django, but she is taken prisoner by the Mexican bandit Sancho who wants to steal her gold. Black Star rescues her and seems determined to help her, but does he?

The Crazy Westerners

5.7 1967
Paris, My Love

Parigi O Cara is probably the most camp in the history of Italian cinema, certainly a favourite with the queer community who quote its lines by heart. Unique as it's the only film where Franca Valeri (now 90) is the unquestioned star, in the role of Delia, a snobbish, stingy prostitute who is moving to Paris looking for greener and more lucrative pastures. An anti-neorealist, amoral, almost abstract comedy, which anticipates Almodóvar, a ferocious, though gentle, non-moralistic portrayal of the 60's boom and its broken dreams. The dialogue between Delia and her brother (played by Fiorenzo Fiorentini), when he does (or does not) tell her he is a homosexual, is memorable, a primordial coming-out, a masterpiece of allusions. But what makes it one of the first examples of a film with a "gay point of view" is the approach: perceptive, non-conformist, caustically witty. A film ahead of its times, still unbeaten.

Paris, My Love

5.9 1962