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Widowed Mrs. Lal lives with her two sons, Ram and Ratan; an unmarried daughter, Sheela; Ram's wife, Parvati and her children. While Ram is employed in a mill, Ratan is studying engineering in Calcutta. When Ratan returns, he is offered a job at the same mill, falls in love with a Typist named Manju, much to chagrin of Malti, the daughter of the mill-owner, Sewakram. When Ratan finds out that Sewakram has been defrauding the employees, he decides to form a union, a move that is opposed by Ram, who is very devoted and loyal to Sewakram.

The father of a dying woman pays a con artist to make his daughter's final year a happy one.

A remake of the director's own Tamil film Mallika (1957).

A rich businessman, Dayashankar Kumar (Shivraj), who is a widow, lives with his two young sons Ashok and Raj. When he catches the younger boy Raj stealing money, he punishes him and threatens to cut off his fingers. A frightened Raj runs away from home. Years pass and the older brother Ashok (Ashok Kumar), becomes the owner of his father's business and property, running Superior Motors, which also extends to Bombay. Ashok is married to Lakshmi (Nirupa Roy) and is a caring and loving husband. They have a young son, Munna (Daisy Irani).

1954 film by Vijay Bhatt

Manjal Mahimai (English: Power of Turmeric) is a 1959 Tamil language drama film, produced by D. Madhusudhana Rao under Annapurna Pictures and directed by Adurthi Subba Rao. Starring Akkineni Nageswara Rao, Savitri in the laed roles and music composed by Master Venu. The film is based on Aasapoorna Devi's Bengali novel Agni Pariksha which was first remade as Telugu movie Mangalya Balam (1958); both the movies are made simultaneously by same banner & director and some of the scenes & artists are same in both versions. It was later remade as Hindi movie Chhoti Si Mulaqat (1967) with slight changes, starring Uttam Kumar, Vyjayanthimala in pivotal roles

Three woman-hating brothers face changes in their respective lifestyles when two of them fall in love.

This movie is based on the life of a famous Bengali philosopher, academic educator, writer, translator, printer, publisher, entrepreneur, reformer, and philanthropist named Ishwar Chandra Vidyasagar.

Ramesh is the eldest brother in a close-knit joint family. When his salary is doubled, he pays more attention to his wife and child's needs, making others jealous. The family disintegrates as members start moving out to live separate lives. Will they realize the shortcomings of living independently?

Roma is on her way home after celebrating with her friends at Asha's (Yashodra Katju) place when she is attacked by two robbers who try to steal her.

A philanderer, the only son of a wealthy doctor, is attracted to a poor orphaned artist. Her stepbrother loathes rich people, and would go to any extent to get money off them. What would happen if the roles reversed?

Raikamal narrates the story of Rai Kamal, a devotee of Lord Krishna. Rai Kamal and Ranjan are childhood sweethearts. When Ranjan grows up he wishes his desire to marry Rai but his parents are against this match as they are Brahmins and Rai Kamal was a low caste Vaishnav.

Abandoned in the forest by their father, King Rama, the twin sons Lav and Kush are raised by a sage and train as fierce warriors, only to unknowingly challenge their father's army in a pivotal battle that forces the exiled queen, Sita, to finally confront her past.

The movie revolves around the unwanted incidents that happened in the princely state of Ratnagarh. After the murder of King Chandrakanta, one Dr. Palit (Kamal Mitra) asked for help from one Detective Smarajit Sen (Sisir Batabyal), as a family friend. Detective Sen sent his assistant Bimal to Ratnagarh to investigate and ascertain the security of young Kumar Bahadur, a new predecessor of the royal family of the estate. They observed that a mysterious lady Manjusri (Manju De) sang an uncanny song in the adjacent water body near the palace. Mr. Gupta (Bikash Roy), a suspicious botanist who stayed in the neighborhood also roamed in that locality. It revealed that he was deprived of the real property of the royal family and took revenge by killing the members of the family. He used one deaf and dumb porter as a hired killer. Ultimately, he was killed by the detective at the end before he could commit another murder.

Gopal's sister believes that she knows what is best for him. But a series of events causes turbulence in the family.

A 1956 LOST Indian Bengali film starring Mahanayak Uttam Kumar.

Raj Kumar Ashok belongs to a rich and aristocratic family. His parents want him to marry the best of the best girls money could find. Ashok's dad then spends a lot of money to invite proposals from all over India. But Ashok loves Kokila, who belongs to a poor family and sells flowers for a livelihood. Ashok decides to carry on his love with Kokila and at the same time witnesses the hilarious goings-on at his residence when the dads, mom, and the brides-to-be assemble - all from different parts of India - all speaking a different language. And with this multi-lingual medley, misunderstandings are bound to happen - and they do. His parents eventually select Roopa to be the bride. What will happen to the budding romance of Ashok and Kokila?

About a taxi driver in Mumbai, Mangal, who is called "Hero" by his friends. A driver who drives a cab by day, then drinks at night, listens to his singer girlfriend, Sylive, and then goes into a drunken stupor - and wakes up with a hangover. One day, while assisting another taxi driver, Mangal comes to the assistance of a damsel in distress, who is being molested by two thugs. Mangal gallants rescues her, and attempts to take her to her destination, to no avail, as the person she is looking for has moved. The next day, Mangal and the young woman, Mala, again attempt to seek Ratanlal, a music director, but the entire day is spent in vain. Mala lives in Mangal's tiny apartment and both become attracted to each other. When Mala finds out about Sylvie, she leaves him. He goes in her search, but finds that she has become a famous singer with the help of her music director friend.

The story of the complete Ramayana, from the birth of Lord Rama to his Pattabhisheka after completing his exile.

After having their goods confiscated by the police a couple of smugglers come up with a plan to recuperate their losses

The story of a popular young writer and an idealistic young architect.

Gauri, an orphan, is falsely accused of theft and lands up in a reformatory run by Ashok. Due to her rebelliousness, she gets into trouble. But, gradually she comes into her own with Ashok's help.

Inspector is a 1956 Bollywood thriller film directed by Shakti Samanta. It starred Ashok Kumar, Geeta Bali and Pran.

A vengeful princess waits for the right moment to kill her foster father - the Emperor.

A wealthy man is thrilled about becoming a parent and is pleased when his wife gives birth to a son. However, the son’s identification gets misplaced.

Indian horror drama movie from 1954.

A 1955 Bengali Drama Film directed by Haridas Bhattacharya.

At midnight, a village magistrate (Jairaj) turns into a fanged killer in this cross between The Wolfman and Dr. Jekyll and Mr. Hyde.

Ram is a bright but destitute law student. Out of love for an even poorer girl, he commits a crime that starts chasing him like a ghost. He is torn between 'wanting a punishment' and 'getting away with it.' But, is it really in his own hands?

Two friends both fall in love with two girls. Their romance was to culminate in marriage, when one of girls' brother is released from jail.

A job in the jute mill drive Sitesh away from his brother Nitesh and sister-in-law and lands him into a stream of marriage proposals and attempts by colleagues to make him their son-in-law. What will happen when he falls in love and is not accepted by the father of the girl?

Childhood sweethearts grow up in a small village with a love-hate relationship which changes to love when they mature.

The first Odia movie by an Odia director.

A 1951 Bengali Thriller Film directed by Naresh Mitra.

The plot revolves around the once popular genre of Rakhi relations, a bond between brother and sister.

City-bred Ramu is involved in petty crime. When his close friend Gopal asks him to go to the village and look after his mother and sister Chanda, Ramu does so. After coming to know both mother and daughter, they decide to re-locate to the big city to be together with Gopal. In the process, Ramu and Chanda fall in love with each other. Chanda wants Ramu to give up his life of crime, but will his crime partners allow Ramu to lead a normal life?

Nilambhar Chakravorty belongs to a poor family, and lives in a joint family with his married brother, Pitambar, unmarried sister, Punnu, and wife, Biraj. Since his sister is of marriageable age, he arranges her marriage, and borrows some money. When Pitambar comes to know about this, he refuses to share any expense in his sister's marriage, and decides to separate, resulting in a fence being put up between their homes. Nilambher, unable to find employment, is unable to pay back the loan, and soon both he and his wife barely have enough to live on. To complicate matters further, Deodhar, a wealthy young contractor has his eye on Biraj's beauty and would like to be intimate with her, in return for money and a better life.

Rao and Mary, unemployed college graduates from Madras, act as if they are a married couple to get jobs as schoolteachers in the small village of Appapuram. Their story unfolds into an extremely hilarious comedy as they try to cover up that Mary is a christian. They are assisted in their drama by Devaiah, a friend and ex-beggar, in fooling the family they work for.

An impoverished farmer faces problems after he is blacklisted for refusing to sell his prize-winning oxen to an oppressive landlord.

A proud woman scorned by her lover vows to become an unforgiving force of vengeance, using society's own hypocrisy as her most heartless weapon.

A story centers on themes of social status and romantic conflict, involving a sensitive or "mad" (the meaning of Banwra) character played by Raj Kapoor who must overcome societal hurdles to be with his beloved.

While helping her friend evade a blackmailer, a woman fears she might have committed manslaughter.

A fiery, forbidden romance ignites a conflict between the daughter of a powerful clan leader and a man from a poor family, escalating into a bitter feud that brings her father's wrath and merciless torture upon her beloved.

Shanno falls for the flautist Kanhaiya, believing him to be Lord Krishna, and decides to marry him. However, she is shocked after realising that he is, in fact, the village drunkard.

A hardened and traumatized non-believer travels to all holy places to seek vengeance from the persons who had wronged him.

Ganga becomes a night club dancer called Miss Coca Cola when her father is implicated in a murder case. Helped by Kamal, a rich young man, she sets out to prove her father's innocence.

A LOST 1958 Bengali Film Directed by Agragami.

A poignant family drama that explores the sacrifices, burdens, and profound emotional ties of parenthood, revolving around the central theme of a couple's complex relationship with their offspring.

The first-ever collaboration of Uttam Kumar and Agradoot.

A hunter tries to prove his extreme devotion to Lord Shiva by removing both of his eyes.

An amnesiac man escapes the hospital he has been admitted to and is aided by doctor Roma Banerjee, who takes him to her father's country house. While treating him she falls for him and he for her. They marry, but an accident makes him remember his life as a rich man in Calcutta and completely forget the time spent with Roma. Roma follows him to Calcutta.

Karthavarayuni Katha (transl. Story of Karthavaraya) is a 1958 Indian Telugu-language Hindu mythological film, produced and directed by T. R. Ramanna under the R. R. Pictures banner. It stars N. T. Rama Rao and Savitri, with music composed by G. Ramanadhan and Ashwathama. The film was simultaneously made as the Tamil movie Kathavarayan (1958) by the same banner and director.

Biswanath or Bishu a young warm-hearted man, made a "Mukti Fauj" in Hell against Jamraj. He also planned to escape with Lolita, Heena, Rita, Ghosai babu and others. After a lot of hurdles, they managed to fly away from Hell. They came back to Earth with expectations, but unfortunately, time was changed. All of them faced some unbearable situations which really made them sad. Bishu came to know his wife got married to a wrestler. Lolita's boyfriend Montu da was busy with some other lady. All these experiences helped them realize the changing time. As a result, Bishu with his mates decided to go back to Hell. Earth was unable to give them sufficient space to live a happy life.

Chandhanaraju is a prince whose life is preserved within the necklace he wears. He should overcome several hurdles to marry his dream girl.

The film revolves around couples - Dr. Chandra Shekar and Parvathi ahead Venu and Lakshmi. Charana Daasi (transl. Wife) is a 1956 Indian Telugu-language drama film written by Vempati Sadasivabrahmam and directed by T. Prakash Rao. It stars N. T. Rama Rao, Akkineni Nageswara Rao, Anjali Devi and Savitri, with music composed by S. Rajeswara Rao. The film is based on Rabindranath Tagore's 1906 Bengali novel Noukadubi. It was simultaneously made in Tamil as Mathar Kula Manikkam (1956). Story and Dialogues were by Vempati Sadasivabrahmam

Bou Thakuranir Haat is a Bengali drama film directed by Naresh Mitra based on a novel of Rabindranath Tagore in the same name, published in 1883. The film is based on the real-life story of Jessore Raj Pratapaditya. Pratapaditya is described as an antagonist more than a protagonist in this film.

The film is about Hatim Tai (Hatim of Tayy), a merchant and poet who was known for his charity and kindness. In this Arabian Nights style fantasy Hatim Tai, referred to as Shehzada (Prince) from Yemen, undertakes a perilous journey in order to save a young fairy turned to stone. He can do this by answering seven questions posed to him on the way.