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Barrio Cuba

Over several years, we follow three households and their emotions in a barrio of Havana. Magalis is a nurse, rarely happy. An older man, Ignacio, professes his love for her; her father and her brother quarrel over her brother's sexual orientation; she thinks about leaving Cuba. Santo's wife Maria is expecting their first child. Tragedy strikes and Santo leaves, drowning sorrows in alcohol and crime while his son grows up in the care of an aunt wondering where dad is. Vivian and Chino are in love, passionate, but childless. The pressures of a society that demands grandchildren strain their relationship.

Barrio Cuba

5.1 2001
The Dog Pound

David, has just failed his university examinations and has one year to re-write them. Ruben, his father, a pragmatic and successful businessman, has been paying for David's education, the pursuit of which he considers a waste of time. Ruben wants David to work and make himself useful and he strikes a deal with him: David can stay and study for his exams at Ruben's house in La Perrera, a coastal resort town, while he builds a house for himself. And so, a year-long adventure starts for David, an urban intellectual, in the isolated La Perrera and among its off-season residents who include nearly as many dogs as men, where the only women are either pregnant or prostitutes, and where no one wants to work and things are done out of friendship more than anything else.

The Dog Pound

5.8 2006
Cómicos

“Cómicos” is a sentimental road movie in which we have accompanied the veteran Benavente Company on their tour of Spain. It is the last touring repertory theatre company left in Spain, whose patriarchs, Luis and Aurora, are approaching 80 years old. At the same time, on this emotional journey, we are introduced to the supporting actors, such as Manuel Andrés oandAmparo Pacheco - also octogenarians - who live their profession with dignity and unwavering enthusiasm. In “Cómicos” the names of our protagonists do not appear on illuminated signs but they shine with their own light in a film that talks about passion, the passage of time and the thin line that separates triumph and failure.

Cómicos

NR 2009
God Is on Air

Two Spanish pan-handlers soon find themselves in over their heads when they stumble upon an opportunity to redeem themselves and perhaps the entire planet. The world appears to suffer from rampant poverty, violence and spiritual desperation and the relentless news media force-feeds these images to the Spanish people. A popular reality television show lets the audience decide between life or death for suspected felons, and one of the opportunistic pan-handlers attempts to escape poverty through this raucous and sensational TV program.

God Is on Air

7.7 2002
The Tulse Luper Suitcases, Part 2: Vaux to the Sea

A comic study of 20th-century history, reconstructing the life of writer, creator and professional prisoner Tulse Luper. Born in 1911 Newport and last heard of in 1989, Luper’s life is pieced together from the evidence found in 92 suitcases scattered across the globe. In the second of three parts, we follow Luper as he works in a cinema, giving him ample opportunity to cross paths with virtually every artistic device and dramatic character known to man.

The Tulse Luper Suitcases, Part 2: Vaux to the Sea

4.9 2004
Passion & Poetry: The Ballad of Sam Peckinpah

Portrayal of a talented, influencial and troubled artist: a filmmaker who fought his own demons and seemed to live his own legend like no other director. Against all odds Sam Peckinpah was able to create a very personal body of work in the studio system of Hollywood and with his powerful directing and editing style changed the way of filmmaking forever. Legendary for his use of slow-motion violence, various scandals and his ongoing problems with sudios and producers, the story of Peckinpah is filled with tragedy, humor, success and defeat.

Passion & Poetry: The Ballad of Sam Peckinpah

7.6 2005
The Dark Hour

The eight years boy Jesús has been living in a crumbling underground facility since he was born with eight survivors of an apocalyptical war: the leader Maria and her lover Pablo; the gays Lucas and Mateo; the astronomer Magdalena and the teenager Ana; the soldier Pedro and the lonely Judas. They are permanently is state of surveillance, threatened by the contaminated mutants The Strangers and once a day they have to lock themselves in their rooms without heating to protect against the dangerous ghosts The Invisibles that attack in the Cold Hour. They cannot go to the surface, destroyed by a nuclear war. When they need supplies, medications and ammunitions, they organize expeditions to a store. When the menace of The Invisibles affects the safety of the group of survivors, they need to reach the surface. Written by Claudio Carvalho, Rio de Janeiro, Brazil

The Dark Hour

5.5 2006
Salvador Allende

A leftist revolutionary or a reformist democrat? A committed Marxist or a constitutionalist politician? An ethical and moral man or, as Richard Nixon called him, a "son of a bitch"? In SALVADOR ALLENDE, acclaimed Chilean filmmaker Patricio Guzmán (The Battle of Chile and Chile, Obstinate Memory) returns to his native country thirty years after the 1973 military coup that overthrew Chile's Popular Unity government to examine the life of its leader, Salvador Allende, both as a politician and a man.

Salvador Allende

6.9 2004