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Murió hace quince años

Diego Acuña was one of the five thousand children taken to Russia during the Spanish Civil War. He was educated in the communist pedagogy and prepared for a career as an agitator that developed in France and Italy under the command of Goeritz, one of the party officials. One day he was commissioned a delicate mission: assisting in the murder of his father, because he turns out to be a major obstacle to the illegal actions of communism. To do so he moves to Spain, pretending he is bored of Soviet doctrine

Murió hace quince años

4.9 1954
Flamenco

Title changed to "Flamenco" when it was first released in the USA in 1954, this is a program of Spanish songs and dances with the emphasis on "flamenco" or gypsy contributions. The USA version has an English narrative written by Walter Terry, the dance critic of the "New York Herald Tribune" newspaper. Heading the cast are Antonio (I), Pilar Lopez and Maria Luz, three of Spain's foremost dancers of the time, accompanied by members of the Ballet Espanol. Filmed in Cinefotocolor in which orange and blue dominated, a combination that should appeal to the fans of Auburn University athletic teams. Distributed in the USA by Martin J. Lewis.

Flamenco

7.0 1952
The Priest Lorenzo

A heart-warming and entertaining chronicle of Salesian priest Lorenzo Massa. His work in the Almagro neighborhood of Buenos Aires in the early 1900s led to the founding of San Lorenzo de Almagro, one of the best soccer clubs in Argentina. (Pope Francis, who grew up in this neighborhood in the 1940s, is a fan). Father Massa (Ángel Magaña), an athletic young priest, is sent to serve a working class community, where he initially faces indifference and hostility. Following the conventions of the Hollywood biopic, the film describes the characters and their plights with affection, and a dash of drama, as they are changed by the example of the priest.

The Priest Lorenzo

7.5 1954
Misa en Compostela

Filmed during Ana Mariscal's tour of various locations in the north of the peninsula to present her first feature film, "Segundo López, aventurero urbano", shows a day in the life of the city of Santiago de Compostela, with special attention to a liturgy celebrated in its cathedral and following its very young and wild altar boy, although also showing part of the daily practice of a disenchanted Pharmacy student and configuring the physiognomy of a city marked by rain, the University and the power of the Catholic Church.

Misa en Compostela

7.0 1954
3 citas con el destino

The story unfolds through the twists and turns of a strange curse attributed to a jewel that, passed from hand to hand, carries a deadly destiny. Its theme spans the three countries where it was filmed (Spain, Mexico, and Argentina), beginning in Spain and then moving to Mexico. The jewel, which takes on the character of another figure in the narrative as it travels through different parts of the world, arrives in Buenos Aires. The film ultimately presents the jewel's final destination in Mexico, where its owner dies, like others who were also marked by its malevolent influence.

3 citas con el destino

6.2 1954