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The Ugly Little Boy

Edyth Fellows is a nurse recruited for an research project with a time travel device that can snatch any being from any time and bring it to the present. The first such test brings an Neanderthal child to the project and Fellows is responsible for his care for the interim. As she manages this task, Fellows is increasingly revolted at how the scientists dismiss him as little more than an animal, especially when his real intelligence shows. This growing moral dilemma comes to a head when Fellows realizes what they plan to do with him and she cannot stand by and let it happen.

The Ugly Little Boy

5.8 1977
This Was the Time

When Masset, a Haida village in Haida Gwaii (formerly known as the Queen Charlotte Islands), held a potlatch, it seemed as if the past grandeur of the people had returned. This is a colourful recreation of Indigenous life that faded more than two generations ago when the great totems were toppled by the missionaries and the costly potlatch was forbidden by law. The film shows how one village lived again the old glory, with singing, dancing, feasting, and the raising of a towering totem as a lasting reminder of what once was.

This Was the Time

8.0 1970
Greetings to Kamal Jumblatt

Tribute to the Druze Kamal Jumblatt, Minister of Economy and Agriculture (1946) and founder of the Progressive Socialist Party (PSP) in 1949. He was one of the architects of the departure of President Bechara el-Khoury (1952), before playing a major role in the events of 1958. From 1960 to 1964, Kamal Jumblatt assumed, under the presidency of Fouad Chehab, various ministerial functions . . After the conflict of June 1967, he gradually approached the Palestinian organizations. In 1969 he became Minister of the Interior; in August 1970, he supported the election of Soleiman Frangié as President of the Republic. Following the Lebanese-Palestinian clashes of May 1973, he took sides against the head of state, established himself as the leader of the National Movement in 1975 and engaged in a revolutionary armed struggle against the Lebanese Front. Hostile to Syria's intervention in Lebanon, he broke with it (March 1976). He was assassinated near a Syrian checkpoint in 1977.

Greetings to Kamal Jumblatt

6.4 1977
Los Canadienses

This feature documentary profiles the brave Canadians who fought in the Spanish Civil War between 1936 and 1939. To save Spain's constitutionally elected government from the threat of a fascist dictatorship (which eventually prevailed), over 40,000 volunteers from around the world fought in Spain, and 1200 of those were the Canadians of the Mackenzie-Papineau Battalion. More than half of them never returned. This respectful, emotional and historically rich film is committed to the memory of those who truly believed in the cause of the Spanish Republic.

Los Canadienses

8.3 1976
Metal Messiah

A bizarre sci-fi rock opera like little else being produced under the banner of Canadian film at the time, Metal Messiah is about an enigmatic metallic-skinned stranger trying to stop society's self-destructive obsession with rock and roll. Anchored in Toronto's live music scene if the late 1970s, this dystopian parable was the feature film debut of local music impresario and director Tibor Takács. Working with screenwriter Stephen Zoller, Takács' film is a crudely crafted, episodic work that plays out like a glam version of Amos Poe's avant-punk NYC flick The Foreigner (1978), but with even more ambition, attempting to scale to the bombastic rock opera heights of films like Phantom of the Paradise (1974) and Tommy (1975). (from: http://www.canuxploitation.com/review/metalmessiah.html)

Metal Messiah

3.4 1978
Technology/Transformation: Wonder Woman

The video opens with a barrage of explosive imagery along with an audio track of a siren taken from the 1970s TV show Wonder Woman. The following scenes are fast paced repeated shots from Wonder Woman, with several scenes following of actress Lynda Carter as the main character Diana Prince, performing her transformative spin from secretarial role into superhero role. […] The representation of repeated transformations expose the illusion of fixed female identities in media and attempts to show the emergence of a new woman through use of technology. […] The video ends with a scene of repeating explosions that precedes a blue background with white text that scrolls upwards, delivering a transcription of lyrics to the song ‘Wonder Woman Disco'.

Technology/Transformation: Wonder Woman

5.7 1978
People of the Seal, Part 1: Eskimo Summer

The first of two coproductions by the British Broadcasting Corporation and the National Film Board of Canada, People of the Seal, Part 1: Eskimo Summer is compiled from some of the most vivid footage ever filmed of the life of the Netsilik Inuit in the Kugaaruk region (formerly Pelly Bay) of the Canadian Arctic. The original films of the Netsilik series attempted to recreate the traditional lifestyle of Netsilingmiut living there. They show the incredible resourcefulness of the Netsilik (People of the Seal) who have adapted to one of the world's harshest environments. Part 1: Eskimo Summer shows how Inuit families prepare for winter by hunting seal, birds and caribou and by fishing for Arctic Char during the extended hours of daylight.

People of the Seal, Part 1: Eskimo Summer

10.0 1971
Leçons de cinéma de Godard à Montréal, classe 11

Lesson of October 13, 1978 (course #11). Films discussed: Dracula (Tod Browning, 1931), Germany Year Zero (Roberto Rossellini, 1948), The Birds (Alfred Hitchcock, 1963), Weekend (Jean-Luc Godard, 1967). In the vaults of Concordia University's Visual Collections Repository department slept some 30 ½-inch black-and-white video open reels. They contained Jean-Luc Godard's 14 lessons, spread out from April 14, 1978 to October 21, 1978. The sessions consisted of long and brilliant series of digressions (often uninterrupted), initiated by questions from the audience or from Serge Losique. There are dazzling reflections on editing, economics, actors and actresses, war, political commitment, the media, and we witness the setting in motion of a unique thought.

Leçons de cinéma de Godard à Montréal, classe 11

NR 1978
Comptines

"Springtime means being outside. It means being able to play hopscotch, and sing songs, and play with bolo-bats. Comptines is about little girls celebrating spring in Montréal. They play in alley-ways, in doorways, in parks and on the street. They sing songs that were sung by their parents, and maybe their grandparents. Gibberish rhymes, counting songs, and old folksongs ring out in children's voices. Without commentary, this short sketch travels the by-ways of Montréal where little girls play. Comptines is a French word for children's song games." -- National Film Board of Canada

Comptines

6.7 1975
Leçons de cinéma de Godard à Montréal, classe 1

Lesson of April 14, 1978 (class #1) Films discussed: Fallen Angel (Otto Preminger, 1945), Breathless (Jean-Luc Godard, 1958). In the vaults of Concordia University's Visual Collections Repository department slept some 30 ½-inch black-and-white video open reels. They contained Jean-Luc Godard's 14 lessons, spread out from April 14, 1978 to October 21, 1978. The sessions consisted of long and brilliant series of digressions (often uninterrupted), initiated by questions from the audience or from Serge Losique. There are dazzling reflections on editing, economics, actors and actresses, war, political commitment, the media, and we witness the setting in motion of a unique thought.

Leçons de cinéma de Godard à Montréal, classe 1

NR 1978
Grierson

A portrait of John Grierson, the first Canadian Government Film Commissioner and founder of the National Film Board in 1939. Interweaving archival footage, interviews with people who knew him and footage of Grierson himself, this film is a sensitive and informative portrait of a dynamic man of vision. Grierson believed that the filmmaker had a social responsibility, and that film could help a society realize democratic ideals. His absolute faith in the value of capturing the drama of everyday life was to influence generations of filmmakers all over the world. In fact, he coined the term 'documentary film'.

Grierson

7.3 1973
Wow

In this French Canadian film, the lives of teenagers are examined in fantasy sequences and through the use of documentary interviews. Prompted by the filmmaker, nine teenagers individually act out their secret dreams and, between times, talk about their world as they see it. The fantasy sequences make creative use of animation, unusual film-development techniques, and stills. Babette conceives of herself as an abbess defending her fortress, a convent; Michelle is transported in a dream of love where all time ceases; Philippe is the revolutionary, defeating all the institutions that plague him, and so on, through all their fantasies. All the actual preoccupations of youth are raised: authority, drugs, social conflict, sex. Jutra's style in "Wow" exhibits his innovative approach to storytelling and filmmaking, showcasing his talents as a director during that period. With English subtitles.

Wow

5.5 1970