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Letter From A Guarani Woman In Search Of Her Land Without Evil

The Land Without Evil is the mythology that guides the Guaraní communities. It narrates the search for a lost paradise. From the moment that Europeans crossed the Atlantic, it became the anima of a resistance discourse. How many different weapons does it take for a fight? The solo exhibition of Patrícia Ferreira Pará Yxapy, one of the most engaged women among Brazil’s Indigenous filmmakers combines new works and the archive behind her audiovisual journey over the past 15 years, always in close collaboration with the Mbyá-Guarani Cinema Collective. It presents Indigenous cinematic practice as a tool of resistance and healing showcasing intimate and painful thoughts on the feminine, on spirituality, colonization, and the relationship to land.

Letter From A Guarani Woman In Search Of Her Land Without Evil

NR 2020
Inês

Triggered by congressman Jair Bolsonaro’s homage to the torturer Carlos Alberto Brilhante Ustra, during president Dilma Rousseff’s impeachment hearing in 2016, Inês, a 70 year-old actress, starts a fragmented narrative of her own history, transforming the memories of her youth as an artist and guerrilla fighter during the military dictatorship into performances. Using as a starting point her participation in Teatro Oficina's 1967 production of the play "King of The Candle", by Oswald de Andrade, Inês creates a manifesto in defense of art's political strength, intertwined with memories of lost love and resistance.

Inês

NR 2020
Legado Italiano

Italian emigration to Brazil was one of the biggest migrations of all time. This precious exploration of almost 150 years of history and work was filmed in the mountainous southern region of Serra Gaúcha in Brazil, where a population largely originating from Trentino and Veneto introduced viticulture and still speaks the talian dialect, and in the areas of northern Italy where the families came from. The film returns there in search of the memories and traditions handed down to their descendants.

Legado Italiano

8.7 2020
A8

Whether in the midfield, or in any other medium, consciousness is the method. This is demonstrated by A8, an audiovisual monologue in short film with Afonsinho, who knows how to see more than his teammates on the field: – “In order to have a game you need your opponent too”. The heir of Zizinho and Didi’s jersey number values individual talent, but doesn’t ignore that, without the guy who does the heavy work, there is no solo performance. There is no owner of the ball in A8.

A8

NR 2020