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Meth Kelly

Meth Kelly explores how Australia’s colonial frontier narrative has been shaped by the imaginary heroic actions of the cult figure Ned Kelly. Through a video work projected in one of the shadowy tunnels of the ex-convict structures at Cockatoo Island, this work questions the legitimacy of Kelly’s hero status through a modern reinterpretation of his moral persona. Thornton skews the national narrative rooted in the romance of a Western, by transforming Kelly into a “meth head robbing a 7 Eleven”, placing him in a banal (sub)urban delinquent realm, far removed from cult status. Commissioned by the Biennale of Sydney.

Meth Kelly

NR 2020
Bushfire Animal Rescue

From the ashes of Australia’s devastating bushfires, wildlife survivors begin their long journeys to recovery. Australia’s fauna have evolved to coexist with bushfire, but these Black Summer fires are unprecedented in their scale, speed and intensity. Many native animals are unable to escape, or endure, without human help. We follow iconic species like koalas, kangaroos, wombats, and an endangered parrot through their rescue, rehabilitation and eventual release. Remarkable tales of compassion and dedication are revealed along the way – from an orphan wombat growing too attached to her carer, to audacious helicopter airdrops to feed remote rock wallabies. When the fires finally burn out, Australia looks to the science, innovation and Indigenous knowledge that will be needed to safeguard fragile wildlife in an even hotter future.

Bushfire Animal Rescue

8.0 2020
The Human Bean

Eating only the contents of 191 tins of beans over 40 days transforms Beau into The Human Bean, and in doing so gives him a front row seat into how one food, totally and utterly, dictates how he feels. Beau uses his intimate knowledge of running to compare his former self to his bean-self, logging lacklustre training for an ultramarathon that he plans on running during the final day of the experiment. Epiphanies are had, saddles are blazed, and genuine insight emerges from what is strangely appealing day-to-day of mediocrity.

The Human Bean

NR 2020
ROAR

A documentary of Asian Marching Boys and Friends. An LGBTIQ+ Asian group that has been marching in Sydney Mardi Gras over 15 years. Being LGBTIQ+ and Asian in Australia is not easy. This community group and Mardi Gras Festival have helped them to have the place to raise and roar their voice louder, promote the visibility and acceptance of being LGBTIQ+ Asian people in Australia. The perspective interview of the community leaders and group members reveal how they create a very strong group and outstanding parades until become well-known nowadays and always being presented on the TV news and media every single year.

ROAR

NR 2020
In the Shadow It Waits

In The Shadow It Waits is a psychological horror film performed, shot, and edited live with actors performing from their own homes in different states across Australia. The audience is witnessing a film being made as they watch. 61 Scenes, 58 Camera Setups, and everything LIVE - this is definitely not a zoom call. The film tells the story of four twenty-something co-workers, bored with their day jobs and sick of being locked up in isolation, who play a silly online game and unwittingly prove the truth of an urban legend. However, whilst they may not be able to get out, that doesn't mean that something can't get in.

In the Shadow It Waits

NR 2020
My Two Lives, Creative Response to the Holocaust

Lotte Weiss is a Slovak Jew, who spent several years of her life at Auschwitz and Birkenau. Now she is 95 years old and lives in Australia. The director and artist Thea Weiss is married to Lotte’s son. Lotte’s stories and experiences inspired Thea to create a documentary. During the war, thousands of Slovak Jews were deported to the death camps. Only 500 survived, and Lotte was one of them. The amount of vital energy she has helped her not only to survive the torture and devastation but also, having carried the trauma in her memory through decades, to remain whole. Her capacity for kindness, forgiveness, and love gave her the strength and the will for survival.

My Two Lives, Creative Response to the Holocaust

5.0 2020
SOLVE et COAGULA

The ancient Thracian bard Orpheus laments ever for his lost love Eurydice. Having returned from the Underworld in his attempts to retrieve her, he can now no longer die, yet lacks presence. So the maenads tear him limb from limb... Two thousand years later: An immortal head, disembodied, aware now of the power of the physical form in which it is forever encased. Upon the Templar altar, wise yet carnal, the only way it can now enjoy the idea of a body is through vicarious experience of others enjoying theirs. Thus with the heightened senses remaining in the head, s/he desires to create a new physical vessel.

SOLVE et COAGULA

NR 2020