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When Muslims are shown in the media, they are often portrayed as the bad guys. And yet every year, over a hundred Swiss people convert to Islam. «I testify that there is no God but Allah and that Mohammad is His prophet.« The heroes of Shalom Allah study the new religion and begin their journey into Islam.

Every Good Friday, the inhabitants of Burzet, in Ardèche, repeat the Way of the Cross of the Passion of Christ. In 1992, the filmmaker Jean-Pierre Bozon filmed this ceremony at length and met the main characters in this seven-century-old Way of the Cross. Gérard Courant collected and edited the rushes from this filming and made five films. The first, Régis Audigier, le Christ de Burzet, is an encounter with Régis Audigier, farmer and interpreter of the Christ of the Passion of Burzet.

An autobiographical, partly animated, documentary about a filmmaker striving for a better future as a survivor of childhood sexual assault.

For Renzo, a teenager from Trujillo, Peru, the days pass by on the streets and skateboard runways where he tries to master new tricks on his board. Until fate leads him to meeting Zoe, a girl who spends her afternoons drawing the dozens of telephone antennaes that cut across the city sky, and his life transforms almost imperceptibly.

A poetic approach to the island of Lanzarote.

A recent graduate is urged by an impossibly perfect woman to start digging a hole in a nearby park, setting in motion a chain of events that threaten her emotional balance and carefully maintained routines.

Joaquín Gaztambide’s A Midsummer Night’s Dream was first performed at the Teatro del Circo in 1852. Participating in the revival of this comic opera are Miguel Ángel Gómez-Martínez, the veteran musical director, who considers Gaztambide to be “interesting, enjoyable and the holder of an extraordinary musical quality”, and Marco Carniti, the stage director, who wants to make us enjoy the beauty of a work which cheerfully veers between dream and reality. The libretto has been completely revamped and the action moved to Rome in the 1950s. Broadcast live from the Teatro de la Zarzuela on February 10th, 2019.

"Captain" Werner and his crew are quite astonished: in the depot of the Berlin garbage disposal there is a stroller with a baby!

When England's King Henry VIII falls for the young, beautiful Anne Boleyn, he must somehow remove his beloved wife, Katherine of Aragon. Church and state collide when he defies papal authority by seeking to divorce her. The consequences will be epochal for the country – and calamitous for the king’s adviser, Cardinal Wolsey, who has been playing a dangerous game of his own. Passion, political intrigue, and personal faith drive the action as this Stratford Festival production of Shakespeare's play brings vividly to life the thrilling human drama behind a pivotal moment in history.

For a quarter of a century, Frank Castorf has created a microcosm in the Volksbühne that many considered to be an identity-forming fortress and a renegade island in the increasingly chic and monotonous centre of the capital. The marathon productions for which he was responsible were true orgies of association that demanded everything from the audience. The film accompanies Castorf's final season and is there when the theatre people get together once more to start a last fireworks display in the face of an uncertain future. (weltfilm GmbH)

Every Good Friday, the inhabitants of Burzet, in Ardèche, repeat the Way of the Cross of the Passion of Christ. In 1992, the filmmaker Jean-Pierre Bozon filmed this ceremony at length and met the main characters in this seven-century-old Way of the Cross. Gérard Courant collected and edited the rushes from this filming and made five films. The third, Gaston Hilaire, the former centurion of Burzet, is an encounter with Gaston Hilaire, the former centurion of the Passion of Burzet.

An essayistic architecture documentary dwelling on modern-day Ukraine, Constructivism, and the Soviet Revolution.

After more than 75 years, Vicente Montejano tells us first-hand about his experience of more than 14 years in the Russian Gulag after the end of the Spanish Civil War.

After the death of his estranged father, professional rainbow-watcher Stefano finds out he has a 13-year-old half-brother, and that he must become his legal guardian to receive the inheritance.

In 1982, the Argentine military dictatorship invaded the Malvinas Islands, located 500 kilometers off the country’s coast. The dictatorial government left no stone unturned in using propaganda to convince the people of their mission. Consisting almost entirely of excerpts from the TV program 60 minutes, 1982 summarizes the media campaign that took place over the 74 days of war, when Argentine troops tried to take their island back from the British. We watch TV anchormen ask viewers to donate money for weapons, inspire them to sing the national anthem at home, and welcome government leaders as heroes as they “spontaneously” show up at the studio to celebrate the importance of the mission for the motherland.

Children’s drawings made during complicated visits to their parents. For them San Vittore is a castle. San Vittore is an episode of the series The Roots of Violence which is also composed by: San Siro (2014) San Giorgio (2019)

A found-footage essay, Filmfarsi salvages low budget thrillers and melodramas suppressed following the 1979 Islamic revolution.

When a quiet British town is terrorized by a serial killer, the overwhelmed police turn to an ex-detective for help. However, as he struggles to solve the mystery of the horrific murders, his demons return to haunt him once more.

Daniel Romualdo Mora, a young cellist afraid of dentists, must face his biggest fear when a toothache gets in the way of his routine. His panic will make him confuse reality and imagination.

How can an artist discover abstraction by the beginning of the 20th century and nobody is noticing? A woman, misjudged and concealed, rocks the art world with her mind-blowing oeuvre. Hilma af Klint was a pioneer creating her first abstract painting in 1906, four years before Vassily Kandinsky. But why was she ignored? Why are her paintings not available on the market? This first film on her is about her life and work, the role of women in art history and the discovery of an art scandal. Her quest for meaning in life and a boundless thinking led into a timeless, outstanding oeuvre.

Male and female, women in pants, extravagant or ambiguous, transvestites in their own ways summon up another genre ... of art history! Why do men disguise themselves as women? What about women as men? Why did transvestites make people laugh first, then make people think? Sheltered under the golds of Versailles, the Comédie Française or the venerable Academy, the transvestite broke into hiding before embracing the light. From Shakespeare to Molière, from Charlie Chaplin to Sarah Bernhardt, via Gainsbourg, Colette, Michel Serrault and the Drag Queens, it is the story of a figure who gradually exceeded his status as an outcast to become a source of 'inspiration'.

Nearing the end of a long and successful stage career, Miriam Goldschmidt finds her prowess as an actress increasingly on the wane. She struggles to memorize her lines and as her last project with lifelong collaborator, the legendary director Peter Brook, threatens to fall apart, Miriam looks back. Referencing Brook’s ground-breaking book «The Empty Space», she uses an empty rehearsal room in Berlin to invoke her archetypal life journey that took an orphaned black child from post-war Germany to the world’s biggest stages. We «Call Her Miriam» is a bewitching and moving portrait of a great artist living between dream and reality, truth and fction and life and death.

Toco is a hermit mountain man who finds an injured man on the road and decides to take him home to help him recover. They start to get along when a third man, obsessed with buying Toco's land, appears. Things will escalate and the men will begin to show their animalistic nature.

Pinocchio was tired of being a puppet in the Land of Toys. Living without responsibilities, without any merit, without any respect for the environment he's living in and with no thoughts about the future made him a donkey. He decided to meet Geppetto and find a way to return to his human form.

Twelve young actors, a poetess, and a director spend together three months in a theater in the middle of woods. Every day the poet Mariangela Gualtieri writes poetry drawing inspiration from the girls and guys themselves.The group of actors is trained by the director Cesare Ronconi to become a chorus, a unique body compact on stage. At the same time every actor is pushed to fathom their own solitude. The winter wood around the theater becomes the labyrinth to face where everyone looses themselves.

He suddenly appeared. During lunch break he always stands alone in the school yard. Vera watches him with secret fascination.

A hybrid film set in London by a Rwandan director, exploring a three­way relationship between a mysterious Nigerian man, a British woman and her ex. After his death, Simon appears to the ex as a ghost to tell his story, demanding a presence that was denied him as an asylum seeker. British and European political furor threaten both the director’s film plans and his stay in the UK. The fictional scenes are intercut with scenes of demonstrations.

Based in the world of Harry Potter during Voldemort's first rise to power, Andromeda, Bellatrix and Narcissa are the three sisters of the most noble and ancient house of Black. In their Hogwarts years, they were accomplished duellers, competitive to the last. Now, the sister's choices will soon decide their ultimate fates.

Whoever wants to die goes to the Grimmelstein. But Naomi is the only one there all by herself - she is desperately looking for her boyfriend Max. Her calls go unanswered, her screams are swallowed up by the fog, Max is nowhere to be found. Didn't they want to do it together? Naomi slowly begins to doubt whether love is really stronger than death.

Aiken, suffering from Alzheimer's disease, returns to his former family home to try and keep hold of his memories.

Ernst Krenek's theatrical piece Karl V. consisting completely of twelve-tone series should have premiered at the Vienna State Opera. The political situation in the Vienna of 1933 and the fact that Krenek was despised by the Nazis because of this Jazz opera Jonny spielt auf, prevented the première. It only took place five years later in Prague, however Krenek had already emigrated to the USA. Karl V was the last emperor to hold to the idea of a Christian empire in which the sun never set, although its downfall was always inevitable, for numerous reasons. For the second production of Karl V. in the Nationaltheater, Carlus Padrissa in particular seeks out political power systems that are highly topical, and so very precisely analyses the treatment in the theatrical piece. At the core of the intellectually and linguistically highly qualified libretto, written by the composer himself, Karl V. reflects on his life and makes his confession to a young monk below Titian's La Gloria.

Nearing her final year of school, Hilda’s aspirations hit rock bottom when she is forced to contend with the abandonment of her parents and the dependency of younger siblings. Determined to avoid the breakup of her family, she depends on dance to keep the enclosing chaos at bay. As people begin to vanish from Hilda's life, her only constant is music, but when it stops the silence is deafening.

A police detective consults with incarcerated serial killer Ted Bundy to help him catch The Green River Killer. Based on terrifying true life elements which inspired Silence of the Lambs. In 1984, police in Washington State are investigating a spate of serial murders committed by a mysterious man known as The Green River Killer. With no leads to go on, the detective in charge of the case consults with psychologists in an attempt to get inside the mind of the killer. But when that doesn't produce a positive result and the killings continue, the detective realizes that the only way to understand what makes a serial killer tick is to meet one. So he visits the imprisoned Ted Bundy, one of the most notorious serial killers in American history.

Thomas, a 17-year-old high school student, finds himself attracted to Esteban, another boy from his school. The rumor of Thomas's homosexuality is spreading fast, and he begins to suffer the gaze of others.

We are somewhere in the north of Spain. After crossing a town, in the rain, at the end of a tunnel, the valley of Solana opens up. The grain and the flickering of the film add a dreamlike quality to the journey that begins in the deserted mountains. For thirty years now, the villages have been emptied of their inhabitants, who were snatched by the towns, as a shepherd tells Emmanuel Piton.

The legend of Hamish MacInnes began early. At 16 he climbed the Matterhorn. At 17 he built his first motor car – from scratch. He attempted Everest in 1953 with his friend Johnny Cunningham, and almost stole the peak before Hillary and Tenzing. As an explorer, expedition leader and engineer he achieved world fame. As inventor of the all metal ice axe, author of the International Mountain Rescue Handbook and founder of Glencoe Mountain Rescue he has been responsible for saving hundreds of lives, if not thousands. But at the age of 84, his accomplishments could not save him from being institutionalised against his will, suffering from delirium. After a spell in psychogeriatric detainment in a hospital in the Highlands of Scotland, during which he made many escape attempts – he emerged to find his memory gone. This film tells the story of his life by mirroring his greatest challenge: to recover his memories and rescue himself.

How mass protests on the Israel-Gaza border led to one of the deadliest days in a generation. One year later, a moment-by-moment investigation, drawing on exclusive interviews in Gaza and Israel and videos of the protests and bloodshed.

The protests of 1968 had a significant impact on the great cities of the world. But people like to forget that the periphery went through the same social upheavals – Central Switzerland, for example. This is hardly surprising: in the founding cantons of the Old Swiss Confederacy, society followed a strict order; tradition, shaped by centuries of Catholic rule, seemed untouchable. But in the 1960s, the local youth could not take these stifling conditions anymore: starting in 1969, resistance broke out across Central Switzerland.

A portrait of a 30-year-old woman who left Paris to restart in Normandy working as a shepherdess.

Dr. Heller is treating Lucas for agoraphobia with exposure treatment. But the forest where they go is inhabited by a strange force which will make both of them project their deepest traumas.

When they piss standing, all men are works of art.

After being missing for almost 80 years and despite the obstacles, the wolves are on their way back to their former territories. The documentary tells the great mystery of the dispersal of wolves: how the young wolves leave the territory where they were born and the way in which these adventurers set out to conquer new territories. For two years, Jean-Michel Bertrand conducted real research to try to understand the complex and erratic functioning of these young wolves, their encounters with their peers, and the opportunities to become a couple.

Amma, a young, black lesbian, spends the day in an Afro-Caribbean hair salon full of fun, sheen spray, gossip and laughter - but how will she deal with the casual homophobia?

An abstract dining room is the setting for Scottish Ballet’s largest film yet. Tremble stars 26 Scottish Ballet dancers and has been co-choreographed and directed by Jessica Wright and Morgann Runacre-Temple, set to Anna Meredith’s brassy track ‘Nautilus’.

Little Boriya is bored. She would love to play with someone, but it's harvest time and everyone is busy. Alone, under the river's bridge, she will realise that life isn't always how she imagined it to be.

Two friends set out on a trip to a beautiful town in Colombia in order to develop a business project that will allow them to avoid their respective destinations. Juan Felipe does not want to go to work in his father's company and Tomás does not expect to go through the embarrassing process of looking for work. In the middle of their journey, they will learn to know themselves, while they are winding up the details of their condition as millennials who have not yet reached 30. Their life is a contradiction, since they feel like adolescents, although with a much older age advanced, but they are not capable of recognizing themselves as adults willing to assume responsibilities and undertake the process of maturing.