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Picasso, Braque & Cie - The Cubist Revolution

In 1906, Georges Braque and Pablo Picasso were 24 and 25 years old. The Butte Montmartre is their Parisian sanctuary where artists in need of recognition meet. Braque and Picasso become friends to the point of never leaving each other. For the moment, their paintings do not interest many people; only Apollinaire, then aged 26, and the young gallery owner Daniel-Henry Kahnweiler, 22, saw immense potential in them. And in addition to their passion for painting, these four inseparable boys share the same appetite for modernity. Collages, diversions of materials and geometrization of forms: cubism opened the way to abstraction. A revolution initiated by Picasso and Braque, which profoundly changed the course of the history of modern art.

Picasso, Braque & Cie - The Cubist Revolution

8.8 2018
Compression de À travers l'univers

"Compression de À travers l'univers" is the reduction of my film À travers l'univers from 1 hour to 18 minutes into a 4-minute movie. The film is "compressed" like a work by Arman or Caesar. But unlike the work of these artists who compressed usual objects, this self-compression reduces a purely artistic object. The tour de force and the bet of Compression de À travers l'universe was to make a total compression: in this film, there is no lack of a single shot of the original film!

Compression de À travers l'univers

NR 2018
We Are Thankful

In the township of Mphopomeni in the KwaZulu-Natal region of South Africa, Siyabonga, a young man, puts up theatre plays. When he hears about a movie that will be shot in a nearby town, he makes it his mission to be part of it. From conspiring with a maid to steal wifi from the “umlungus” (white people) so he can write an email to the film producers to using witchcraft, Siyabonga does all he can to improve his life and take control of his fortune. And after travelling many surprising roads, he’ll finally meet the film’s director. Siyabonga is born out of their encounter.

We Are Thankful

7.7 2018
Wir lieben das Leben

The good thing about a low point is, you can not fall lower. At least the unemployed Maria Kowalke thinks after her break-up and when the "strange" father re-enters her life. Instead of teaching art education, Maria, who urgently needs work, has to step in as a music teacher in a secondary school. The lack of concentration and insubordination of their 10th graders quickly push them to their limits. It could always be worse! But Maria Kowalke is a teacher who advocates for her students, and her father Max Schellinger a pensioner who is far from the old iron.

Wir lieben das Leben

4.0 2018
Amir Naderi by Amir Naderi

Iranian film director Amir Naderi talks to Zar Amir Ebrahimi about his career in this documentary directed and produced by Ebrahimi and broadcast by BBC World Service and BBC Persian. Amir Naderi is one of the most influential figures of Iranian modern cinema. He was born in 1945 in the Persian Gulf port of Abadan. Orphaned at an early age and living the life of a street urchin, Naderi had to survive by selling ice, working as a shoeshine boy and recycling empty beer bottles. He developed his knowledge of cinema by watching films in the theaters where he worked at a very young age. He began his career by taking pictures for some notable Iranian features. In the 1970’s, he started directing his own films, and made some of the most important movies of the New Iranian Cinema. After moving to New York in the early 90’s, Amir Naderi continued to make films. They have premiered at the Venice, Cannes, Tribeca, and Sundance Film Festivals.

Amir Naderi by Amir Naderi

NR 2018
Glyndebourne: Hamlet

Brett Dean's multi-award-winning opera received its world premiere at Glyndebourne Festival 2017. The world premiere recording of Brett Deans new opera based on Shakespeares best-known tragedy: To be, or not to be. This is Hamlets dilemma, and the essence of Shakespeares most famous and arguably greatest work, given new life in operatic form in this original Glyndebourne commission. Thoughts of murder and revenge drive Hamlet when he learns that it was his uncle Claudius who killed his father, the King of Denmark, then seized his fathers crown and wife. But Hamlets vengeance vies with the question: is suicide a morally valid deed in an unbearably painful world?

Glyndebourne: Hamlet

NR 2018
Pas comme lui

Leo is a young man in his early twenties. Originally from the provinces, he arrives in Paris to find work and settle down. He hasn't seen his father in over ten years. His father left the family home, leaving his mother to raise him alone. Leo was able to trace his father via the Internet. He was living alone in Paris. Leo informed his father of his arrival and asked him to take him in while he found an apartment and a job. When Leo arrived at his father's house, he discovered how precarious his life was. He has taken up residence in a small two-room apartment in a working-class district of Paris, and has been unemployed for a long time. As Leo reconnects with his father, he unwittingly discovers his father's hidden life.

Pas comme lui

NR 2018
Der Lissabon-Krimi: Alte Rechnungen

Lisbon Attorney and former DA Eduardo Silva never got over the death, two years ago, of his wife valentine in a car crash. When he and his gypsy assistant Marcia Amaya hear crime baron Tiago Zarco is arrested having been found over the corpse of the massive pharmaceutical fraud case, she's surprised like the DA that Eduardo offers to defend Zarco, who accepts while keeping his uncooperative right hand-lawyer on, even if that solves their law firm's dire financial state. Silva seems prepared to risk his lawyer license for vengeance on the monster who had an affair with Valentina, yet refuses to look away from indications that Zarco hasn't committed or ordered the murder, but sets a risky trap for those fiends, which proves extremely difficult and dangerous.

Der Lissabon-Krimi: Alte Rechnungen

2.7 2018
A Girl from Ouessant

At the tip of Brittany, the island of Ouessant—a grassy heathland swept by sea winds—is the last land before America. Given its geographical situation, it is a place that opens wide the doors of imagination. A Girl from Ouessant is an invented and, at the same time very documented, cartography of the island. This methodical statement starts as the diary of Éléonore Saintagnan, the resident artist-filmmaker at the Créac’h semaphore station, an ideal site for observing the surrounding area. Then, the account shifts towards a playful mise en scène, peopled with sailors’ wives, kelp burners, stories of little black sheep or countless shipwrecks… Drawing on the regional archives filmed in black and white dating from a time when the island lived mainly from fishing, the game begins.

A Girl from Ouessant

NR 2018