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The Detour

During a school outing, Dominic’s [John Galdes] pet dog Rameses – which a sculptor [Adrian Rendle] has sketched for a work depicting the Egyptian dog-headed god Anubis – runs away. While looking for the animal, Dominic visits the sculptor’s home, and on seeing the finished sculpture experiences a premonition of evil. That night, however, he has a dream about a religious revelation at the Miraculous Grotto, and the next morning goes to the site to find Rameses unharmed.

The Detour

NR 1979
The End of the Rainbow

Uwe Friessner’s first feature, At the End of the Rainbow, follows the exploits of a West Berlin teenager named Jimmi who ekes out a living through petty theft and part-time hustling, hangs out in punk clubs, and who, for reasons which this film subtly details, is thoroughly unemployable. Drawing on his own experience in trying to help a young runaway who eventually committed suicide, Friessner wrote into Jimmi’s story several older students who attempt to find work for him, and who give him shelter for a time in their commune.

The End of the Rainbow

5.4 1979
Journal D'un Prêtre Ouvrier

Georges Gauthier, the young vicar of a small village in the North of France, experiencing the emptiness of his ministry, decides the follow the local youngsters, who almost all go to town to find work there. To go on being with the vital forces of his village, he decides to take a job of a steelworker. Georges settles down in a suburb, sharing an apartment with a priest-worker, older than him. What he hopes is to give a new meaning to his vocation by living the same life as the workers of a steel plant...

Journal D'un Prêtre Ouvrier

NR 1976
The Pyjama Girl Case

Two seemingly separate stories in New South Wales: a burned, murdered body of a young woman is found on the beach, and a retired inspector makes inquiries; also, Linda, a waitress and ferry attendant, has several lovers and marries one, but continues seeing the others. The police have a suspect in the murder, but the retired inspector is convinced they're wrong; he continues a methodical investigation. Linda and her husband separate, and there are complications. Will the stories cross or are they already twisted together?

The Pyjama Girl Case

5.8 1977
The Common Man

Georges Lajoie is a Parisian café owner. As every summer, Georges, his wife Ginette and grown-up son Léon go on holiday to Loulou's campsite, where they meet up with the Schumacher family (whose father is a bailiff) and the Colin family (who sells bras in the markets). This year, their peace is slightly disturbed by the proximity of a construction site where foreign workers are employed. Xenophobic comments are made. One evening at the ball, a fight breaks out between Lajoie, Albert Schumacher and two algerian immigrant workers...

The Common Man

7.0 1975
I Don't Know Much, But I'll Say Everything

Pierre Gastié-Leroy is the son of a wealthy director of a factory of weapon manufacturing. Despite his parents, two generous uncles and a bishop godfather who try to inculcate him the rigid values of his social level, Pierre is a dreamer, antimilitaristic, social educator who dreams of saving three thugs, his "little guys" at the limit of delinquency. After several resounding failures that sent him to prison, Pierre is ordered by his father to join his factory to direct the social service. Tired of the venality of his father and the foolishness of the "little guys", Pierre hires them at the factory...

I Don't Know Much, But I'll Say Everything

5.3 1973
The Girl with the Moon Skin

Also known as The Sinner on UK VHS, this one could almost be mistaken for a D'Amato Black Emanuelle film (as well as Jess Franco who also had a film with the same video title). The Italian title translates as The Moon-Skinned Girl, a reference to the amazingly attractive Zeudi Araya, who made two other films with the same director. As a film it really typifies the 'eurotika' of the 1970s - the story concerns a couple with marital problems who escape to the Seychelles and the husband meets - and has an affair with - the title character. The wife meanwhile meets an ex-pat living there (Giacomo Rossi-Stuart!) with whom she has a fling. The couple realise their love for each other and return home stronger for it.

The Girl with the Moon Skin

4.3 1972
Women in the Sun

August 15, the vacations. Lots of people on the roads. And in particular, a young man on a motorcycle heading for the Midi. There, in a comfortable villa, he meets Emma: middle-aged, with charming children, money and a young girl's heart. In this villa, couples spend comfortable vacations. While the husbands discuss cars, play cards or wrestle with maids, the wives laze in the sun, make themselves beautiful, gossip, scratch each other's nails and dream, above all, of what their lives could be like with another companion. Each one takes stock of who she is and what lies ahead. For Emma, it could be a new start with the young man on the motorcycle she's been thinking about all day. But in the evening, everything goes wrong: a couple breaks up and a phone call announces that the expected guest has been involved in an accident; dead or injured, we don't know! For Emma, reality reweaves its torn web.

Women in the Sun

9.0 1974