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The Great Jewel Robber

Director Peter Godfrey's 1950 drama, inspired by true events, dramatizes the crime spree of the notorious jewel thief known as "The Hollywood Raffles", whose famous robbery victims included such real-life celebrities as Joan Crawford, Errol Flynn, Alexis Smith and Dennis Morgan. David Brian stars in the title role, and he's supported by John Archer, Marjorie Reynolds, Jacqueline de Wit, Alix Talton, Ned Glass, Perdita Chandler and columnist Sheilah Graham, playing herself.

The Great Jewel Robber

7.6 1950
Men, Mail and Machines

Dating to 1957, "Men Mail and Machines" is a film presentation of the new electronic and automatic devices being installed in some of the major post offices of the nation in that era. This film shows the U.S. Postal Service and its efforts to handle the massive volume of mail efficiently. It highlights the challenges faced by the Postal Service due to the high volume of mail and the outdated methods previously used. Postmaster General, Arthur E. Summerfield explains the introduction of modern technologies and systems to improve mail handling, such as automated sorting machines and new vehicles for mail carriers. The film also discusses the need for better working conditions for postal workers and the financial challenges in implementing these improvements. Overall, it emphasizes the importance of modernization to provide better mail service to the public.

Men, Mail and Machines

NR 1957
The Editor’s Notebook

The Editor’s Notebook is a salute from one titan of Chicago media to another. A sponsored film produced by Wilding Picture Productions on behalf of the Chicago Daily News, The Editor’s Notebook mixes documentary footage, staged recreations, and interviews with the newspaper’s staff to illuminate and explain the work of the Daily News and the importance of a free press in American democracy. As both Wilding and the Daily News are long defunct, The Editor’s Notebook also provides an entertaining and accessible look at media companies whose legacies have no present-day corporate guardian or benefactor.

The Editor’s Notebook

NR 1950
Women and Soldiers

Donne e soldati was an example of a ‘decentralised’ production, far from Rome, something that for the most part Italian cinema didn’t fully succeed in achieving until the 1990s. . In many ways the film, which is both Picaresque and anti-heroic, was too far ahead of its time, and it is often considered the precursor to Monicelli’s L’armata brancaleone. This time out, Ferreri takes the reins as producer of the ill-fated undertaking (the two directors will never make another film); however, Donne e soldati, apart from marking Ferreri’s estrangement from Italian cinema for a number of years, today appears to display earthy and carnivalesque elements that will subsequently influence certain aspects of the Milanese director’s vision.

Women and Soldiers

7.0 1955
The Real Miss America

Henry Fonda narrates this documentary short film produced by the United States Department of Defense as a recruiting tool for women to join the armed services. Women's training, social life, and living situations are depicted, as well as a wide variety of jobs in which women could serve in the various branches of the military. Secretary of Defense Robert A. Lovett speaks to the importance of women as part of the national defense, and General Matthew Ridgway praises women for their service in combat-support functions.

The Real Miss America

NR 1952
A Horse's Tale

Sugarfoot, the faithful old plow-horse, fearing his days and place on the farm are numbered since his master had purchased a tractor, destroys it. The farmer is outraged and banishes Sugarfoot from the farm. Sugarfoot is determined to make the money needed to buy his master a new tractor, and he becomes a movie-double for a screen Wonder Horse of the Movies, and makes enough money to buy a new tractor. The farmer forgives him and, as a reward, takes him to the movies, where Sugarfoot sees the star-horse getting all the credit for all of Sugarfoot's stunt-doubling.

A Horse's Tale

5.8 1954
Sock-a-Bye Kitty

An alley-cat, plagued with a bad case of insomnia, reads that the eating of a blackbird is a sure cure. He catches the first blackbird that comes along, which happens to be Buzzy the Crow (not to be confused with Walter Lantz's Buzz Buzzard), who not only talks like Rochester but is nearly as smart as Rochester. Buzzy, smart enough not to want to be eaten, convinces the dumb cat that he has better methods of curing his insomnia, and then proceeds to severely punish the cat with a variety of all painful, sleep-inducing tricks.

Sock-a-Bye Kitty

8.0 1950
Fargo

The brother (House Peters Jr.) of rancher Bill Martin (Bill Elliott) is killed in a stampede started by cattleman. Bill returns to the Fargo country to take his brother's place and is welcomed by law-abiding cattleman MacKenzie (Jack Ingram)) and his daughter Kathy (Phyllis Coates). The leader of the ruthless cattle interests are townsman Austin (Arthur Space) and his henchmen Red (Myron Healey), Link (Robert J. Wilke) and Albord (Terry Frost). Bill has the idea of putting up barbed wire to keep the herds from been driven over the land cultivated by the farmers. He, aided by Tad Sloan (Fuzzy Knight), produces the wire by make-shift methods, but it proves effective. The cattleman charge in court that the wire is dangerous to their herds but lose the case. Austin orders his men to seize Bill, bale him in strands of the wire, and throw him on the stage of the town hall during a fall festival. Bill doesn't take kindly to this and it precipitates open war.

Fargo

6.6 1952
Toughest Man in Arizona

Marshal Landry captures outlaw Girard and bringing him in finds a woman and two children, the only survivors of an Indian attack. Later, transferring the prisoner his brothers free him. Then a stage is robbed of a silver shipment by Girard and his brothers. Examining telegrams gets Landry a confession from Girard's girlfriend. The telegraph line has been tapped and the telegrapher is the supposedly dead husband of the woman he brough in. Now knowing Girard's location he sets out after him.

Toughest Man in Arizona

7.0 1952
Career

Playwright James Lee adapted his off-Broadway play for the screen in this high-strung adaptation, directed by Joseph Anthony. In this simplistic, backroom show-business-success saga, Anthony Franciosa plays Sam, a struggling young actor who will forsake his family and take any type of menial job in order to become a Broadway star. Dean Martin is on hand as Maury, an aspiring director also trying to claw his way up the ladder of success. When Maury gets his big break, Sam wants a part in his show, but when Maury, who is unwilling to cast Sam in the production, turns down Sam's request, Sam seduces and marries Maury's girlfriend (Shirley MacLaine). In spite of everything, Maury wants his girl back, and Sam agrees to a divorce on the stipulation that Maury cast him as the star in his next show. Once again, Maury reneges and, before Sam can exact his revenge, Uncle Sam comes to the rescue and he is drafted into the army.

Career

6.7 1959