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The Bad Patriots

Anti-British, cowardly, out of touch with reality, terrorist sympathizers, communists and a threat to national security. These were some of the titles that the mainstream media attributed to filmmaker Ken Loach and former Labour leader Jeremy Corbyn. Now, they are destroying some of these old myths to change the narrative. The documentary addresses media bias, defamation and censorship, and exposes the mechanisms of the establishment and the British mainstream press, revealing how they exploit fear and discrimination to defame individuals, their ideas and the project they represent. But these tactics are not limited to the UK: the film draws parallels with other parts of the world, including the United States, Brazil and other European countries.

The Bad Patriots

NR 2024
See It Say It

Mo is a hopeful Arab actor in his struggle-filled youth, residing in London with his wife Dounya. Dounya believes Mo should pursue stable work rather than taping for leading acting roles, unattainable for actors of color. Unexpectedly, Mo's agent Steven rings, offering a sudden audition that carries life-altering potential. During his journey to the audition, a misunderstanding arises when a biased woman onboard misconstrues Mo's actions as prayer and suspects a forgotten bag. In a swift turn, Mo's world descends into a Kafkaesque nightmare of terror.

See It Say It

9.0 2024
Spuk unterm Riesenrad

Tammi is annoyed. Instead of traveling to Formentera and presenting her followers with dreamy photos, her mother Simone takes her to the middle of nowhere to attend the funeral of her grandfather Jackel, a complete stranger. There she also met her aunt Britta and her children. There isn't even cell phone reception in the boring amusement park, and Tammi has little or nothing to do with her cousin Umbo and Cousin Cookie. But suddenly something incredible happens: During a thunderstorm, three worn-out ghost train characters come to life - the witch, the giant and Rumpelstiltskin. Tammi recognizes them as perfect allies to wreak havoc and finally escape this boring wasteland. But unfortunately she did the math without her own family and the stubbornness of the spirits. Suddenly everyone has claimed the amusement park for themselves and a wild chaos ensues.

Spuk unterm Riesenrad

4.5 2024
M. et Mme Toutlemonde

One wanted to be an actress, she evokes her first love... The other seeks in the figure of the father-teacher, the origin of her vocation. A waitress in a bar knows that she is destined for a singing career. A peripatetic woman is still looking for an impossible love. A butcher's daughter learns to count while putting on her red tutu. A woman born in Meudon believes herself to be Italian. A young girl runs away from her mother who wanted a boy. An old girl inherits a house in the Somme Bay but she hates water. A young woman, in order to escape the violence that destroyed her family, has taken the path of exile from central Africa. Yet another woman discovers her responsibilities as a mother late in life. All of them will introduce themselves. Stories are told. The word gets out. The men are the direct witnesses, the counterpoints.

M. et Mme Toutlemonde

NR 2024
La limace et l'escargot

Two limping souls in their sixties collide – literally – on a street corner. What begins as a clumsy accident becomes a quiet spark. Over coffee, they linger. They talk. And just like that, an unlikely intimacy begins to bloom. The Slug and the Snail traces the gentle unfurling of a connection born not of urgency, but of presence of two bodies long ignored by the tempo of the world, finding rhythm in each other. Anne Benhaïem’s film is a tender ode to queer aging, to liminality, to love that doesn't need to shout to be heard. With stripped-down direction and performances that pulse with lived-in truth, the film crafts a space of radical softness. It speaks to loneliness without pity, to affection without spectacle. It reminds us that desire doesn’t fade, it just changes shape. Benhaïem herself plays one half of the duo, bringing a raw, honest magnetism that makes the story feel lived rather than performed. This is cinema as whisper, as mirror, as gentle rebellion.

La limace et l'escargot

7.0 2024
Idol Affair

César and Teresa are a happy couple until one night she sleeps with Coque Malla, César's great idol since his adolescence. Teresa confesses it to César, repentant, but he doesn't know how to react. Is being unfaithful with your erotic myth excusable? Teresa has not slept with her idol, but with Caesar's. And there is no current legislation on that. César needs to talk to Coque, even though the singer no longer lives in Spain. So the couple travels to Miami in search of him, while they rethink their 15-year relationship and their own lives.

Idol Affair

4.9 2024
It Would Be a Different Sea

The Sorbs are a national minority in Saxony, Germany. While there were still living approximately 50,000 Sorbs in the 1990s, today there are only 5,000 left who can speak the language. The core settlement area was destroyed by coal mining and the language is now threatened with extinction. But the community of Crostwitz sticks together, traditions are cherished and community is lived. Despite limited resources, the football club, which forms the centre of one Sorbian village, has bravely held its own in the regional league, Saxony's second-highest division, for years. Footballer Franc (15) takes us into his world.

It Would Be a Different Sea

NR 2024