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Falling for Love

A penniless young man, Kevin is forced to return to live with his parents in the heart of the Picardy countryside. There, he finds a job in a pig farm. Not knowing how to look ahead, Kevin has no real project to defend. Everything shifts the day he meets Alice. This attractive voltigeuse who is not cold to the eyes exercises her talents in a circus of the region. Under the spell, Kevin tries to get closer to her and her way of life very free. To conquer it, he decides to train himself to acrobatic riding. Despite the misunderstanding of his family, he does not intend to give up this crazy bet that finally gives him a reason to live his life as he sees fit ...

Falling for Love

6.5 2019
The Ballet of the Nations

The film begins with Satan and Ballet Master Death discussing how to reintroduce chaos into a complacent society. Satan instructs Ballet Master Death to assemble an orchestra of human passions (Fear, Panic, Suspicion, Hatred, Heroism, Murder etc.) to provide the music for a corps de ballet of Nations to perform the dance macabre of war. What follows is an often-humorous assembly of the orchestra, filmed in the atmospheric cavernous tunnels beneath Bristol Temple Meads. Following this assembly, we see the core Nations perform their dance, joined by a larger cohort of Nations for the final act, Revenge. The film is interspersed with danced sections performed by a Chorus, evocative of the choric elements of classical Greek tragedy.

The Ballet of the Nations

8.0 2019
Resurrection

The film is a rendition of Resurrection, Tolstoy’s last novel. It begins with a reading of the beginning of the first part in Naples, in September 2012. It moves on to Berlin, Locarno 2013, Oneglia, Paris, Casalborgone, and it ends in Milan with the beginning of the second part. The places and times change, and so do the people doing the reading. But also, in the middle, real people and voices surface, like Adamo Vergine at his home and Jean François Neplaz in Marseilles. The film searches for the possible faces of Tolstoy’s two protagonists in Oneglia, Procida, and Casalborgone.

Resurrection

NR 2019
The Tank and the Olive Tree, Another History of Palestine

The Tank and The Olive Tree recalls a certain number of forgotten fundamentals and sheds new light on the history of Palestine. By combining geopolitical analysis, interviews with international personalities who are experts on the subject and testimonies from Palestinian and French citizens, this documentary offers the keys to understanding what the media call the Israeli-Palestinian conflict. Enough to rid people's minds of clichés and prejudices! If The Chariot and the Olivier is intended to be educational, it speaks above all of a magnificent territory, and of a people who constantly affirm that “to live is already to resist”...

The Tank and the Olive Tree, Another History of Palestine

7.9 2019
That Which Is to Come Is Just a Promise

In the course of a long, slow take over Funafuti, both drought and floods appear in a constant uninterrupted rhythm. The state of flux between both type of events is reflected in the places and actions of the inhabitants making the island’s extremes seem familiar: the air is riven with waiting and suspension. The island of Funafuti, in the archipelago of Tuvalu, for some years now has become the stage for a unique phenomenon. Due to the unnatural warming of the sea, saltwater seeps into the subsoil bubbling up through the porous terrain provoking floods which put the future of life on this island at risk.

That Which Is to Come Is Just a Promise

NR 2019
Ordinary Landscape

“Four unaligned rows, 37 faces turned towards the camera lens. Autumn 1958, a family of Breton peasants in their Sunday best, gathered around the eldest. Smartly dressed for the photo. A modest living honestly earned by laborious work”. This is what the narrator proclaims at the beginning of the film, leading us to see things through his eyes. The photo, taken on the occasion of the golden wedding anniversary of the director’s grandparents, is the catalyst of Ordinary Landscape and the symbol of a way of life that is now gone.

Ordinary Landscape

NR 2019
Pierre Hébert: Le Goût Du Risque

One morning, Pierre Hébert woke up with the fear of becoming the spectator of his own life by settling in comfort and stability. It was on that day that he decided to cultivate A taste for risk. In this bitingly ironic second show, he derides his own fears in order to convince himself to leap into the void! With a hilarious sincerity, he draws inspiration from the laughable and absurd aspects of his daily life to make viewers want to get out of the routine, to make daring choices. Will you take the risk of falling under its charm?

Pierre Hébert: Le Goût Du Risque

NR 2019
Statement of Youth

At the start of the 80’s sport climbing was in its embryonic stages. Bolted routes were beginning to make a regular appearance, indoor climbing walls as we know them nowadays had not yet been invented and there was no such thing as being a pro athlete. During that period standards rose exponentially, from 7b+ as the cutting edge to 9a becoming the new world standard at the end of the ’80’s. In such a short period the sport changed beyond recognition and, in Britain, was fuelled by a small group of climbers who would do anything to climb full-time: sleeping in sheds underneath crags, shoplifting for food and clothes, and living off unemployment benefits. As illustrated in this film directed by Nick Brown, these climbers were living outside the rest of society and went on to become the most influential figures in the history of British sport climbing.

Statement of Youth

10.0 2019
The Unheard

Mr Pohle, Mr Domres, Mr Hoffmann, Mr Schneewolf and Mr Czajkowski are competing against each other as candidates for the one direct mandate in the Potsdam parliament. In their campaigns they deal with what moves the rural population. People who are difficult to grasp in the media and in opinion polls and who feel increasingly ignored - their needs and worries are unheard of. This outrageous story is told from the perspective of the director Jean Boué. He has lived in Prignitz, the most sparsely populated district in Germany, for twelve years. He knows the local conditions and tries to find out why rural areas seem to be increasingly less accessible with urban-controlled politics.

The Unheard

NR 2019