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Royal Opera House: La Bohème

Richard Jones’ “La bohème” is an important weapon in the Royal Opera’s commercial arsenal. This is its second revival since Jones’ production hit the stage in autumn 2017, replacing John Copley’s beloved 40-year old staging, resplendent with period detail and resolutely naturalist. Jones brings a considerable break with the past in his approach, pointing the way towards thought-provoking possibilities for the work, though it is a clearly a show that defers to the need for regular revival and breadth of appeal.

Royal Opera House: La Bohème

NR 2020
Daredevils

The film explores unobvious connections between the cultural and political phenomena of Italy and Ukraine. Suddenly, fans of Italian futurism and fascism appear among the Ukrainian far-right community. At the same time, conservative ideas are spreading in Italy and Europe. There are its own heroes, villains and victims including Ukrainian soldier Vitalii Markiv, far-right publishing house Iron Dad, former Italian Deputy Prime Minister Matteo Salvini, a group of pro-Russian recruits for the war in Donbas, and others.

Daredevils

NR 2020
Métèque

Métèque tells the story of Samia, a young Moroccan banker who lives in London and finds herself threatened to get deported following an administrative oversight. This all triggers her to look for her identity and to unfold her love for her best friend Zoe. Following themes of displacement, she grapples with her identity in a society that no longer wants her, among a group of shifting friends who struggle to understand her experiences and her undeniable desire for a love that she needs but is unable to ask for.

Métèque

NR 2020
Reboiras. Action and heart.

A faithful portrait of Xosé Ramón Reboiras Noia, "Moncho Reboiras", from a human and political point of view. The life and thought of this young Galician nationalist, murdered in 1975 by the police of the Franco dictatorship, are recreated through interviews with 29 people who shared his activism, militancy and different experiences. In addition, the work recreates through fictional sequences, the last hours of Reboiras before his assassination, and includes historical footage.

Reboiras. Action and heart.

NR 2020
Où en êtes-vous? (Numéro 2)

Video #2 of Finite Rants, a series of eight visual essays commissioned by Fondazione Prada and curated by Luigi Alberto Cippini and Niccolò Gravina. Bertrand Bonello reworks the last minutes of his 2016 film Nocturama, which documents the logistical operations and the organization of terrorist attacks in Paris by a group of teenagers. Starting with "Où en êtes-vous?", a video commissioned by the Centre Pompidou in 2014 and conceived as a letter to his then 11-year-old daughter, the director makes a new work altering the final sequence of Nocturama and completely modifying the textual component and the soundtrack in this video essay as a second letter written for his now 17-year-old daughter.

Où en êtes-vous? (Numéro 2)

NR 2020
Noon in the Cemetery

A luncheon on the grass among the tombs. While the living are living, the voices of the dead are floating in the air. When lunch-time comes, the “Cimetière des Rois” (“Cemetery of Kings”), downtown Geneva, fills up with residents, workers, employees, students of the neighborhood. People come alone, in pairs, with friends or colleagues, to have a snack on the grass or to take a break on a bench. The living and the dead share a same space-time. Mixing contemporary Super 8 footage of people on the cemetery and sound archives of the personalities bored there, MIDI DANS LE CIMETIERE (NOON IN THE CEMETERY) is a short essay film, a kind of experimental documentary. If it was a painting, it could be a Vanitas, “a symbolic work of art showing the transience of life, the futility of pleasure, and the certainty of death.”

Noon in the Cemetery

NR 2020
From Rollerball to Rome - Reflection on a Sci-Fi Classic

Produced for the "ultimate edition" of "Rollerball" from Capelight Pictures in Germany, 2020. The Blu-Ray of the original 1975 classic comes packed with this fascinating 85-minute documentary that charts the influence of "Rollerball" on contemporary scifi cinema, including "Mad Max", "The Warriors" and "Escape from New York", as well as the Italian variant that struck the big time with motion picture successes such as "The Bronx Warriors" franchise, "The New Barbarians" and the wonderfully trashy "Endgame".

From Rollerball to Rome - Reflection on a Sci-Fi Classic

NR 2020