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Hong Kong, after the city's last social movement, whose end was accompanied by the arrival of the global pandemic. Despite its efforts, the social movement did not triumph, and the city saw its last ‘legal’ demonstration at the end of 2019. Years later, a traveller returns to her hometown, Hong Kong. During her 9-hour stopover in Istanbul, the meeting point between Europe and Asia, she explores the city and whispers her innermost thoughts. The film shows the adventure of uncertainty before coming face to face again with the concept of home.

Growing old as a woman is a tragedy. Without realizing it, that’s what I’ve always thought and what I’ve always been taught. So how do I get rid of this stupid idea that’s so deeply rooted in my skull and in my society? At nearly thirty, it’s time for me to talk with women of other generations and tear down some anti-aging advertisements.

Two lost souls, trapped by their own loneliness, blindly follow each other through the streets of Paris over the course of one night.

In eastern Morocco, in mines dating back to the French protectorate, miners continue to extract the last veins of lead and coal. Assou and Bousta lose themselves in a maze of tunnels on the verge of collapse. Further away, Suela, an eccentric and marginal old man, wanders through deserted mountains in search of forgotten treasures. On the outskirts of town, Abder, a sick former miner suffering from silicosis, battles bureaucracy to obtain compensation.

As the relationship with her girlfriend frays at the edges, Mimi tries to apprehend the symptoms of an impending breakup.

Golnaz, a 23-year-old Iranian immigrant girl, tries to cope with her new life in Germany. Cooking some rice with saffron, a childhood dish, her traumatic memories resurface: three years earlier, she survived when the boat sank, but her whole family drowned.

An explorer is meeting the life of a woman through her eyes.

Ed, an English literature student, discovers a mysterious AI device named 'Five' on a bridge. What starts as a helpful tool for his writing soon turns into a psychological dependency, forcing Ed to confront the blurred lines between human creativity and artificial efficiency. A thought-provoking short film about the cost of convenience in the digital age.

The eye of a thermal camera in the wilderness doesn’t miss a single heartbeat. But who determines its gaze, and how does it transform the possibilities of vision and shape desires? The asymmetry created by this “enhanced” vision easily lends itself to structures of power and translates into the language of brutality. Found footage, a tribute to Harun Farocki, composes phantom shots from the air and the ground—from hunting videos, police recordings and videos of military operations to promotional materials from technology manufacturers—into a visual reflection on seeing and control.

Char is a curious bird who one day takes off into a world of fantasy – full of magical dances, daring adventures, and wonderful new bird friends.

Before moving out, three roommates spend one last evening in the flat they shared. These last moments bring back memories of the good and bad times spent within these walls, their fears for the future and a reflection on the traces we leave in the places we inhabited.

How do you face the unknown? 8-year-old deaf Ron fears his first camping trip. His mother comforts him with a story about 'Eddie the Camper,' a friendly forest monster. Despite her efforts, Ron’s fear lingers. After falling asleep, he awakens in a surreal forest and meets you, as Eddie. Together, you embark on an adventure, but there’s a barrier: Ron can’t hear, and you don’t know sign language. In this 25-minute VR journey, you’ll join Ron, learn to communicate, and navigate the forest together.

Noakim, Alassane and Ilan, three young friends from Marseille, meet up after school as they always do. Amid their carefree laughter, a serious question suddenly emerges: “What do we want to be when we grow up?” This question sparks a deep conversation about their dreams and aspirations as they dive into a boundless world of imagination.

Several neighbours become reconnected to both each other and the present moment.

A body-conscious young man accepts an invitation on a gay dating app to be a model for a painting session.

DESIRE is a non-chronological collage constructed from a corpus of materials drawn from the genre of melodrama. The work, grounded in the practice of decoupage, spans approximately three decades—from 1932 to 1958—and includes titles from the United States, Argentina, Great Britain, Finland, Italy, Japan, Mexico, and Spain.

This experimental short documentary displays a series of different ".avi" videos found on YouTube, mostly published by accident in the early days of the platform, giving the audience a brief glimpse into the lives of different people from all over the world.

A house, somewhere or other. In France, probably in the countryside: a few clues give some information, like the age and style of the furniture or the presence of a rabbit. Meagre pickings, and faced with the radical dryness of this barely hospitable short film, viewers may understandably feel offended at being treated with such scant consideration. Robert Taschen will teach them nothing, has nothing to tell them. This roughly sketched portrait is of the man who lives in the house.

A peculiar assemblage of individuals convene to discuss their mutual trauma. They have descended from the heavens and their celestial bo- dies have been fragmented. While some endeavour to move forward, a young, unkempt girl named Rose attends these gatherings to pilfer shards of other stars in a quest to reconstruct her own and ascend once more to the sky.

Mehdi is 17 and wants to impress Jean, who has more experience than him. During a party, lost on a dating app, he tries to prove to himself that he's ready to take the plunge.

The book “Hanjin H.S” is a work devoted to archiving, a space for reflection on the material and editorial form to be given to the preservation of documents, particularly working documents. How can we report on a work experience? This second film complements the traditional documentary form with a form of film archiving of workshop materials destined for destruction.