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Sans famille

The Remi abandoned by his foster father sold to the troubadour Vasalis, in his living through the rural villages the people to entertain, gehoplen his three dogs and a monkey. In the beginning Remi takes its new master, but a demanding and hard man, and the animals have not been too much with the clumsy boy. But gradually creates a bond between Remi and his new comrades, until their friendship is suddenly disrupted when Vasalis is arrested for vagrancy and sentenced. Then Remi, alone in the world, along with his animal friends in position to try to keep ...

Sans famille

6.1 1958
Scénarios

In French, "scénario" is cinema's name for how it tells stories. This is the title Jean-Luc Godard chose for his final film, which was literally completed the day before his self-death. The two segments of this film open with a series of identical sequences. The second segment then diverges and ends on a self-portrait of Jean-Luc Godard -his last images- sitting on his bed, bare-chested, he hides none of the wear on his body in the manner of Pigalle's sculpted portrait of Voltaire. "Scénarios" ends as it began, with a repetition, the figure of eternal return, the moment where time, which has been the great -if not unique- question of cinema, will have ceased to flow.

Scénarios

9.0 2024
It's Not About Love

Raoul Peck directed this French-German-Haitian drama set in Manhattan where medical examiner Chase Dellal (Geno Lechner) isn't happy with the diminishing aspects of her life: Not only does she face political pressures to soft-pedal her testimony, her marriage to a judge (Bob Meyer) is collapsing. Suddenly, new options appear after deposed Haitian politician Dimitri (Jean-Michel Martial) re-enters her life. Playwright Israel Horowitz has a role in this film as morgue cop Timothy.

It's Not About Love

10.0 1998
Jean-Jacques de Félice, The Passion For Justice

From the rights of minors before the juvenile court, young offenders from the neighborhoods of eastern Paris, or children of Algerian origin from the shantytowns of Nanterre, to the defense of colonized Kanaks and Polynesians; from the fight for conscientious objector status to the denunciation of torture and the death penalty, lawyer Jean-Jacques de Félice has been involved in every struggle. His pacifism knows no bounds: with organizations like Cimade, LDH, and the Louis-Lecoin Committee, he assists draft dodgers in numerous countries. These include Portuguese conscientious objectors refusing to fight in the wars in Angola and Mozambique, American deserters opposed to the Vietnam War, and Israeli objectors refusing to serve in the Occupied Territories. It is no surprise that, as early as 1971, he was one of the very first lawyers representing the farmers of the Larzac plateau.

Jean-Jacques de Félice, The Passion For Justice

10.0 2018
A Man and Two Women

The film is a wonderfully accurate portrayal of the three stories: The stories are tied together with original dialogue and scenes by Martha / Anne / Freda / Judith (Valérie Stroh) and René Feret which follow a Golden Notebook/Anna Wulf theme: she is "writing" the stories and has a boyfriend named Paul who is a psychiatrist. A Man and Two Women: Anne, a young woman, a slightly bohemian painter: "in love" with her newborn, she abandons her husband while Isabelle, her best friend, attracted by to him and becomes little by little her rival. Each Other:Fréda finds her brother every morning in the secret of her bedroom,they leave themselves and incestuous effective becomes the only possible relationship for both. Our Friend Judith: Judith, a cold and warm intellectual, secret and complex - Beautiful, Judith is careful not to show it, she knows interment and that is enough. Intelligent, she does not bend to the rules of fashion nor seduction.

A Man and Two Women

4.7 1991
The Last Butterfly

Stage mime Antoine Moreau is compelled by the Gestapo to put on a performance for the children of Terezin, a "model" concentration camp, to convince the Red Cross observers that the camp is truly what it seems. Reluctant at first, Moreau slowly learns the true nature of the camp, including the meaning of the "transports" on which people leave. With a world-class orchestra (made up of people interned in the camp) and a cast of children, Moreau stages a show to end all shows.

The Last Butterfly

5.8 1991
The Secret

Marie, who works as a successful door-to-door encyclopedia salesperson, has been married to her husband Francois for 12 years and has a two-year-old son. Though she is relatively content with her life, she feels something is wanting. Enter 50-year old African-American Bill. Initially she is annoyed by his insouciance, but she finds that she is irresistibly attracted to him. Soon the two are in the midst of sordid illicit affair. She knows little about her new lover, and he seems uninterested in learning about her, but the long sessions of lovemaking are something else entirely. Feeling out of control, Marie is increasingly repelled by her own actions. Psychologically, she struggles to reconcile her torrid encounters with Bill and mundane domestic chores such as bathing her son. Moreover, she finds herself incapable of hiding her adulterous behavior, rather she comes home with scratches and hickeys all over her body, to the devastation Francois.

The Secret

7.2 2000
Naked and Lustful

A wealthy French couple unable to bear children but determined to start a family agree to use an anonymous surrogate . Upon seeking a professional opinion on the matter, the couple is advised to seek out an anonymous surrogate. Though the procedure is a success, Jean-Paul becomes entirely consumed in his quest to discover the identity of the young woman (Willeke van Ammelrooy) who is currently carrying his child. Upon coming face to face with the ravishing young beauty, Jean-Paul initiates a torrid affair that will profoundly affect the lives of all involved.

Naked and Lustful

5.2 1976
The Romance of Astrea and Celadon

In an enchanted forest, back in the time of the Druids, the shepherd Céladon and the shepherdess Astrée share a pure and chaste love. Fooled by a suitor, Astrée dismisses Céladon, who throws himself into a river out of despair. She thinks he's dead, but he's been secretly rescued by some nymphs. Faithful to the promise he made to Astrée to never appear before her again, Céladon must overcome many obstacles to break the curse. Mad with love and despair, coveted by the nymphs, surrounded by rivals, and obliged to disguise himself as a woman to be near the one he loves, will he manage to make himself known without breaking his oath? A romance filled with doubt, hazards, and delicious temptations.

The Romance of Astrea and Celadon

5.9 2007