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A little girl sits in the grass near her mother's murderer. The man is dying. It's war...

In 1630, a plague epidemic ravages the city of Milan. In a climate of suspicion and terror, two men are accused of spreading the disease in the city. Interrogated and tortured, they are forced to expose the story of an imaginary crime. Then, before dying, they invent the story of the Sowers of Plague.

A psychiatrist who probes the mind of traumatized soldiers attempts to unlock the secret that drove a gentle but deeply-disturbed World War I veteran to the edge of insanity.

Michel, a young man idolized by his mother, falls in love with Madeleine. What he does not know is that the young woman is already the mistress of his father, Georges.

When his credit card has just been swallowed by distributor Bruno Lussac, State Inspector Débé crosses the limits of home ethics when he learns that he has just been banned from banking. Disguised as a Southerner for a costume party where he was supposed to arrest drug dealers, he lures his colleagues into robbing a bank; he causes a bloodbath but comes out victorious of this heist. For his accomplices, the informant, and pretty peacekeeper Cécile Barko, known as Cyborg, this is the start of a crazy run.

Bob is a normal guy who lives in a world where everything moves in reverse: Death is birth, people grow young, knowledge is erased from your mind as the clock ticks backward. It's just business as usual... until the day Bob suddenly finds himself moving FORWARD in time! Mercenaries from another reality arrive on the scene to remove him from the "forward" world, but they're too late: Bob now understands that the life he had was very, very wrong. He fights back, mounting an action-packed escape through insane, topsy-turvy corridors of time and counter-clockwise dimension. Will Bob save himself and humanity? Or is he destined for a life of lies and control, forced on the world from a power beyond the future?

A musical comedy set to a hip-hop beat, the feature debut from actress-turned-director Blanca Li finds a dedicated young breakdancer abandoning his comfortable life in a bid for fame in the U.S.A. Dropping out of school and leaving home to escape his overbearing mother, 18-year-old David dedicates all of his time to perfecting his moves with his dance team, the Urban Cycle Breakers. As David and his team begin gearing-up to face-off against a rival group of intimidating dancers, his dreams of finding romance with Samia and making it to the world dance finals in New York finally seem to be coming into focus.

An introverted man runs a "car cemetery" where people come to find parts for old vehicles.

"To begin with, we have Babette Mangolte, the camera technician on Hotel Monterey, La Chambre and Jeanne Dielman, but who for me also symbolises the New York years, she introduced me into the very core of what was new, even revolutionary, in New York, and our interview is about the city of New York in the early 70s." – Chantal Akerman

As Gerard is shooting a documentary in Marrakesh, he turns his camera toward a young Moroccan boy: Saïd. A love story starts and it will bring Gerard all over Morocco. Through encounters, love adventures, youth's memories, Gerard tries to define his destiny so tied to Morocco.

The complicated life of a wannabe actress who meets an older writer in the midst of a crisis.

In 1960s France, 16-year-old Hannah Goldman is experiencing a painful adolescence. Her Jewish background and plain appearance make her an object of ridicule, but she has a talent for music and is determined to fulfil her ambition to play in the school jazz band.

This DVD allows you to see Alizée on stage in front of an enthusiastic live audience. Watching her in individual videos isn't the same. During the live concert she interacts with the audience, the band and the backup singers. The stage settings enhance the emotions expressed in the songs. She flirts with band members and fans. She dances with the backup dancers. Each song is presented with a different set. The light show and outfit colors make the concert a visual treat. The songs go from the slow, moody Amélie m'a dit to fast rap-like Mon maquis. When she sings Moi... Lolita the whole audience joins in. She can be sultry or athletically active. The concert is a visual, auditory, sensual delight.

An African student stranded in Paris after losing his government grant discovers a bag of drugs and money while working as a parking garage attendant.

With Istanbul, Martine Rousset puts on the brakes to the world's movement through a cinema of deceleration. At the boundaries between image by image movement and optical fusion, the rhythm of the film gives way to a suspended or floating time. Is it not certain that the idea of duration is more able to render a perception of the city that rather burns for intense emotion. It seems as if the camera cultivates a dreamy half-sleep. To this soft throbbing, blends however, variation of exposure as well. Therefore, at certain times, seeing becomes fragile and dangerous.

Monsanto is the world leader in genetically modified organisms (GMOs), as well as one of the most controversial corporations in industrial history. This century-old empire has created some of the most toxic products ever sold, including polychlorinated biphenyls (PCBs) and the herbicide Agent Orange. Based on a painstaking investigation, The World According to Monsanto puts together the pieces of the company’s history, calling on hitherto unpublished documents and numerous first-hand accounts.

An executive and a dowdy working-class woman, both unemployed, married and parents meet at a supermarket. They become friends but find it hard to accept that they may be in love with each other.

Jacques, 50-something bachelor painter and great seducer, is about to receive the charming Claire for dinner. Broke but clever, Jacques concocted a sumptuous meal. Everything looks great when, suddenly, a door slams and turns the evening into a fiasco. Jacques will have to change his plans, play the unexpected. However, that evening, it is the unexpected that will play with him.

Pierre invites his boyfriend, Hervé, to Lisbon where he recently discovered some relatives. Over the course of this journey, Pierre tells us about his ideals in love, and the conflicting ideals of his boyfriend.

A border land to a war zone. Three children on the way back home from the school. They have to face different forms of danger.

This documentary follows the legendary African singer and guitarist Ali Farka Touré (who died in 2006) as he returns to his home and musical roots in Niafunké, the village on the banks of the River Niger in Mali. Touré now sees himself as a farmer and family man, and is trying to improve agricultural and social conditions in the province of Timbuktu. The region has no roads and no electricity and Touré himself drove director Marc Huraux across the vast expanse of unforgiving desert land that surrounds Niafunké to make this film. The cameras accompany Touré as he goes about his daily farm business, and fulfilling his role and responsibilities as an important local figure.

This portrait from the "Algerian Filmmakers" collection, created by Linda Tahir-Meriau, focuses on Mohamed Chouikh, born in 1943 in Mostaganem, an Algerian actor and director. In 1965, he starred in one of the first major Algerian films, "L'Aube des Damnés" (The Dawn of the Damned) by René Vautier and Ahmed Rachedi. In 1966, he appeared in "Le Vent des Aurès" (The Wind of the Aurès) by Mohammed Lakhdar-Hamina. The film won the Best First Feature Award at Cannes. Until 1970, Mohamed Chouikh devoted himself primarily to his acting career in theater and film. It was Michel Drach's film, "Elise Ou La Vraie Vie" (Elise, or Real Life), based on the novel by Claire Etcherelli, that brought him to the attention of French audiences. In the 1970s, he became a director for Algerian television. In 1989, he directed "The Citadel", which was selected for more than 70 international festivals and won around twenty awards.

In a village, a young blind man, victim of a storm, will be iniated by a women to overcome his fears. Thanks to the musical quality of a flute, he will be able to exorcize their fears of the villagers and to offer a different perception of the natural elements.

An investigation, detailed in substance and playful in form, on the Google phenomenon, a company with dazzling success whose power worries.

Pascal Lamorisse is the son of filmmaker Albert Lamorisse. He is also the little hero of some of his father's films (White Mane, The Red Balloon and Stowaway in the Sky). Over the years, Albert Lamorisse, who took his son on all his shoots, sought to transmit his expertise and his passion for filmmaking, even on his last film, The Lover's Wind. There is something in the story of Pascal Lamorisse that touches on a fabulous story: it is the story of the transmission of cinema from father to child.

A chronicle of the fantasies and dream of women in avant-garde contemporary cinema. The faces and bodies of new women haunt the paths and alleyways of avant-garde cinema.

Jeanne fled the Franco regime at the end of the 1930s. Married and mother of a little girl, she worked in a soap factory leading a peaceful life until the day she was asked to pass out leaflets in her factory. to Algerian workers.

A day like any other in the Parisian metro – or maybe not? A young man sits quietly reading his book. A young woman is seated next to him. They have nothing in common, nor do they know each other in the slightest. In spite of this, something quiet unexpected occurs between them. In full view of all the other passengers. And yet, none of the other travellers seem to notice.

In the Gironde estuary, a tragedy affects a species of crabs: they can't turn. Everything changes when they find a leader.

It follows Jeanne and Nicolas, a couple of seasoned professional poker players, as they prepare for a high-stakes game at an exclusive private club. Jeanne is eager and driven by the thrill of competition, while Nicolas approaches the evening with quiet apprehension, suggesting deeper emotional undercurrents between them.

Captain Ekumu has a lot on his mind: his son Ika is dying and he does not have the means to find treatment for him, which is driving his wife Ezéni to despair.

short film by Anne Benhaïem

Gwen is a teenager living in a small coastal town. Lise is her best friend, a city girl who comes every year with her family to spend the summer. This year things are different though; at first Lise might not come at all, and when she does it is obvious that Gwen grew up faster than she did.

A quasi-musical-comedy which descends into horror, set in the early sixties in a college on the outskirts of West Philadelphia. For 15 years, the graduation ball has been the preserve of the Foons - those teenagers who are immersed in weird notions of fun and who describe themselves as "cool". As they prepare for the graduation ball, it is decided to open up invitations to the nerd underdogs. The eternal rivalry between the cool kids and the nerds is played out with colourful costumes and kooky hairdos.

The year is 1898. Héloïse, 9 years old, comes from a family belonging to the anti-Dreyfus and anti-Semitic Parisian high bourgeoisie. In a spirit of revolt, she begins a love affair with Maxime, a young Jewish journalist. During a terrible quarrel with her father, the latter suffers a stroke and dies. To get her away from Maxime, her mother Mathilde and her cousin Olympe take Héloïse on a trip to the Orient. After Cairo and the Pyramids, they go up the Nile and cross the desert in a caravan.

The World of Gaston Rébuffat is a documentary on mountaineering which takes place at Gendarme Du Pic Du Roc and Grande Candelle. Directed by Gilles Chappaz in 2009 and produced by Seven Doc, we find Christophe Profit, Françoise Rébuffat, Thierry Renault, Jean-Olivier Majastre, René Vernadet, Sam Beaugey and many others. Friendship of his rope companions, friendship of the mountain, friendship of all of nature, he spoke of the mountain with simplicity and happiness. A precursor, a visionary, Gaston Rébuffat was a resolutely committed person, without ever having spoken of an exploit, let alone a fight (among other achievements, he was the first to climb the six north faces of the Alps in a lifetime as a mountaineer).

The daily life of four friends working in the Quebec entertainment industry presented in the form of a series of reflections on professional ambitions and failures, artistic inspiration and moral values.

Beautiful and young, Stella is a popular go-go dancer living alone with her mother by the French Riviera. Their lives unravel when a middle-age man becomes obsessed with Stella.

Everything started at the lighthouse bar, during Booz's concert. Ben, the trumpet player, dies onstage. The next day, his wife Esther places Ben's trumpet on his grave and taking Booz's hand, she says: Now you must take care of me.

Novelist and filmmaker Jose Giovanni turned to the remarkable true story of how his father helped him escape a date with the guillotine for this drama, which is based closely on events from his own life. During World War II, Manu (Vincent Lecoeur, as a character Giovanni modeled after himself) fought with the French Resistance, but near the end of the war he fell into a life of crime, and in 1947, 22-year-old Manu was arrested for his part in a bungled robbery that left a man dead. While Manu did not pull the fatal trigger, he refuses to say who did, since it would mean implicating his uncle, one of the few members of his family who has stood by him; Manu's brother is dead, and he turned his back on his father Joe (Bruno Cremer) years ago. Manu is sentenced to death, and while he protests his innocence, his attempts to escape from prison do little to convince anyone that he's telling the truth.

The encounter of a young doctor and a werewolf is the setting of unexpected results in another example of Eugène Green's taste for the fantastic.

Told in four vignettes, this existential comedy relates the exploits of four aspiring criminals who hope to improve their lot, but find that they might not have what it takes for a life of crime.

Everybody knows Bibendum Michelin, but nobody knows the artist who hides behind this world-famous logo. O Gallop ( 1867-1946 ), contemporary of Émile Cohl, is an illustrator for the satiric press, poster designer, pioneer for cartoon movies and the graphic creator of the Bibendum. The great-grandson and the director of this movie investigates the universe of the artist.

Documentary about the making of Alfred Hitchcock's 1946 film "Notorious."

Chaos ensues after global warming transforms a working-class Montreal neighborhood into a world Mecca for truffles.

The torments of a brilliant and ambitious lawyer who is cursed with the same nightmare every night...

Interview with Bertrand Tavernier, Charles Drazin and Olivier Bouvet about Michael Powell's Peeping Tom.

Two young girls find out, in the hard way, that climb mountains isn't all that fun that people often say it is.

A young French couple deals with ramifications of world events on their relationship as Saddam Hussein threatens to launch SCUD missiles on Israel.

Pierrot, a young boy, does not live in the present. One night, Pierrot finds himself face to face with the old man that he will be himself. A strange journey then begins for the unlikely duo.