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I Rap Therefore I Am

Rap ? Violent words, a social chronicle without complacency at a time of the politically correct and a wishywashy consensus. Twenty years after its first babblings in the popular quarters of New York, rap has imposed its presence beyond the borders. Je rap donc je suis (I Rap Therefore I Am) goes around five different towns where it meets rappers driven by the same motivation. In Paris and its suburbs, Marseille and its districts, Algiers, London or Berlin, rappers move, play, record, teach... And above all, they talk. Outside of any promotional context, the present-day heralds of French hip-hop, from La Rumeur to IAM, speak about the role of rap, the environment in which it was born, boredom, the feeling of belonging to a sacrificed generation, drugs in districts of towns, immigration, parents, political and social actors, the police, school, writing, money, the parallel economy, violence...

I Rap Therefore I Am

NR 1999
Yehudi Menuhin: The Violin of the Century

This film is devoted to the artistic heritage of a personality who ranked among the most extraordinary musicians of his time, even as a child. Menuhin was not a mere musician: he was a cosmopolitan, a peacemaker and a true humanist. French filmmaker Bruno Monsaingeon, who filmed this great retrospective, describes his work with Menuhin as follows: “He threw himself into it whole-heartedly, with great sense of humour and overwhelming humanity. This film also shows my heartfelt gratitude for a man who gave such decisive sense to my own existence.”

Yehudi Menuhin: The Violin of the Century

6.0 1996
23h58

This "heist" film tells the story of a robbery in a stadium during the Le Mans 24 hour motorcycle race. Throughout the film are constant references to other movies in the genre. A policeman investigating the robbery is surprised to discover that the heist bears striking resemblance to the robbery depicted in Stanley Kubrick's 1956 film, The Killing. The robbery itself was perpetrated by Bernard, an ex-racer who dedicates the theft to a dead peer. He enlists the help of Thierry and several others to steal 6 million francs from the gate. He and his gang then hideout in the stadium until the race is over. Things are working against Bernard though. Two martial-arts experts try to cut in on the action. A gang member's girlfriend squeals to the cops, and an Arab assistant is killed.

23h58

7.0 1993
Everest At Any Cost

In 1983, three climbers became the first French people to reach the summit of Everest. Among them were expedition leader Pierre Mazeaud and a promising 25-year-old climber, Jean Afanassieff. Twenty years later, the two legends, accompanied by mountain guide Michel Pellé, retrace the steps of their exploit and make the trek from Kathmandu to the foot of the roof of the world. This is an opportunity to retrace the history of the successive assaults on Everest and to assess the current situation of a mountain that has become a victim of its own success: while Sherpas have been able to take advantage of Western enthusiasm and thus enrich themselves and equip the summit to make it more accessible, the site's attendance poses numerous problems, both human and ecological.

Everest At Any Cost

10.0 1999
NOVEMBRE

Jan Peters films and talks every day, every day fills a reel of Super-8 or 16mm film. He speaks to the camera, or records a commentary on the images he is filming. For a month, Jan Peters tries to reflect on different themes, and events sometimes come to upset his plans. A quasi-police investigation in Belgium interferes with an intimate relationship; technical problems of all kinds (sound, image, light, film development, automobile mechanics) force the filmmaker to invent other solutions; a debate between filmmakers on the theme of the power of images turns into burlesque; artist friends want to contribute to the film that is being made. Thus, day after day, a film is built. Some things are planned, others are not.

NOVEMBRE

NR 1998
Il n'y a rien de plus inutile qu'un organe

There is nothing more useless than an organ wrote Antonin Artaud in 1947, by the way he gave a name to a new kind of existence : the Body without Organs. The film is divided into three parts, following the division of the poem The Divine Comedy, the chronology of Dante’s trip through Hell, Purgatory and Paradise is respected. During this travel his human body is reconstructed and reorganised into a new body freed from his organism and from his organs. This new body, in touch with Beatrice, and by his ascension, becomes point of circulation of flows and intensities of all kinds.

Il n'y a rien de plus inutile qu'un organe

NR 1999