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Where Do You Stand Today, Christian Petzold?

"Où en êtes-vous ?" (Where do you stand today?) is a project initiated by the Centre Pompidou, which commissions its guest filmmakers to make a free-form film in response to a question simultaneously retrospective, introspective and focused on their future ideas and projects. Here Christian Petzold is joined by Christoph Hochhäusler as they analyze a sequence from Hitchcock's The Wrong Man (1956) through a series of photograms. With this tribute to Harun Farocki, who died in 2014, Christian Petzold endeavors to revive and perpetuate the spirit, taste and methods of his former teacher and friend.

Where Do You Stand Today, Christian Petzold?

NR 2017
Il Mio Giardino Primordiale : Conversazione con Alessandro Comodin

Director Alessandro Comodin recounts for Fuori Orario the genesis of his two films, "Summer of Giacomo" and "Happy times will come soon" and reflects on his own conception of cinema: the need for escape and movement, the adolescence of moving bodies and the perception of passing time, the importance of locations and immersion in nature, the technical practice during filming, the approach to the cinematographic medium as a way to see better and to establish a relationship of sensory capture of reality, the relationship with the actors. With references to his favorite filmmakers, from Bresson and Monteiro to Wang Bing, and to the recurring images of his films: the hole and the labyrinth, the loop of time and epilogues, the fairy tale and metamorphosis.

Il Mio Giardino Primordiale : Conversazione con Alessandro Comodin

NR 2017
Merkel Must Go

Their names are René, Sabine and Daniel – three people among thousands of others who go on to the streets of Dresden every Monday as “Patriotic Europeans Against the Islamisation of the West”. They shout “We are the people!” They claim “Merkel must go!” The director Sabine Michel accompanied them for one year – on their demonstrations and in their daily lives. Merkel Must Go is not a film about PEGIDA, it asks for the personal reasons for this patriotic protest, a film about realistic and absurd fears of the present.

Merkel Must Go

NR 2017
Luisa Omielan: What Would Beyoncé Do?!

Luisa shot to fame following one of the most successful debut stand-up shows at the Edinburgh Fringe Festival, described as “one of the biggest stand up hits of the decade” by the Guardian. This seventy-five minute special captures the infectious energy of Luisa’s shows by joining the queues and audience in the build-up to the event, discovering why her loyal army of fans love her unique approach to stand up and her Beyoncé ethos. The show is set to a soundtrack of Beyoncé’s best known hits.

Luisa Omielan: What Would Beyoncé Do?!

NR 2017
Mann im Spagat - Pace, Cowboy, Pace

Cowboy has a vision. He wants to save the planet with his movement of Free Swingers. That's why he applies for a grant at The Central Agency, who then sends a representative named Fey of Sweden to approve Cowboy's proposal. She demands results and he de­cides to stage a charity bicycle rally featuring a roster of two-wheeled Berlin misfits. Meanwhile Cowboy's neighbor kills his mother's budgie and sets the Devil of Hermannplatz on him to sabotage his plans. Pretty bad timing considering that he also has to rescue his stubborn mother from a shady retirement home. Torn between Cowboy's budding crush on Fey of Sweden, his hot neighbor Angel and his innate drive towards chaos, the rally soon turns into a race against time. Soon his mother will be taken away from him and the rally racers are doing anything other than what they should: cycling.

Mann im Spagat - Pace, Cowboy, Pace

4.2 2017
Nos hommes dans l'Ouest

A different perspective on the exile and social impact of major projects such as oil sands mining in Alberta, Canada. These large-scale projects, based on economic growth, also have human costs that change the cultural face of the regions on a small or large scale. Over a six-month period, three families from the Acadian Peninsula in New Brunswick opened their doors and hearts to director Renée Blanchar and her team. A film about exile, choice of life, values, but especially absence; absence being probably the highest price to pay for each member of these families.

Nos hommes dans l'Ouest

NR 2017
Auf der anderen Seite ist das Gras viel Grüner

Kati has had her dream man at home for five years: attractive, loyal and professionally successful as a doctor. Unfortunately, "her" Felix now spends so much time at work in the hospital that Kati too often feels alone. When she met the good-looking, charming artist Mathias, it hit her like Felix did back then. Shortly before her last inhibitions fall, fate shuffles the cards in an unbelievable way: after a car accident, Kati wakes up in the past - exactly on the day five years ago when she accidentally met Felix

Auf der anderen Seite ist das Gras viel Grüner

4.8 2017
Martin Cries

Martin cries. He is alone. He woke up in the morning and all his friends were gone. Disappeared. Just not there. He sets off to look for them. And he searches everywhere, in the city, in the mountains, in the rivers, but he doesn’t find them. That makes him furious. Really furious – really sad. Rage, violence, longing, loneliness. Without fear of great feelings, without fear of one's own courage and without fear of violence, Jonathan Vinel tells a story of love and loss entirely based on elements from the computer game Grand Theft Auto V – beyond all kinds of tawdry notions and with extremely concrete physicality.

Martin Cries

6.8 2017