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Felder 9.6

In contrast to Hochhaus, with Felder 9.6 I wanted to realize a creative solution in the smallest of spaces, and at the same time exercise complete control over the development process. For this purpose I first looked for a suitable motif; it should be devoid of emotional or physical meaning and should not represent any function or idea. But it should very well already have a process-like dynamic, which I then wanted to take up with my design and, so to speak, 'transform'. I made a wooden light box with a glass surface; I mounted a red light underneath and a graph paper template on the glass with precise graphic instructions for the positions of the filmstrip on the photostrip. I had calculated that I could move the 16mm film 12 times across the width of the 35mm format, each time shifting the optical soundtrack by 3mm.

Felder 9.6

NR 1989
Forbidden Images

A room above the slaughterhouse. While the animals are beeing butchered below, upstairs an adult is playing out scenes of early puberty. The woman in the room of the slaughterhouse cuts off all his hair. Aloud the man reads a story of the unrestrained Scheherazade. The children cheerfully cook the dog’s carcass and the adults resolutety expose their private parts... „Memories and dreams, which were banned in the cinema until now and which have magically freed themselves from the chains of the prohibitions and the realms of the taboos.“ (D. Kuhlbrodt)

Forbidden Images

NR 1986
Meine Mutter wird sichtbar

My mother lights 80 candles and becomes visible. When I set to work, it turned into an intense confrontation between mother and son. I finally learned the unvarnished story of my mother's life and began to understand why we both became who we are. I interwove the film image with two layers of sound: the Suite in C minor for violoncello, Bach, and dialogical texts spoken by mother and son, based on our conversations and describing how she gave birth to her seven children during the years of Hitler's fascism. I will continue to work on my mother's biography.

Meine Mutter wird sichtbar

NR 1986
Die Kinder vom Bullenhuser Damm

On April 20, 1945, twenty Jewish children were hanged at the Hamburg school on Bullenhuser Damm. SS doctor Heißmeier had previously conducted "medical" experiments on the children. To conceal this crime from the advancing British forces, the SS, under the command of Obersturmführer Arnold Strippel, killed the children, two prisoner nurses, two prisoner doctors, and 24 Soviet prisoners of war. One of the children's murderers, Arnold Strippel, who now lives in Frankfurt, has been under investigation by the Hamburg public prosecutor's office since 1979, but so far without any results. The film documents the children's story through eyewitness accounts. It conveys impressions of Nazi propaganda through "Die Deutsche Wochenschau" (The German Weekly Newsreel) and shows the dangers of neo-fascism in the Federal Republic of Germany. In April 1980, a few days after a memorial service for the children, neo-Nazis planted a bomb in the school on Bullenhuser Damm...

Die Kinder vom Bullenhuser Damm

9.0 1983
What is the true nature of a woman

The film shows a woman in front of a mirror, whose preparatory gestures are fragmented by re-photography. In an electrifying blue tone and hand-processed, the film reveals intimate moments of a couple at the table, caught in repetitions of media clichés of tenderness. Structural repetition and changing perspectives intensify the tension of waiting. The film switches to the male perspective in front of the mirror, followed by intimate scenes that address loneliness and unfulfilled desire.

What is the true nature of a woman

NR 1987
Es geht durch die Welt ein Geflüster

November 7, 1918: Revolutionary night in Munich. After a large demonstration, Kurt Eisner leads the crowd to the barracks. The war-weary soldiers immediately defect. The king and his entourage flee. Without bloodshed, the Free State of Bavaria is born. Subsequently, revolutionary and reactionary forces fight for power with all means. Eisner is assassinated. Two soviet republics are short-lived. The young democracy is vulnerable and fails, is bloodily crushed. It goes through the world a whisper was made in 1988 and interweaves contemporary film documents and interviews. The audience includes contemporary witnesses from the anarchist, communist and socialist spectrum who were already very old at the time, such as Benno Scharmanski, Centa Herker, Hugo Jakusch, Sophie Radischnigg, Minna Dittenheber, Emil Meier and Peter Lichtinger.

Es geht durch die Welt ein Geflüster

NR 1988
Leben und Leiden des unglückseligen Kapellmeisters Herr von KA

Dr. Josef Eins, neurologist, treats the only remaining patient in the clinic, Herrn von KA. Herr von KA was taken to the mental institute after the emperor's death because he lost view of reality. After many years he is to be discharged in the course of the opening of the hospital. For this event Dr. Eins pepares a speech. His wife, Sissi Eins, deceives her husband with the pimp Hans. Dr. Eins commissions the detective Rudi "Spürnase" Kronfisch, who in the course of his investigations suspects espionage and future assassinations.

Leben und Leiden des unglückseligen Kapellmeisters Herr von KA

7.0 1989
Kribus - Krabus - Domine

In this short, cracks appear in the idyllic concept of ‘Heidi in the Alps’. Lisa is eight and spending the summer with her parents in the mountains. But the much-vaunted beauty of nature provides the young girl with little comfort in the sparse Alpine landscape. Instead, it seems eerie. Her father is often away and her mother is always busy with washing and doing the dishes. Lisa watches and fantasises about being far away – ideally in Persia. In the South Tirolean dialect, “kribus krabus” means “topsy turvy”. The “domine” in the title stands for the opposite, for God, control, and power. (Berlinale)

Kribus - Krabus - Domine

NR 1982