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Decommissioning Fukushima 2021: Ten Years on from the Nuclear Accident

A decade on from its triple core meltdown, we take stock of the mammoth task of decommissioning the Fukushima Daiichi Nuclear Power Plant, an undertaking fraught with both technical and social challenges. The Japanese government maintains the process will take up to 40 years, but the schedule has already been revised 5 times, with pivotal elements postponed. Meanwhile, as people return to their homes in surrounding areas, disposal of unprecedented volumes of radioactive waste has become a point of contention between residents and the government. We look back on the 10 years since the nuclear disaster and explore the choices that will shape Fukushima's future.

Decommissioning Fukushima 2021: Ten Years on from the Nuclear Accident

NR 2021
Pickles and Komian Club

A film about the disappearance of something that seemed as though it would always be there: the long-established Maruhachi Yatarazuke pickling company, a shop that bore a key role in the food culture of Yamagata. The Komian Club to which it was attached had supported the Yamagata International Documentary Film Festival since 1993, offering a venue for free social interaction. But in April of 2020, it was suddenly announced that the shop and restaurant were shutting down. As the curtain closed on 135 years of business, disappointment spread, along with questions. This film looks at the proprietor who made the painful decision to close the business and at the people who lent support to this space of interaction. It asks what the YIDFF, and what Yamagata itself, meant as experienced through the Komian Club, by filmmakers and audiences from Japan and abroad.

Pickles and Komian Club

NR 2021
Like a Student

During my 12 years of schooling, I often asked questions like, "Is this school rule necessary?" I thought that students should be respected enough to exercise their basic rights as human beings. However, society and schools seemed to say that students can only be guaranteed their human rights when they are decent students. From then on, I started finding ways to promote student human rights. And I found out. There is no "Student Human Rights Ordinance" in "Daegu" where I live. Why? Daegu students are no different from Seoul students!

Like a Student

NR 2021
In the Sky Where Seasons Pass By

At Deoksan elementary school under Woelaksan (Mt.), there are 15 children who have been in the same class for 6 years. They don't sit quietly in class like other school kids. After school, they gather at a hidden secret spot by the river, and they whisper, saying that the homeroom teacher is an adult who can't even control his emotions. Yoonjae, a new teacher who imagined that children would sit quietly in the classroom, is bewildered when he sees the children different from what he expected. The changing seasons with the children, and what will their sky be filled with?

In the Sky Where Seasons Pass By

NR 2021
Tungus

In 1948, two Korean soldiers from a Chinese People’s Liberation Army division flee Changchun during the Kuomintang–Communist civil war. Some 150,000 civilians died in this little-known siege, mostly by starvation due to the military blockade. The Jeju uprising of 1948 gradually seeps into the soldiers’ time and space. Notable for its extreme violence and casualties but long suppressed in official histories, it was a harbinger of the Korean War. Meanwhile, a famished scholar in Changchun returns in his mind to the May Fourth Movement of 1919.

Tungus

NR 2021
sub vid heap

"sub vid heap" is a visceral and compositional study on domination, shot a year after the birth of a first child. An exhausted ego and a needy id, the sensory and the lingual, desire and duty, horror and humility vie it out in a haunted hall. Captured at Headlands Center for the Arts, screams of a baby are muted out while the process of portraiture claims space for a body craving autonomy. Actions of pushing, vacuuming and rocking conjure the rickety bones of downtrodden ancestors, calling the laboring body from the periphery to the center, moving the rage through the body for joy to inhabit the space it vacates.

sub vid heap

NR 2021
Video Letter Exchange between Buenos Aires, Argentina and Fukushima, Japan

As part of a workshop run by Nele Wohlatz at the University of the Arts Hamburg, this series of video letters was sent from April to August 2020 between the filmmakers’ respective hometowns of Buenos Aires, Argentina, and Fukushima, Japan. Their contents extends from the artists’ somewhat restricted daily lives during COVID, to their dreams, anxieties, and explorations of their local environment. In Suzuki’s case, his hometown of Fukushima sustained severe damage in the 2011 Tohoku earthquake and tsunami, which is a recurring subject in his wider work. “All of a sudden, I found myself participating in an attempt to make a video letter without leaving my room,” he writes. While the letters are mostly filmed in a single location, they in part take place in digital space, building up an impression of three-dimensional intimacy with their “writers.”

Video Letter Exchange between Buenos Aires, Argentina and Fukushima, Japan

NR 2021