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Puccini: La Bohème

No one better described the half-starved, struggling artists than Murger in his Scènes de la Vie de Bohème: artists ready to burn a manuscript to try to keep warm yet,in an era of triumphant bourgeois materialism, dreaming of another existence. Taking up these scenes of Bohemian life, Puccini offers us a heart-breaking love story and some of the most beautiful music in the history of opera in the story of the poet Rodolfo and fragile Mimi. The staging of this new production has been entrusted to Claus Guth who sets the drama in a future devoid of hope in which love and art become the sole means of transcendence.

Puccini: La Bohème

NR 2017
The Saved Night

“La notte salva” (The night of nature) is a path of sensations that attempts to gather around its nature without revealing it, without opening itself to any human language. Rather, as an animal’s night call, it exists vanishing in its own closure and muteness. The film reestablishes itself onto its state of unsolved, lost and forgotten space, as a word without name, experiencing itself as a simple gesture, dreamily suspended through its own electric tension, far from any sort of destination, salvation, redemption.

The Saved Night

NR 2019
My Home, in Libya

Filming in her grandparents’ home near Padova in Italy, the director identifies a map of places belonging to their past. Antonio was born in Libya when it was an Italian colony, and he lived in Tripoli where he married Narcisa. They were suddenly forced to leave the country in 1970 just after Gaddafi’s coup. With the help of a young Libyan contacted on social media, Martina collects images of her grandparents’ “hometown” today. As they exchange pictures and chats, their relationship grows, the web allowing them to slowly overcome the physical and cultural boundaries that separate their lives, bringing the audience into a world the media has no access to.

My Home, in Libya

6.3 2018
La corsa de L'Ora

The story of this documentary unfolds between 1954 and 1975, years during which Vittorio Nisticò was the head editor of the newspaper L'ORA (The Hour). Nisticò's words, interpreted by Pippo Delbono, make up the body of the film: on one hand, the battles against the powers and interests intertwined between the mafia and the political world, during a historically transformative time for Sicily; on the other hand, the generation of intellectuals and artists, including characters such as Sciascia, Consolo, Dolci, Guttuso, Caruso, all taking on the struggle of becoming interpreters for this social and civil shift, and choosing this small, daily publication from Palermo as the main channel and instrument of this great challenge. In a few short years, the newspaper becomes a beacon in the fight against the "mafia mentality". Nisticò becomes a master of journalism, and L'Ora a great school, a "news factory”.

La corsa de L'Ora

10.0 2017