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Count Tacchia

In 1900 in Rome, the poor carpenter Francesco, by a twist of fate, is recognized component of a noble family in the process of decay. Francesco knows the cynical and ruthless Prince Torquato Terenzi, disappointed by life and progress, and also falls in love with the beautiful Duchess Elisa. When Prince Terenzi dies, Francesco realizes that he's not enriched for nothing with the inheritance, because the noble family is broke; so he enlistes himself for the war in Libya, but quickly returnes to Italy, disgusted by the atrocities of the fighting. His dream is to be a singer, and so he goes to America with the Duchess Elisa.

Count Tacchia

6.1 1982
Love in First Class

A man from Milan, Carmelo, is forced to take his young son Malcolm, on a trip down South so his mother, who usually takes care for the boy, can go on vacation with her Moroccan boyfriend. Carmelo, who obviously is not too often at home, has no clue about how to deal with young children, even the most basic chores a father should know to tend the restless imp thrown in his care. The crowded train traveling from Milan to Reggio, Calabria, is packed in the second class section where Carmelo and Malcom have a hard time getting a seat. When they finally do, young Malcolm decides to disappear from his compartment. He goes to the first class car, where eventually Carmelo decides to sit and pay the extra supplement. He is lucky to find more space, and the companionship of Beatrice, a woman that is bringing the skeleton of a rare animal. Carmelo finds a way to interest the lady. Their ride is certainly bumpy, complicated when he decides to leave the mischievous Malcolm at an intermediate stop.

Love in First Class

4.5 1980
Lucia di Lammermoor

This telecast offers a rare opportunity to see the legendary Joan Sutherland in the role that first catapulted her to international stardom. She drove audiences wild by the way her opulent voice caressed the music’s long phrases and sprinted effortlessly through the fiendish runs, trills, embellishments and stratospheric high notes. One of the glories of the operatic world, her portrayal of Donizetti’s hapless heroine is a multifaceted and moving characterization. The incomparable tenor Alfredo Kraus is Edgardo, the man Lucia loves but cannot have. (Performance taped November 13, 1982. Broadcasted September 28, 1983.)

Lucia di Lammermoor

10.0 1983
Wodzeck

Franz Woyzeck, the protagonist of Georg Büchner's unfinished drama is incorporated in this adaption of a classic. The contemporary Franz Wodzeck lives in Germany's Ruhr industrial region. Wodzeck meanders back and forth between the monotony of working each day in a car factory and returning each evening to the cheerless desolation of the factory dormitory. Once his girlfriend, Maleen, snubs him for his boss, Wodzeck's personal and social frustrations escalate into a vista of emotions: he runs amok and bloodily stubs Maleen to death. After he has killed his one sole love Wodzeck resigns himself to his fate. A hollow shell of a man is admitted to a psychiatric asylum. He feels no more anxiety, no more desire. He simply exists. FBW Prädikat: "wertvoll".

Wodzeck

7.0 1984
Blake's 7: Orac

A spaceship crashes approaching the planet Cephlon and when the crew of the Liberator answer the distress call they find their own lives endangered. Blake is caught in a desperate race against time to save the lives of the crew and also find the mysterious ORAC. Once in Blake's possession, ORAC predicts the future of Blake and his crew by showing them an image of the Liberator blown to atoms in space. Blake is powerless to alter their inevitable destruction, and when the Liberator is seized by a hostile force, a series of terrifying events sets the prophecy in motion.

Blake's 7: Orac

NR 1986
Tuareg: Desert Warrior

In a desolate section of the Sahara once ruled by the French, two thirsty men stumble into the camp of a Tuareg warrior where they're given water and shelter. Soldiers from the new Arab government now arrive by Jeep and demand the two men be turned over to them. The warrior refuses, citing the sacred laws of hospitality. The soldiers shoot dead one of the men and carry off the other - a political foe of the new government. The warrior mounts his camel and rides off to rescue his kidnapped guest.

Tuareg: Desert Warrior

5.3 1984