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Springtime Stories

Spring is a time of new beginnings and new life. The world is bursting with joie de vivre, and the sheer force of nature is never more tangible than during this season. In forests, fields, meadows and gardens, nature awakens from her icy grey winter sleep. The world takes on colour again. The magic of spring in all its glory is the focus of this film. Unusual animal stories – some humorous, some dramatic – create a very special springtime feel. Upbeat, amusing and exciting, the film illustrates vividly that spring in Germany is the loveliest season of all.

Springtime Stories

NR 2015
Vorstadtrocker

Ever since journalist Viktor lost his job at a tabloid, he has been doing a poor job of housekeeping while his wife Alex brings in the money as a vet. His dreary existence comes to an end when Mr. Neumann becomes his new neighbor: Thanks to his journalistic flair, Viktor is quickly able to discover Mr. Neumann's true identity, namely that of motorcycle rocker Rolf Olsen, who has gone into hiding. Viktor wants to get back to work with a scoop story, so he sets off with Rolf in the dark of night. However, this not only jeopardizes the peace of the house, but also that of his sleepy neighbourhood, as the hostile motorcycle gang has picked up Olsen's trail and is marching up with plenty of horsepower.

Vorstadtrocker

5.6 2015
Film Walks

What does it mean to live in a neighborhood? What does the place where you live mean to you? Who lives next-door? In the summer of 2017, 140 people who live on and around Rosa-Luxemburg Platz in Berlin's 'Mitte' district were interviewed. These conversations were turned into a series of short films that provide personal insights into diverse lives. Behind each door there's a different story: long-standing Mitte dwellers, founders of start-ups, centenarians, globetrotters, those pining for the old East Germany, and students. There are people who have lived here for two months or sixty years; people who grew up in what used to be East or West Germany, in Latin America, Russia, or former Yugoslavia. A neighborhood full of diversity and contradictions. Some call it their home, others just the place they live, while still others think of it as a real neighborhood or 'kiez'. And yet, memories and emotions associated with this place connect them all as neighbors.

Film Walks

5.5 2018
Electric Girl

Mia, who lends her voice to a Japanese Anime super heroine, finds reality and fiction to be interlacing more and more. Suddenly, Mia can see electricity, leap off rooftops and save people’s lives. But as Mia’s superpowers grow, so does her awareness of looming danger. Just as in the Kimiko anime, hostile powers are planning a massive electric blackout to destroy the city, maybe even humanity itself. And while Mia tries to save everybody from the imminent crisis, it's her own stability which seems to be put at stake.

Electric Girl

4.9 2019
Communists

Jean-Marie Straub pushes this musicality of blocks to a paroxysmal extreme, mixing blocks of time (40 years separate the various extracts that are going to be used, and what is to be filmed), blocks of text (Malraux, Fortini, Vittorini, Hölderlin) and blocks of language (French, Italian, German), and from this ruckus emerges the history of the world, yes, History with a capital H, and from the same movement, the political hope of its being overtaken. So this is an adventure film, about the Human adventure, still one that is always, in the end, overtaken by Nature.

Communists

4.5 2014
Himmelverbot

Almost ten years ago, while filming in the high-security Rahova prison in Romania, the filmmaker met Gavriel Hrieb, a prisoner sentenced to life imprisonment for the murder of a prosecutor. On the day of his release on parole after 21 years, Schwartz stands by him as a friend – but is also interested in Gavriel's story as a director. His team accompanied Gavriel for over two years. At first, he was full of hope for a new life, but he found it difficult to find his place. Romania is now part of the EU. The country has changed, and returning to society is difficult. He can't find a job or a place to live that he likes. His mother's inability to cope and still smoldering conflicts weigh heavily on him. The director eventually suspects that his protagonist has not told him the whole truth about his crime and requests access to the murder file.

Himmelverbot

NR 2015
Gustav Mahler - Symphony No. 5 (Gewandhaus Orchestra Leipzig, Riccardo Chailly)

As Riccardo Chailly points out, "The Fifth begins with a dark, gloomy, and tragic tone, but then is enlivened in the Scherzo and Adagietto, and eventually ends with a more positive character in the Finale perhaps for the last time in Mahler's life. The Adagietto is a revelation, a spiritual oasis. It is not an expression of pain, but rather Mahler's declaration of love to Alma a song without words." With the Gewandhaus Orchestra, Chailly gives the piece an unsurpassed intensity of sound and emotional expression. He achieves a compelling arc of tension in which the symphony's unique fascination unfolds. The Wiener Zeitung characterized Chailly's interpretation as "impressive with powerful and unreserved intensity."

Gustav Mahler - Symphony No. 5 (Gewandhaus Orchestra Leipzig, Riccardo Chailly)

NR 2013