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Shooting Geronimo

Famed romantic filmmaker Frederick Curtis is shooting a film about Geronimo just outside the Long Horn Saloon. Frustrated with the unconvincing performances of his lead actor, he pulls another young sexy Cree man into the role. Jealousy ensues as Curtis alternately gushes over the two Cree boys as he manipulates them into broad Hollywood caricatures. A “Lonesome Rider” intercedes, teasing the action to a tragic twist, which forces the boys to take control of Curtis’ film.

Shooting Geronimo

NR 2007
Ferron: Girl on a Road

She has been compared to everyone from Johnny Cash to Bruce Springsteen. A music critic famously wrote of her “What if Bob Dylan had been born a Canadian lesbian?” She once hired an unknown songwriter named Tori Amos as a backup singer, and she has been cited as an influence by everyone from Ani diFranco to the Indigo Girls. We are, of course, speaking of Ferron. No last name needed - just Ferron. And a guitar. In this remarkably intimate documentary, Gerry Rogers chronicles the return of the folk legend as she picks up the pieces after a 10-year absence from music.

Ferron: Girl on a Road

NR 2009
Eye on the Guy: Alan B. Stone & the Age of Beefcake

Alan B. Stone: astute businessman, quiet suburbanite - and master of the homoerotic pin-up. Eye on the Guy: Alan B. Stone & the Age of Beefcake explores the little-known world of Montreal's physique photography scene - a distinct gay subculture that emerged in the '50s and '60s - through the life and work of one of its most creative figures. Before the first wave of gay liberation, and long before Calvin Klein's poster boys marched into public view, Stone was taking hundreds of erotic photos of men and running an international mail-order business from his Montreal basement.

Eye on the Guy: Alan B. Stone & the Age of Beefcake

3.7 2006
Winnipeg Babysitter

An archival, curatorial and performance project, Daniel Barrow's Winnipeg Babysitter reveals the hidden history of independently produced television and subversive cable access from Manitoba's capital. Barrow presents a magic-lantern commentary, tracing the history of public access television in Manitoba, and describing the various and outrageous biographies of its performers and producers and in doing so, he provides a window (lit by the glow of an overhead projector) onto the history of a medium revealed as an important platform whose influence continues to resonate in the practices of Winnipeg artists.

Winnipeg Babysitter

NR 2006
From Harling Point

This documentary tells the story of a Chinese cemetery in BC that became a National Heritage site. For Chinese pioneers who died in Canada, Victoria's Chinese Cemetery at Harling Point was a temporary resting place until their bones could be returned home. (Traditional Chinese belief says that the soul of a person who dies in a foreign place wanders lost until their bones are returned home.) This film traces the rich history of the Vancouver Island cemetery from controversy and neglect to its revival as a historic site. Told by those closest to it, the story of Harling Point is a metaphor for Canada, a country still working on making a home for all who live within its borders.

From Harling Point

NR 2003
Broken Saints

In the quiet corners of the globe, four strangers – a cynical American programmer, an aging Japanese priest, a troubled Arabic mercenary and a mysterious Fijian girl – receive a series of chilling apocalyptic visions. Desperate to understand their frightening visions of the future, these four troubled souls are simultaneously drawn to a dark city in the West where their fates – and the fate of the world – are revealed to be linked together and somehow part of a global conspiracy. Amidst an epic struggle of man, machine and otherworldly fear, these reluctant heroes must be willing to sacrifice everything…in order to know the truth and save us all!

Broken Saints

6.0 2001
untitled part 3b: (as if) beauty never ends..

An ambient work of many things, including orchids blooming, and plants growing, superimposed over raw footage from post massacre filmings of the 1982 massacre of Palestinians at Sabra and Shatila refugee camp in Lebanon. Cloud footage, Hubbell space imagery, the visible body crosscuts, and abstract shots of slow motion water, add to this reflection of the past, its present context and forbearance. With the voice over of Abdel Majid Fadl Ali Hassan (a 1948 refugee living in Bourg El Barajneh camp) recounting a story told by the rubble of his home in Palestine [Israel], and the collection of audio accompanying the clips, the tape permeates into an intense essay on dystopia in contemporary times. Working directly, viscerally, and metaphorically the videotape rovides an elegiac response to the Palestinian dispossession.

untitled part 3b: (as if) beauty never ends..

6.0 2003