Discover Movies

4,118 Matches Found

The Farming of the old times

A documentary made at the very end of the Showa era, looking back at traditional agricultural models as they still existed at the beginning of this same era (in the 1930s). A working year is recreated in Kanegasaki (Iwate Prefecture, Tohoku region). From "threshing the paddy fields" with a hoe in April to "filling the ground with barley" in April of the following year, this film photographs seasonal agricultural work and crops such as hemp and chestnuts, showing how the ancestors were engaging their all bodies and using their ingenuity to cultivate. In order to transmit the spirit of their devotion to the earth to future generations, this documentary film faithfully reproduces and records the agricultural tools, the cultivation of rice, wheat and soybeans of yesteryear, which are on the verge of being forgotten.

The Farming of the old times

NR 1988
Snow as Flowers: Niino’s Snow Festival

This film documents a snow festival with a history dating to the 13th century held at Izu Shrine in the Niino community of Anan-cho, a small town located in the Shimoina District of Nagano Prefecture. The winter snow that falls during the festival is thought to herald the abundant life force of spring. Noda completed this film over a five-year period beginning in 1974, visiting the festival each year with a small staff and editing the footage as he shot.

Snow as Flowers: Niino’s Snow Festival

NR 1980
Whistling...1985

Is this fiction or reality? The filmmaker himself suddenly appears on screen with his real name, and the process of making a film with his friends is described. There are casual, everyday conversations with a girl who happens to be an actress and her friends. At the end, the filmmaker visits the girl's room. This is the "truth of the filmmaker's own life" captured by the camera, which moves almost continuously and without any sense of artifice. The last scene in particular is condensed and infinitely endearing.

Whistling...1985

NR 1986
Double Portrait

"Double Portrait" and "I Love You" are a paired piece with Akiko Iimura. Both Iimuras play individually as well as a unit. In "Double Portrait" they are never together, but one by one in three points of view, front, side, and back, assigned to the words "I", "You" and "He/She" respectively. The pronouns rotate with every repetition, for instance, in front view with "You", then "He/She" and back to "I". Often the words are destroyed acoustically making them unintelligible. "I Love You" is not a style of confession, but the words, and a linguistic practice using a sentence and shifting the pronouns.

Double Portrait

NR 1987
Disturbed Married Woman Embarrassing Caress

A wife who lived a modest and happy life with her husband, a serious office worker. One day, it was discovered that her husband had access to her company's money, was having an affair with the mother of the snack shop, and was spending money on her. The two are divorced. Her wife sleeps with a loan shark to clean up her debts, and her husband's former boss ends up having a sexual relationship with her, leading to a rough life for her. I am forced to do so. One day when she is devastated, she accidentally reunites with her husband in her town. Her husband was also dumped by an unfaithful woman and their lives were in tatters, but the two decided to get back together, keeping secrets from each other about what had happened during their breakup.

Disturbed Married Woman Embarrassing Caress

2.0 1984
ONANIE 24 Hours

At dawn, Yuki goes out onto the balcony and indulges in masturbation in a bold pose. Michiko spreads butter on her private parts and writhes in pleasure as her dog licks them. Hiroko, a nurse, is a lecherous woman who goes out to the city after her shift to hunt for men and masturbates without hesitation if a customer at a bar requests it. Emi, a female college student, discovers the joy of masturbation with a vibrator she found in a friend's room. Mari, thinking of her lover who died in a traffic accident, gazes out at the sea and fondles her private parts with her fingers. Saeko, a wealthy madam, has a habit of getting drunk and masturbating in the toilets of bars...

ONANIE 24 Hours

2.0 1984
GAMUZE 2

The course was set to meet on the rooftop of Shinjuku Odakyu Department Store and penetrate Shinjuku's Kabukicho district. Hirano used Masahiro Sugiyama, the star of his film “The Thunderfish,” to shoot the film, and Hideto Ishii shows his commitment to light. Nanao also brought a saxophonist, Toru Nishiuchi, and had him blow his saxophone in the street, much to the dismay of the audience. The participants on the rooftop at this time can be seen in “Aitai”. As a result, two films were made in one day.

GAMUZE 2

NR 1988