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Life is like a blackboard you write on with chalk. Everything is written, everything is erased. Especially our first love in elementary school. Especially our first teacher in that school.

A visual poem magnifying the Amazigh culture, a historical tale about the seismology of the city of Agadir and a story about our planet earth itself and its own life, created for the Museum of the Reconstruction of Agadir.

This fable immerses us in the peaceful life of Oto and Skippy on their planet, which is then disrupted by a spaceship collision and cosmonaut Exo emerges. Cohabitation between them proves to be tricky.

Joanna, a young European traveller, roams around the Cape Verde Islands with her sketchbook. On her journey she encounters Lito, a local fisherman, who will encourage her to delay her departure.

Documentary on Fontenay Le Pesnel, 1,200 inhabitants, on the outskirts of Caen in Lower Normandy.

Adrift in the Mediterranean, a migrant boat is confronted with a strange phenomenon...

A young woman spills her morning coffee and makes discoveries.

A filmmaker searches for the eight winds of the Mediterranean on the island of Corsica.

A chronicle about the everyday life of an Emmaüs community. Most of its people are migrants, mostly with children. They come from Albania, Chechnya, Morocco, Georgia, Mongolia, Afghanistan... Time flies between their work, homesickness, and nostalgia of the loved ones they will never see again.

Exit via the Highways zebras at La souterraine.

"The cinema of solidarity" is one of the propositions that compose the Some Strings program. Some strings is rooted in that which stains the screens of history: in Palestine, where poet and teacher Refaat Alareer, like so many others beings, was targeted by Israeli strikes and killed along with seven other members of his family.

The Paris Opera is one of the world's most prestigious opera houses. Guillaume Diop was appointed principal dancer there in 2023—the first person of color in the opera's history. In the orchestra pit, Sulivan Loiseau plays The Nutcracker on the double bass. She is the first Black musician in the Paris Opera Orchestra. It's not just Diop and Loiseau's exceptional talent that continues to attract attention, but also their skin color. Some consider them role models. Others believe the opera is using them to fulfill its diversity quota. This documentary follows these young talents over a season and shows the cultural institution in its attempts to better reflect multicultural society.

Martine is a marriage counsellor at the Women's Centre in Montreuil. Between files and dance steps, she takes us on a tour of the centre, telling us how she welcomes women who are victims of domestic abuse and the battles they fight alongside the association.

Anthony is 35 years old. He's been a business owner for 11 years and runs the Salon des Quais in Quimper. A couple for 18 years, married to the man of his life, he could lead a quiet existence in the pretty prefecture of Finistère. However, when the night comes, Anthony is none other than Britany Hart, an exuberant 100% Queer Amann drag queen! Perched on 15-centimeter heels, a flamboyant wig, delirious make-up, and a sharp tongue, Britany wakes up the Breton nights, helped by her daughters: Ixy Hart, Agony Hart, and Oly Hart. Bars, clubs, cabarets, private parties, this “Mother Drag” and her daughters are everywhere, on every front. And at the start of 2023, all their false eyelashes are focused on the organization of the second edition of the Quimper Pride, where thousands of young and not-so-young people from the surrounding towns and countryside come to celebrate, carrying the Rainbow flag and its inclusive, festive values high!

A few shacks built on the hillside on the fringe of society and without men. A place of refuge, of collective and feminist transformation. From this edge, alongside those who build it, the filmmaker questions their place in nature and society, as well as the freedom of their body and the prospect of having a child. Openly alluding to Virginia Woolf’s famous quote (“A woman must have money and a room of her own if she is to write fiction") and introducing us to a bouquet of incredible, uncompromised female characters, an investigative yet tender camera challenges the boundaries of gendered social roles and immerses in the micro-universe of absolute freedom and self-determination.

Remake of Chris Marker's film "Chat écoutant la musique", set to the music "My Little Brown Book" by Duke Ellington and John Coltrane.

The choice of this site was guided more by its location and function than by the architecture of the pool and its surroundings. The building is designed to be naturally and regularly flooded by the Atlantic Ocean tides. The film incorporates natural elements like tides, wind, rain, and light. I aim to depict a harmony between the body, the site's architecture, and the powerful nature of the location. The goal is to reveal a fragile balance between humans and nature on this ever-changing coastline. The creative process was intuitive and improvised, influenced by the moment and contributions from the dancer, director, tides, and weather.

First in “Film Letter” series, which explores unspoken emotions through a combination of archival visuals and personal letters that has been never sent.

In August 2022, a group of squatters entered an abandoned building in Marseille. Inside, they uncovered the forgotten remnants of Jean-Pierre’s life – hidden among decaying papers and neglected VHS tapes – a treasure trove of the Mineshaft founder’s archives. Piece by piece, they began to uncover a history of pleasure, transgression, and community. Guided by a voice-over, they navigated Jean-Pierre’s intimate space, uncovering a story of defiance and desire, preserved in the materials he left behind.

One-shot visual composition based on the eponymous music by Soheil Peyghambari.

Letters made up of sounds and images, a reel of Super 8 film, analogue tapes and a passing train were the guidelines for this attempt to join forces, to make a song out of distance.

This doomscroll documentary explores the relationship between the iPhone screen and director‘s own body. Is this device the postmodern version of the small bathroom mirror used for self-exploration? Or is it much closer, not in front of but inside my body? “Out of my desire to wrest something from the vanity of doomscrolling and regain power over the data I give my phone, without even thinking about it, I've tried to document this field/counter-field that unites us and its strangeness.“

From a poem by Antonin Artaud to the pantomimes of Pierrot, between Paris and London, this enchanting suite of musical drifts composes words and faces, beings and places.

Some fifty years ago, while looking for new ways to gather intelligence, the CIA launched a secret program on clairvoyance and extrasensory perception. Is it any coincidence that this took place at the same time and in the same place as the birth of the Internet ?

A group of Marseille residents resist the proliferation of security cameras on the streets of the French city. Passers-by become suspects and people are being watched on every corner of the state. The group of residents tries to understand exactly what these cameras are supposed to capture. Will they find a way to outwit this state control and create a new form of resistance?