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I. Demonstration of divergent movements of 26 people and two horses. II. Periodic interruption by a second filmic plane. III. A segment of music repeated in a row.

Documentary by Hans J. Gnamm

Clearly influenced by Brecht and Jean-Marie Straub, criticizes the reduction of human relations to economic relations as well as the US imperialism in Vietnam.

The portrait shows everyday life in the Portuguese fishing village of Sesimbra, south of Lisbon, at the time of Salazar's dictatorship in 1964. Mau's photos, e.g. fish spread out in geometric patterns, and Fichte's commentary support each other. But the word 'commentary' is misleading and does not adequately describe the poetic, reportage-like text.

For decades, the villagers of Haselbach have argued and fought with those of Banzing. But this should finally come to an end: The local councillors decide to reconcile the two villages and the mayors want to seal the peace by marrying off their children. They agree that they don't want to marry each other and that their fathers are only acting out of greed. When they decide to revolt against their elders, they are unexpectedly supported by a "stranger" who brings the reason for the dispute between Haselbach and Banzing out of the dark: the Holledauer Schimmel. Plots are forged, tender bonds of love are forged and in the end everyone ends up where they belong.

When the sons of farmer Thomas and his wife Therese Stangassinger, Toni and Sepp, introduce their fiancées to their parents, the latter cannot believe their eyes. Independently of each other, the parents try to prevent the wedding by any means necessary.

Katia Mann, 85, discusses her girlhood and her life with her husband, Thomas Mann.

In the background, Rosa von Praunheim sings a love song in a foreign language. The sound engineer counts as the camera moves over Rosa’s black plastic jacket. Carla Aulaulu sings while a young girl (also Carla) collapses from exhaustion while climbing stairs with a shopping bag. An erotic relationship is suggested as the camera focuses on the bag swinging between the maid’s thighs. The maid struggles to make tea for the Klostermann family, who sit stiffly in evening gowns with plastic egg cups on their heads and paper in their noses. One daughter stabs the maid. The family watches the maid’s excessive dancing, amused and embarrassed. Carla collapses repeatedly, with a twitch being the last.

Short film about car racing.

A weathered portrait of Berlin: Irena Vrkljan has conversations at the social margins of the city, films as Wolf Biermann serenades the Wall, shows the trash of affluence at a dump in Grunewald, new housing developments on the periphery where commuters go to sleep and the student protests at the university.

Director Rolf Liebermann’s 1968 filmed-for-TV production of Carl Maria von Weber’s opera, with the Hamburg State Opera performing an adapted stage version. Soloists include Bernhard Minetti, Toni Blankenheim and Arlene Saunders. The conductor is Leopold Ludwig.

High-contrast, abstract black-and-white photographs by Renate von Mangoldt illustrate a three-part poem cycle by Walter Höllerer about hop gardens in winter. "White is the garden / empty the poles / cleared / the season / made visible / the skeleton / before the white / ceiling." The frames form a graphic pattern, "a curiosity of lines" and a "grey hatch work / over the snow".

Dr. Barbara Heim, a heart surgeon, and Gunter Heim, a well-known actor, have been married for seven years. They have a six-year-old daughter. Both partners are totally taken up by their work which is physically and mentally demanding. So there is little time left for family life and the strained relations worsen and finally plunge Barbara into a crisis - shortly before their seventh wedding anniversary. At this very point a child dies in hospital, prompting Barbara to ask herself in desperation if - and for how long she can put up with the double burden of career and family. On top of this, she notices that Gunter is starting to compare her to other women.

After a long day in the pasture, Mother Donkey tells her little son the Christmas story before bedtime. In his dream, the little donkey sets off on an adventurous journey to find the Christ Child...

Car racing, speed, the spectators’ fascination, the signs of an era made of machines and competition. But “victory” is not the real meaning of it.

When a relentlessly annoying and obnoxious man named Karl decides to make everyone’s life a living nightmare, no one is safe. Whether it’s his coworkers, family, or strangers, Karl’s determined to get under everyone’s skin with his endless disruptions and antics. Hilarity ensues as Karl’s quest to irritate leads him into absurd and outrageous situations.

"An attempt to make a portrait of my wife." (HHK)

Sad-is-fiction, Fredi M. Murer’s third artist film, takes as its subject the Zurich-based painter and poet Alex Sadkowsky. “Modern man leans neither to the right nor to the left; he just keeps walking” runs the start of the programmatic introduction – and, for the rest of the film, Sadkowsky does just that. He wanders through aeroplanes and through London, and leaps across rocky landscapes. Whenever he feels lonely, he carries with him an “animal metaphysicum”, which originated in his paintings. Sad-is-fiction portrays Sadkowsky as a visionary dreamer who – although he is in fact a father, artist, lover and, above all, a man with, to put it mildly, a gift of the gab – resists being pigeonholed in any way. In Sad-is-fiction,Murer works for the first time with direct sound and, for the first time, employs a colleague in the shape of cameraman Fritz E. Maeder.

A critical look on the 1960 Tour de France.

A historical account of the postal service through the centuries, from early communication to the late 1960s.

A melancholic portrait of the last hours of an old man.

Documentary by Joachim Jomeyer

Short Film by Michael Klier for a series of shorts for the German TV Station SFB.

The Paris-Munich overnight express becomes the scene of an unusual crime. Private detective Frank Winter is assigned a "case" of unknown proportions! He has 20 minutes to reach the train in Strasbourg as ordered and make contact with a stranger in the S 98 sleeping car. The task is to protect the French scientist Prof. Charles Leduc, an expert in the field of cybernetics...

Short film directed by Ernst Reinboth

This year, the annual bike race will pass the highrise where little Max and Tüte live. It is a very hot day and the two boys try to come up with an idea to refresh the bikers. They finagle a huge water sprayer and all their neighbors get involved. But right at the crucial moment, a cat causes a huge accident and the would-be winner in the yellow jersey gets the worst of it.