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To Forgive the Coccyx 2.0

The caudal vertebrae (coxxyx), the most significant part of the body that distinguishes humans from animals. The symbols and images derived from it form the "signifier chain" of the body and objects And becomes narrative in the gaze of the viewer: An office in the middle of ecology and the jungle, The bodies of white-collar workers are alienated by the materials of their profession and office ...... PHYSICAL GUERRILLAS invaded the office space in an office building, where they checked in together every day in hundreds of trees, and fully integrated into this unique field with anxiety and involution: Different groups of people are spaces – any psychological and spiritual communication will create a "new space", and the sound environment of the area will regain a new space with a unique texture.

To Forgive the Coccyx 2.0

NR 2024
Fallen Treasures

With over seven decades of history, Chi Kee Sawmill has lived through multiple transformations by Hong Kong’s timber industry, including the economic boom in the 1980s and 1990s, as well as its radical shift to processing and recycling used timber. However, when the sawmill faces compulsory eviction by the government for its Northern Metropolis development project, the survival of this successful family-owned business becomes a modern David- versus-Goliath story. The latest documentary by photojournalist- turned-filmmaker Elyse Hon is a wistful look at the unstoppable machine of urban development and an old-school business unable to withstand the flow of time

Fallen Treasures

NR 2024
Drag in Me

A student, initially serving as a director, filmed his LGBTQ+ teacher but eventually became personally involved in drag. What began as an observer's stance transformed into active participation in drag. Through self-engagement in drag, the director assumed the identity of Rachel and seized an opportunity for a dialogue with self-identity. This experience led to an awareness of the conflicting dialectics between societal frameworks and personal identity. The director embarked on multiple attempts to coexist with and showcase the multifaceted aspects of the transformed, drag persona.

Drag in Me

NR 2024
Her 5th Room

Mother Hyo-jeong moved to a different room three times while living with her mother-in-law. Hyo-jeong, who has been a full-time housewife for 20 years, became her new head of household as a counselor. But her dad still wants the role of her submissive wife. Her mom wants her independence into her safe space. While she lives in each room, her father's intrusion continues. Although her mother keeps moving rooms, her father continues to disturb her mother's space. Will her mom really have her own space, can she have that fifth room?

Her 5th Room

NR 2024
The Way Fish Breathe

Unable to adapt to his stepfamily, Seung-won leaves home on turning 20, to live in a small theater company in pursue of his dream of becoming an actor. Years later, while continuing his life at the theater company, he hears the news of his father's death, who he had not met for seven years. He impulsively leaves the theater company and returns to the house where his biological family used to live. One day, his stepsister Ga-hyeon visits Seung-won to ask him to return to his stepmother's house, so that she could leave home to prepare for the civil servant exam. Seung-won feels anxious about his family and dream again.

The Way Fish Breathe

5.0 2024
Close Encounters

In 1983, thirty years after the cessation of the Korean War, the world remains in the grip of Cold War tensions. Over the divided Korean Peninsula, two unexpected arrivals suddenly appear in the skies: a North Korean defector and a civilian aircraft from a communist country. These unforeseen events, akin to alien landings on Earth, are broadcast live across the nation, captivating the imagination of a people caught in the crossfire of the Cold War. But what became of these individuals who abandoned their reality to venture into an unknown world? Did they indeed find their happily ever after?

Close Encounters

NR 2024
Fabric of Lives

Two families in Awat County, southern Xinjiang, China, the Uyghur family of Aierken and the Han family of Guan Xiaoyan, make a living by growing cotton. During the busy cotton picking season, they encountered various unexpected situations such as difficulty in finding harvesting hands, injuries, and continuous rain. But with the concerted efforts of their respective family members, the year's hard work of the two families finally paid off satisfactorily. This film uses the shooting and narrative style of real movies, with the connection of local folk songs and music, as well as the exotic audio-visual language, to show the real life texture and simple family values of Xinjiang cotton farmers in an idyllic way.

Fabric of Lives

NR 2024
To Turn a Door of Memories

What is this incessant noise that keeps ringing? It sounded like the roar of the wind, the hum of passing cars, or the sea breeze sweeping through the streets. It felt unfamiliar. The lights of the night, the towering and intricate buildings illuminated by smooth LED surfaces, come alive, dancing with faces and bodies. Seoul is a whirlwind—a devouring maw, a cacophony, a rapid stream of images that leaves your senses struggling to find focus. And so, I set out to trace this intriguing sound. One of them comes from the roof of my home. It originates from the wind and evokes the repetitive beat of a drum. On se souvient des pas begins here. Through a geographic and temporal journey as the camera transitions from one scene to another, the film encounters Korea's history and traditions. This is a kind of journal—an attempt to grasp the essence of this land where I lived for ten months.

To Turn a Door of Memories

NR 2024
Studies

“Kim has explored the conditions of contemporary life encompassed by digital media and representational devices, creating original video work that combine powerful images and unfamiliar narratives based on autobiographical experiences . . . His new work, Studies (2024), is a fiction film with cinematic experimentation borrowing from the horror film genre. Heecheon Kim has invented a fantasy of horror that opens up a new dimension of creation in which the fragility of borders allows a possibility of narratives.”

Studies

NR 2024