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La demoiselle et son revenant

Rosette is young and charming but she is crippled so she cannot make the most of her life. Which upsets Jules Petitpas, a single inventor, her eccentric but kind-hearted neighbor. Jules pledges to help her by creating a potion that will cure her. Unfortunately he dies before being able to achieve his aim. But a promise is a promise, and the good man comes back to the land of the living as an ... ectoplasm! And he manages to involve a whole tribe of ghosts to assist him in the noble task of saving the young lady. All is well that ends well.

La demoiselle et son revenant

7.0 1952
Power for All

Part of a six part series, this BAFTA Special award nominated documentary looking at the building of hydro-electric power schemes in the Alps of Western Europe, specifically Italy and Austria. It also features other forms of electric power in other nations in Europe including thermal power in Tuscany in Italy, brown coal-fired power stations in Germany and Great Britain and hydro-power in Sweden, Scotland and Norway. It also investigates the possibility of inter-country exchange of power.

Power for All

NR 1951
Il marito

Alberto's marriage is a complete failure: his wife Elena is a hard woman influenced by her mother and sister who live with the married couple. Alberto is also experiencing financial problems and hopes for the help of a rich widow who is however interested in his sexual favours. Naturally Elena puts obstacles in his way and everything goes wrong. Alberto decides to change job then and becomes a sweets sales representative. Disillusioned with marital life he also changes his attitude towards women: he tells every woman he meets he is single.

Il marito

6.4 1958
La Corniche d'Amour

Two rich tourists, a photographer and a painter, meet during a walk in Kabylia. Their wanderings are an opportunity to highlight the many tourist and picturesque places on the Algerian coast. This film commissioned by the Defense Communication and Audiovisual Production Establishment (ECPAD), attempts to sell a tourist destination when Algeria was in flames with the outbreak of the Algerian national liberation war. Filmed with the colonial lens of the time, the natives are only one element of a picturesque setting, and the final kiss between a French woman and an Arab man is an attempt to demonstrate a pacified country. Despite everything, the film constitutes a precious archive for Béjaïa, which is the subject for the first time of a film which immortalizes a moment in its history, and to introduce the work of Tahar Hannache, actor, cinematographer and director, one of the pioneers of Algerian cinema.

La Corniche d'Amour

NR 1955