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Unification of Japan 62

Nao (Ayano Nishikawa), wife of Ota (Ryota Matsushima) from the Kamome Victims Association, is abducted by the World Kamome Church. Tamura (Yoshiyuki Yamaguchi) storms the cult’s facility alone to rescue her, and Himuro (Yasukaze Motomiya) soon follows. Ordered by cult leader Takahara (Mizuki Nishikawa), armed followers attack, and despite fighting back, Himuro and Tamura are captured. When Himuro questions Takahara about the cult’s true goal, he receives a chilling, cryptic answer. Meanwhile, suspecting Deputy Police Commissioner Mikami (Yasuhiro Arai) is linked to the cult, investigator Sahara (Takayuki Kinba) takes a risky step by consulting Matsumiya (Gen Hongo).

Unification of Japan 62

NR 2024
Ghosts Just Want to Have Fun

A young soldier was raped four times in one night. Refusing to live with the humiliation, he became a wandering spirit. However, death turned out to be his stroke of luck, granting him the ability to possess others, even influencing their thoughts. Naked, he traveled across countries, embarking on a series of fantastical and hedonistic human experiences. In the end, despite gathering with other wanderers, these spirits still couldn't let go of their obsessions with human love, eventually falling into the emotional whirlpool of Stockholm Syndrome. This is a reimagined and enhanced version of Scud's Bodyshop (2022), offering an even more intense experience.

Ghosts Just Want to Have Fun

5.0 2024
Dear Paris

What makes life worth living? In a set of interconnected stories, several Paris residents see their lives turned upside down when death knocks at their door: a narcissistic Italian opera singer wakes up at the morgue only to realise her own passing came unnoticed; a British stuntman finds himself questioning his own profession when his son suffers an accident; an eccentric elderly Colombian woman makes a pact with death itself... While each character strives to reconnect with what matters most, the city of light, love and endless possibility shines brighter than ever.

Dear Paris

5.5 2024
White goods

On that day, refrigerators will be delivered to two apartments in the same building. Zeynep and Nihat, a couple, had chosen a second-hand refrigerator from a pawnshop that had been broken into by thieves the previous night. The refrigerator they had smuggled in will also be delivered to Sebahattin's apartment, where he resides. Inside this smuggled refrigerator is the body of their deceased father. The refrigerators get mixed up, and the characters try to navigate their way through these events.

White goods

NR 2024
Six Lying University Students

The setting is a recruitment examination for an IT company, there are six finalists who are given the task to build a team and hold a discussion in one month's time. So, they deepen their interaction with each other so that all to receive offers. But soon they will find that the assignment has been changed and there will be only one succeosor. 6 envelopes are found in the discussion room which contain accusations of the "crimes" of each of the six. Who is the liar? The ultimate psychological battle begins.

Six Lying University Students

6.2 2024
Fugue

In the heart of the Peruvian Amazon, Saor, a young androgynous Indian, carries a coffin. He is taking Valentina, his lover, back to her native village to bury her. When Valentina left this village years ago, before becoming a transgender singer in a faraway city, people here knew her as Pol. Valentina's past and death remain an enigma. Yet bit by bit, through his encounters with the people of the village, Saor begins to perceive what connected them to Pol. Sensitive to the world around him, Saor, like a Shaman, enters their memories. Saor starts to understand that, like all homosexuals persecuted by Shining Path terrorists, Pol lived in terror. In the village cemetery, between rage and bitterness, Saor attends the burial of Valentina's body. A ceremony that is both a burial and an exhumation.

Fugue

4.0 2024
The Critic

Jimmy Erskine is the most feared theatre critic of the age. He lives as flamboyantly as he writes and takes pleasure in savagely taking down any actor who fails to meet his standards. When the owner of the Daily Chronicle dies, and his son takes over, Jimmy quickly finds himself at odds with his new boss and his position under threat. In an attempt to preserve the power and influence he holds so sacred, Jimmy strikes a Faustian pact with a struggling actress, entangling them and the boss in a thrilling but deadly web of desire, blackmail, and betrayal.

The Critic

5.8 2024