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King of the Grizzlies

Moki, a Cree Indian, is made foreman of a sprawling cattle ranch owned by his former army commander. But he carries with him through life the lore of his own people. When he rescues a bear cub, Wahb, he feels a mystical connection between himself and the magnificent creature. Later, Wahb, now a 1,300-pound bear, returns from the wild to wreak havoc on the cattle ranch, and Moki must face this fearsome grizzly. This spectacular film depicts a territorial battle over a country of breathtaking beauty.

King of the Grizzlies

6.0 1970
Yankee Doodle Cricket

The War of Independence has begun, and Tucker the Mouse, Harry the Cat and Chester C. Cricket are indispensable to the American colonies' effort to free themselves from the rule of the despotic English king. Harry and Tucker help Thomas Jefferson write the Declaration of Independence. Chester creates the tune for "Yankee Doodle Dandy." And all the animals--including John and Marsha, the lightning bugs--help Paul Revere spread the message that the British are coming. [Plot summary written by J. Spurlin.]

Yankee Doodle Cricket

7.2 1975
Something's Rotten

The queen of an unnamed European country is being pressured by her Prime Minister to abdicate the throne in favour of one of her sons. But she wrestles with the question which son, the older but emotionally unstable Prince Calvin or the younger but more mature Prince George, will be named as her successor. Meanwhile, a series of murders of the palace staff is being committed by an unidentified “Skulker”, whom the queen begins to suspect may in fact be one of the princes.

Something's Rotten

10.0 1979
Shoot

When boredom, pride and a mad second of misjudgement leaves a hunter shot dead by one of five combat veterans also hunting in the Canadian hills, it is expected a police investigation will follow, but when the veterans discover the incident has not been reported, the leader of the team, Major Rex suspects the other party maybe plotting revenge. Convinced that he, his party, and their families will be targets themselves he decides to beat his suspected assailants at their own game, grouping together more army comrades and stocking up an arsenal of weapons for the forthcoming battle.

Shoot

6.0 1976
Jimi Hendrix

Made shortly after his death, this documentary explores the brief life and remarkable legacy of guitarist Jimi Hendrix. After finding fame in the U.K., Hendrix brought his act back to the U.S., where his influential playing style left a blazing imprint on a whole generation of musicians. Employing interviews with family and contemporaries, such as Eric Clapton, as well as scorching live performances from Woodstock and Isle of Wight, the film paints an indelible portrait of a rock 'n' roll legend.

Jimi Hendrix

7.8 1973
The Keeper

The Keeper of Underwood Asylum has the mental patients of the wealthiest families in British Columbia. The rest of the family members have been dying under mysterious circumstances, so Biggs hires private investigator Richard Driver, who puts his assistant, Maybelline, in the asylum pretending she is his cousin and that they came from a family where the parents were all first cousins to each other and they decided to keep their love platonic for genetic reasons. Then he tries to get Inspector Clarke to check him in as a narcoleptic who didn't wake up with his body. They all know what the keeper has been doing, but it is a matter of proving it, and avoiding the hypnotized Biggs twins and Danny, who he is able to keep catatonic with his machine. Inspector Clarke gives driver a lot of trouble, and the kid giving shoe shines looks down on everybody, knowing more.

The Keeper

4.4 1976
The Monsterizer

The Monsterizer and his gang of monsters kidnap prominent citizens of Good Haven, including the Mayor and Police Chief. They are then transformed into monsters by a device, creating more lackeys for the Monsterizer. The Mighty Heroes respond to a call for help. They attempt to reason with the Mayor and Police Chief, but instead get captured. The heroes are put into the Monsterizer's machine, with Rope Man used to tie them up. The heroes can't escape without snapping Rope Man in two. But Diaper Man uses his milk bottle to prevent the Monsterizer from activating the device. That gives the heroes enough time to escape. They eventually overpower the Monsterizer and change the Mayor and Police Chief into their old selves.

The Monsterizer

NR 1975
Don Giovanni

Since its debut in 1934 the Glyndebourne Festival has put a focus on Mozart operas and developed a great competence in staging them. Mozart s operas seem to be made for the small but fine opera house in Glyndebourne and it's not surprising that the 1977 Don Giovanni, one of Mozart's great masterpieces, was a huge success. This production is conducted by Bernard Haitink, who holds the opinion, that no other composer had more opera in his blood than Mozart. It has been proven, for example, that Mozart had no overture for Don Giovanni until the evening before the premiere in Prague and wrote it down in just one night. Like the premiere's success of the opera in Prague in 1787 the Glyndebourne's version staged by Peter Hall was praised by audience and critics alike: We witness a lively and wide-awake ensemble piece that has easily survived all these decades, and still manages to teach many directors the art of playing theatre.

Don Giovanni

7.0 1977
Delta County, USA

Delta County is a staid Southern community caught between the old traditions and a rapidly changing way of life. For teenagers Terry Nicholas, his sister McCain, and Joe Ed, the boy from the wrong side of the tracks that she's attracted to, the old traditions have little meaning in their lives. Their elders, struggling to preserve values of an older day, have personal problems that are sometimes overwhelming, such as the one facing John McCain Jr., an alcoholic whose wife Kate is having a hidden and torrid romance that sets her husband off on a vengeance-seeking spree.

Delta County, USA

10.0 1977
I Don't Know

A truly major work, I Don’t Know observes the relationship between a lesbian and a transgender person who prefers to be identified somewhere in between male and female, in an expression of personal ambiguity suggested by the film’s title. This nonfiction film – an unusual, partly staged work of semi-verité – is the first of Spheeris’s films to fully embrace what would become her characteristic documentary style: probing, intimate, uncompromising. Preserved by the Academy Film Archive in 2014.

I Don't Know

4.4 1971