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M.B. MOVIE

At the beginning of the film, the filmmaker begins to talk to the camera. I don't know what kind of film I'm going to make, but I'm going to make it. The camera is set up in a room. He moves into a bigger room and tries to capture more of his everyday life, but eventually, he gets tired of playing with the camera alone and enlists three of his friends to join him in making three dramas. The filmmaker insists on showing a naked woman in the film, but before he can make up his mind, the camera returns to his room, where he struggles to make a film, and, unable to process it as his own expression, he calmly accepts his awkwardness. In this way, the audience can see the growth of the artist. In this two-hour film, the audience experiences unique complicity with the artist's growth.

M.B. MOVIE

5.0 1987
Hard Scandal Performance

A woman who runs a prosperous oden shop by herself. A report writer who is a regular there senses something is wrong with her, and becomes interested in the landlady, so he decides to interview her. Then, it turns out that the husband of the landlady, who was an employee of a top-class trading company, was murdered by a certain man. Moreover, the man is the older brother of the tigress-like woman who lives with him, and it seems that he will be released on parole soon. Using this information as bait, the report writer forcibly presses the landlady into having a relationship with her, but... A work depicting the negotiations between a woman who hides her past and a man who reveals it.

Hard Scandal Performance

2.0 1985
Wind. 1′40″

Impressionistic silent short film (also known as ‘Kaze. Ippun yonjûbyô’) created by 17-year-old high school student Shinozuka Tsutomu. The animation, which won the Debut Prize at the inaugural Hiroshima International Animation Festival in 1985, shows a group of samurai racing at breathtaking speed across golden meadows. The film stands out for its visceral sense of motion and extraordinary dynamism, as has been confirmed by jury member Kawamoto Kihachirō, who noted that you can almost feel the force of the wind. The focus on ‘wind’, speed and warriors elegantly evokes a famous military maxim by Sun Tzu: ‘Your swiftness shall resemble the wind’. It is the first of four tenets of Fūrinkazan (風林火山, lit. ‘Wind, Forest, Fire, Mountain’), a legendary Japanese battle standard drawn from Sun Tzu’s ‘The Art of War’. Warriors should also be ‘as calm and orderly as forests, as fierce as fire, and as steadfast as mountains’.

Wind. 1′40″

NR 1985
Sarushima Island with a Fort: Ruins and Graffiti

Sarushima Island lies off the coast of Yokosuka Port. In the late Edo Period the island was outfitted with artillery and in the Meiji period a fort was constructed by the Army. After Japan’s defeat in the war, it was opened as a sea park and young people began to make it a destination. Noda visited it to shoot in black and white in 1968, and in color in 1983. In excluding human figures from the screen and filming ruins and graffiti in their materiality, he experiments at creating a visual poem.

Sarushima Island with a Fort: Ruins and Graffiti

NR 1987
A Strange Affair

When her older sister disappears, she meets the man she left behind every night. When her parents don't come home from work, they sit in the kitchen and have an idle conversation. The man asks her to eat a clam. A woman mumbles, "I have sand all over me", and scours the kitchen floor like a mollusk. The man wipes the woman's neck when she asks him to wipe off the sand. The camera lingers on the faces of the two men and the rummaging in the sink as they mutter idle conversations about sand. This is a dense cinematic space, where the hot, rough texture of the sand makes your whole body tingle. The coquettishness of the woman's hair, her neck, her lips, her tongue, her gestures and her voice, captured by the gazing camera, is an intense eroticism. This is a work of high perfection in which the artist's unique world of sensuality is penetrated.

A Strange Affair

NR 1986