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Munich in the summer of 1899. In his insatiable greed for money, influence and enjoyment of life, the Marquis von Keith defies any moral law. Two women are obedient to him.

To impress the rich but bored Corinne, Oliver pretends to be an experienced sailor.

In South Africa, few white people realize that colonialism and apartheid are outdated and that the commandments of humanity must apply to the entire South African population. One of them is Jan Snider, a young lawyer. But he is alone with his progressive ideas. Captain Brook, who had overheard a conversation between Snider and the colored house servant Kil Kuoli, also makes this clear to him. He warns Snider urgently that rioters from the black opposition have already been shot...

A man who is looking for a partner via the personals section receives a surprise visit from a sturdy woman. She forces her way into the house and pursues him through all the floors and rooms.

Germany, January 1939: a day in a concentration camp. Subjected to harsh military discipline the hungry prisoners are digging a huge hole and filling it up again. Several are tortured, die of exhaustion, in the electric fence, or are shot.

A woman moves back and forth between two men and two cities.

In the late 1950s, the collectivization of agriculture is in full swing in the East German village of Willshagen on the German-German border. Those in charge have to face many obstacles, especially from a large-scale farmer who is unwilling to join the co-op. All of a sudden, mysterious men in a fancy car appear in the village and show an interest in the rundown manor house. Gossip spreads quickly, and some villagers think there will be a re-parceling of properties and a land swap with West Germany. They assume everything will go back to how it used to be and even expect the count to return to his manor. In preparation, the situation in the village escalates at a fevered pitch.

Young lovers Hero and Claudio, soon to wed, conspire to get verbal sparring partners and confirmed singles Benedick and Beatrice to wed as well.

An ape named Rotpeter, who has learned to behave like a human, presents to an academy the story of how he effected his transformation.

Sexual education film.

Dore O. and later Nekes speak to each other and into the camera, slowly and deliberately like a speech exercise, quickly like a tongue twister or in competition with each other, accentuated rhythmically or rubato, until the silent noise becomes piercing and rings in the ears. As in a mirror joke, Zerroptik also involves the viewer in the erotic duet, which persistently elicits all the comedy and latent horrors of a sudden discovery from the field of associations of the strange sentence.

The German Tourist Frank Fleischer gets into drugs and spy story.

A one-hour version of Tchaikovsky's classic ballet, with a somewhat revised storyline reminiscent of "The Wizard of Oz".

In a 13-minute navigation, Nestler takes us downstream the Rhine River. The opportunity of cheap water transport kept prices of raw material down and made the Rhine one of the most important arteries of industrial transport in the world.

The film Autoportrait is made up of four parts: Part 1: Search, Part 2: Work, Part 3: Daydream, Part 4: Family. Each of the parts can be shown as a self-contained film.

A documentary following the production of a daily newspaper.

a tv-movie by Rainer Erler

A man juggles four girlfriends. Parody of French New Wave cinema.

In The Dam, although it is an experimental film, Kristl eschews the necessary earnestness in addressing his subject. The manufactured, unambiguously humorless profundity proffered up by other German contemporaries is absent here. Laughter is allowed. Kristl takes the dreadful liberty of tomfoolery, sending up himself, the characters, the action, "tragedy," and everything else, including the audience, that might be held sacred. Within the framework of the action, we recognize a love triangle, one of the simplest of dramatic configurations. Not only the basic idea, but also numerous particulars, both in subject and style, are reminiscent of the films of Roman Polanski, which Kristl doubtless saw and holds in esteem. We meet two men: one is meant to embody the outsider, the artistic, intellectual, individualist. The other looks like the embodiment of the well-to-do man, the burgher, the functionary, the capitalist. The two battle for the favor of an indecisive and domineering girl.

Schuhmacher and his team spent seven years traveling across all five continents to collect footage of the animal species that are most threatened with extinction, among them the Javan rhinoceros, Hamilton's frog and the birds of paradise.

One of the most important structural films of the period, Rohfilm demonstrates a radical anti-representational approach, destroying the figurative image and bringing attention back to the ‘raw’ photographic material, particularly its physical form. Resisting a stable reference point, the film is a multi-layered onslaught of blurred impressions, shifting surfaces and grating sounds that activates a form of sensuous viewing. In the making of the film, the Heins employed just about every technique of defamiliarization, including direct intervention on the surface of the film strip, rephotography, remediation, and different kinds of mechanical interruption and destruction. It is a striking example of a truly handmade approach. (Kim Knowles)