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My Father's Camera

Home movies and their unique place in popular culture are the subject of My Father's Camera. Director Karen Shopsowitz weaves the history of home movies together with footage shot by her father--amateur filmmaker Israel Shopsowitz. Equipped with her dad's old Super 8 camera, Karen traces the history of home movies from the 1920s through to the amateur explosion of the '30s and '40s and beyond. She interviews a lively line-up of scholars and collectors, such as early members of the Toronto Film Club, a Japanese-American archivist who sees home movies as an expression of cultural diversity and a collector who hosts popular Webcasts that highlight new acquisitions.

My Father's Camera

10.0 2000
2 Hot 2 Handle

On the right stills and video of the 2009 Canadian Rockies International Rodeo in Strathmore, Alberta. On the left stills and titles/text of rodeo bronzes from the Glenbow’s collection. Wong’s work is an impressionistic portrait, which explores this alternative part of Alberta’s history. It is not meant to be a documentary/literal portrayal of the gay rodeo but rather it situates it in the context of the story of the west and the construction of identities. Wong’s work uses these frozen gestures to explore the complexities of gender and sexuality. In-relation-to the bronzes, the videos introduce movement to their very static image and highlighting our constantly evolving and shifting society.

2 Hot 2 Handle

NR 2009
To the Tar Sands

To The Tar Sands follows a group of nineteen young environmentalists as they cycle over 1,300 kilometres northbound across Alberta to witness the impacts of Alberta’s tar sands boom firsthand. They talk to farmers, moms and dads, an urban planner, oil industry workers, the chief of a First Nations community and others along the way asking “How has the tar sands boom affected you?” As the kilometres click away, they excavate into their own complicity with Alberta’s rush to develop the tar sands.

To the Tar Sands

NR 2008
Shinto

"Shinto" is an examination of the meaning of objects. Do objects have powers or energies of their own? If so, can we see or feel it? While this may sound heavy and philosophical, the film is actually a lively argument between two neurotic gay men who have been together for too long. As they discuss whether or not to rid themselves of some extra junk, we watch a memory film of one of the character's childhood toy trucks being burned, and a handful of Asian film clips, meant to parody the characters' ridiculous, half understood adoption of Asian philosophy and spirituality.

Shinto

NR 2000
Islet

Combining figurative abstraction with magic realism, this animated short depicts a world in which whales fall out of the sky and fish turn into balloons. It is a black and white evocation of the real world, transformed by the director's special sense of whimsy. With bold lines reminiscent of the stark simplicity of Inuit art, this cautionary tale is a reminder of the interconnectedness of all things. We are all affected by the fate of the Arctic, which each year is disappearing a little farther into the ocean.

Islet

10.0 2003
Master of the Rings: The Unauthorized Story Behind J.R.R. Tolkien's "Lord of the Rings"

This documentary examines the social and cultural underpinnings of the trilogy of The Lord of the Rings by J.R.R. Tolkien, in an attempt to understand the work's phenomenal success and influence. The program looks for answers in the author's sources of inspiration, from the folk legends of Norway to the field of linguistics of which Tolkien was a lifelong student. It finds that the deep chord the story strikes owes its resonance to the author's use of archetypal imagery and language. Many examples of these recurrent themes and images are given, with readings from the work and other literature. Interviews with the book's illustrators, the brothers Hildebrandt, speak to the power of the imagery in the classic story. Scholars, Tolkien's children, and the author himself provide insight into the mythic themes and the spell they have cast over the vast readership of The Lord of the Rings.

Master of the Rings: The Unauthorized Story Behind J.R.R. Tolkien's "Lord of the Rings"

7.9 2001
Shameless: The Art  of Disability

Art, activism and disability are the starting point for what unfolds as a funny and intimate portrait of five surprising individuals. Director Bonnie Sherr Klein (Not a Love Story, and Speaking Our Peace) has been a pioneer of women's cinema and an inspiration to a generation of filmmakers around the world. SHAMELESS: the ART of Disability marks Klein's return to a career interrupted by a catastrophic stroke in 1987. Always the activist, she now turns the lens on the world of disability culture, and ultimately, the transformative power of art.

Shameless: The Art of Disability

3.0 2006
To Think like a Composer

Directed by Michael Ostroff (Pegi Nicol: Something Dancing About Her (2004)) and produced by Mary Sexton (Gemini Award Winning Tommy... A Family Portrait (2001)), and Heather Eustace, To Think Like a Composer is a joyful and exuberant introduction to the world of Canadian composer, conductor, educator and renaissance man Stephen Hatfield. A documentary that reveals the creative collaborative excitement and tension as Hatfield and Susan Knight and Shallaway Youth Chorus of St. John's produce an opera performed by youth for adults. An opera based on the novel Ann and Seamus by Kevin Major. There are no patronizing platitudes in Hatfield's work. The opera deals with sadness, heartbreak, and the joy of existence - the Newfoundland ethos - as interpreted in a story of shipwreck, survival, and love on the Isle Aux Morts off the southwest coast of Newfoundland in 1828.

To Think like a Composer

NR 2007
Antoine

With Antoine, filmmaker Laura Bari treats us to a sensitive portrait of a six-year-old boy, one like any other, except that he’s blind. We follow Antoine in his classes, playing with friends, skating, and visiting family. We accompany him on imaginary excursions as a detective, listen to him as a radio host, and sit shotgun as he drives his parents’ car. Antoine allows us access back into childhood since this isn’t a film about the struggles of a blind child but rather one about the real and imaginary world of childhood.

Antoine

NR 2008