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A college student unexpectedly inherits a car left by his father—along with a huge debt. To pay it off, he's forced to put his studies on hold. Driving this car that links two generations, long-avoided family issues quietly start to surface.
The first night of the tournament took place on July 19, 2025 at the Hokkaido Prefectural Sports Center in Sapporo, Hokkaido, Japan.
Parallel lines sometimes intersect.
So-yi, a dance instructor, works with her beginner class students to prepare for a performance. Her choreography is based on the personal stories of the participants - people who dance, each for their own unique reason.
Snow falls. Eyes gaze out the window, crossing with the moon, while another eye, capturing that gaze, trembles. At the crossroads of glances that can never meet, the film moves on its own. The camera faces the window, and the projector casts its light onto the screen. Between misaligned eyes and light, we imagine a scene we can never truly see.
Solo concert produced and starred by Sato Keigo from JO1 on 01/28 at Theatre G-Rosso. This concert is part of a series of solo performances called 'SHOW PRODUCED by MEMBERS' that occurred during LAPOSTA 2025, event organized by Lapone Entertaiment, from 01/27 until 01/29.
When the ritual for Ingong's graduation film goes completely wrong, he sets out to find a pig's head. The moment he steps outside, a strange new world unfolds. There, he is hailed as the legendary hero destined to defeat an evil dragon. There is only one way back to reality: slay the dragon!
On an ordinary afternoon, I witness a lizard sever its tail and flee. Feeling a strange kinship with the abandoned tail, I wonder if humans, too, are beings made of two selves.
Window as a portal to a poetic synergy between nature and city in Japan.
This is a story built around a barber shop, two relationships, and three closely-related individuals; it is all about “moving on and getting over”.
In 1960-1970’s Taiwan, when Taiwan Economic Miracle happens, a lot of females sacrifice their future under the pressure of supporting their families. Our story protagonist "Grandmother," was a reflection of countless young females from that era. By using scissor and threads as element of this story, the thread symbolizes the constraints imposed on Grandmother by her past by qualities of entanglement and continuity, while the scissor represents her awaken willing, which cuts off the attachments and regrets she struggles to let go of.
The twelveth night of the World Tag League 2025 heavyweight tag team tournament took place on December 7, 2025, at Kihoku General Park Gymnasium in Kihoku, Ehime, Japan..
A Muslim girl living in central China begins to question the religious and familial restrictions that shape her life. In an attempt to challenge the taboo of altering the body, she decides to get a tattoo — but her rebellion against the idea of “sin” unexpectedly gives rise to another kind of “sin” that visits her in return.
A Country young man wants to film a documentary about the historical remains of Phayao Province, but he faces obstacles because no one supports what he is doing.
A short experimental film by Reiji Saito
Gaeun works as a cleaner at the Institute of Science and Technology’s Unit facility, and she’s now been assigned to take care of the hall known as District D after a former employee quit for unknown reasons. During her break, one of her coworkers has mentioned there’s something strange lurking in that particular area. Whatever it is out there, hopefully she’ll be ready for what lies ahead.
People gather in a house, each doing their own tasks. As their respective duties draw to a close, a woman presumed to be the mother makes a decision.
In the shadow of China’s growing erasure of marginalized lives and the tightening state surveillance, a sudden disappearance of an elderly woman in the frigid winter propels her caregiver, Lin, on a relentless search. As Lin’s quest deepens, the boundaries between her and the mystery blur, entwining her fate with the vanishing she seeks to resolve.
Seeking to escape her father's scandal, Epa travels to Taiwan in search of answers from her mother, only to confront herself along the way.
A sixteen-year-old girl lives on an island in the South Sea with her grandmother, whose quad bike is strictly out of bounds for the girl. Her grandmother and her dog have been the world to the girl, but now she begins to think about the world outside the island.
Kiam, a fourth-generation Korean descendant, dreamed of going to the moon after hearing his grandmother's story of the moon rabbit. As an adult, he passed the first round of astronaut selection by the Korea Aerospace Administration. His family is worried about his trip to Korea but Kiam prepares to say goodbye.
Living Euljiro traces the neglected losses of those living within a centuries-old district of maze-like alleys at the heart of Seoul. Through intimate encounters and textured observation, it creates a mosaic of perspectives exploring memory, identity, and resistance—revealing the human cost of a relentless urban Masterplan beyond a binary narrative of gentrification.
As a reserved girl battles Long COVID, she and her unemployed mother must deal with pain, fear, and thoughts of suicide.
During lunchtime in the school restroom, Bam attempts to teach Sand, who is unfamiliar with makeup, how to do makeup by trying a lash curler for the very first time.
I found myself at an impasse, consumed by the question: "Can I truly continue making films and art?" As an artist who must also survive within society, these were deep, existential concerns. This crisis led me to Song Jong-won (90), a master stone craftsman famous for sculpting Dolhareubang (Jeju's iconic stone guardians). When I first encountered him, my primary question was simple: "What is his enduring motivation to keep creating these stone figures?" I began visiting his workshop every week. I discovered that Mr. Song, despite growing up in an era when finishing middle school was difficult, had gone on to major in English literature and become a teacher. Yet, he eventually became so absorbed in stone craft that he quit his formal career. For six months, my camera captured Mr. Song Jong-won as he meticulously completed a single Dolhareubang.
It has been 6 years since the body of Chatchan Bupphawan, or 'Comrade Phuchana', was found in the Mekong River in December 2018. He was one of the political exiles fleeing the country after the 2014 military coup. The trail has since gone cold. No progress has so far been made in the investigation into his death. But his family must go on living. To keep the fire burning, each December, Phuchana's family members and their friends gather at his home in Mukdahan to celebrate and heal, so that they can go on despite the fading hope of justice for political exiles and enforced disappearance victims.
Carefree, coquettish, and capricious, Tamala is the cutest girl-cat in dystopian Cat Tokyo, year 2030—or at any other point in the time/space continuum. She has randomly invited herself along on her detective friend Michelangelo’s missing-person investigation. It seems the case is one of seven sudden vanishings in an astronomical pattern across Cat Japan that occurred at the exact same moment one night. Their search leads ever deeper into a mystery with ancient, occult roots and apocalyptic implications—and threads leading to Tamala herself. Shadowed by a covert agent of the Catty & Co. consortium, she may in fact be the greatest enigma. Indolent ingénue? Megacorporate mascot? Mythic messiah, or manifestation of cosmic malevolence? Anyhow, wow—she sure is a great dancer!
2025 release
Adi vividly remembers the moment his mom left home. He was four. She cut off a lock of her hair, tied a red thread around it, and walked out with a luggage bag. For 11 years, she didn’t return. Now fifteen, Adi resents his mother as much as he misses her. He roams the streets with a biker gang and pours his energy into streaming in drag on social media.
2025 release
Mirae begins preparing to end a life devoid of dreams and hope and seeks out her uncle to entrust him with the care of her father.
When love comes with mystery, Tawan must uncover the truth. So, wait and see—it’s time to reveal the secret!
A man is looking at a persimmon in the garden. An elderly woman approaches him and asks him to pick the persimmon. Although the story revolves around the persimmon, it turns out that the two are actually connected.
"Blended Vision" is a duo-screen video. The screen on the left shows a video about Lau's experience of accompanying his father during eye surgery. As the father's vision gradually becomes disabled, he begins to rely on his daughter's eyes to see the world, and the roles of caregiver and caretaker are reversed. In the series of events from the discovery of the disease to examination, surgery, and recovery, the emotional changes between father and daughter constantly overlap and stagger, and are connected by an invisible line. The video on the right, Lau uses a camera lens to imitate the blurred vision from the eyes of her father, and returns to the places he passes by every day, the park near their home, the same teahouse, the same bus route, the same way home... to reproduce those things that are seen repeatedly in the scenery.
Hyun-il heads to the U.S. for the first time in his life to celebrate someone.
A 32-episode romantic comedy set in a parallel world ruled by women, where traditional gender roles are inverted to expose their absurdities.
In southwestern China, our ancestors have maintained a close bond with the high mountains for thousands of years. A cup of conflict is raised and held aloft. When the moon lets out its call, follow the sleepwalker, return to the mountainous homeland, and seek the tiger’s trail.
"Was it the President who ordered the rivers to be six meters deep?" In 2008, under President Lee Myung-bak's administration, South Korea's Four Major Rivers Restoration Project turned the country's beautiful rivers into scenes of devastation. What were once pristine first-grade waters became lifeless rivers, choked with toxic green algae emitting foul odors. Crops irrigated with this contaminated water are now served on the table of Korean people. The government disguised a grand canal project as river restoration, and the media turned a blind eye — together enabling one of the greatest environmental destructions in Korean history. The consequences of this deception will be borne by future generations. To ensure that future generations can once again run freely along the rivers, we must act—now. We must make Korea's rivers flow again.
Amane Kanata’s first live concert, performed at Ariake Arena MM 13.08.2025.