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I Love You

“Double Portrait” and “I Love You” are a paired piece with Akiko Iimura. Both Iimuras play individually as well as a unit. In “Double Portrait” they are never together, but one by one in three points of view, front, side, and back, assigned to the words “I”, “You” and “He/She” respectively. The pronouns rotate with every repetition, for instance, in front view with “You”, then “He/She” and back to “I”. Often the words are destroyed acoustically making them unintelligible. “I Love You” is not a style of confession, but the words, and a linguistic practice using a sentence and shifting the pronouns.

I Love You

NR 1987
Dokudami Tenement

Yoshio is a 24-year-old man born in Saidaiji , Okayama prefecture. He moved to Tokyo, bringing his guitar, in search of the bohemian lifestyle, and settled in Asagaya, West Tokyo. Within one year he has sold his guitar and has become a day labourer on civll construction projects.With no guarantee of constant work the only accommodation available to him is the cheapest type of accommodation, that with no bathroom, no air-conditioning, no bath, a shared toilet, a shared kitchen "Dokudami-so" with "no money, no job, no woman.

Dokudami Tenement

NR 1988
TOKYO PANORAMA HUNTING

The content is a development of sorts of 「時∞」. Several scenes that were supposed to be inserted into the section where the white leader appears were omitted (they were never filmed), which resulted in an abrupt and nonsensical progression afterwards. Since this work was not originally intended to be shown to others, I suppose it's fine as it is... It's too late to do anything about it now. The film originally had a recording of a certain famous piece of classical music, but the YouTube version was re-edited with different music and sound effects as a copyright measure.

TOKYO PANORAMA HUNTING

NR 1985
Shôgeki mantoru: Junsei honban

A female college student who had a boyfriend, worked as a tutor part-time, and lived an ordinary but fulfilling student life. However, as soon as he found out she was pregnant, his attitude suddenly became colder, as he was determined to have an abortion. At that time, a senior woman told her that she had a good part-time job, and when she went there, it was a hotel, and the part-time job was a hotel, and suddenly she was raped. In front of her crying, her senior tells her that her boyfriend is aiming to marry a rich woman, and she becomes desperate when he hears that he can earn millions of dollars a month at the hotel. She got on it... A work that depicts her becoming a shocking hotel lady who takes over 2,000 customers and earns over 40 million yen.

Shôgeki mantoru: Junsei honban

2.0 1982
Kinnikuman: The Stolen Championship Belt

The first theatrical film of the anime series Kinnikuman. After winning the 21st Choujin Olympics, Kinnikuman plans to build his own theme park. As his friends and celebrities arrive, the sky grows dark and with a flash of lightning Kinnikuman's championship belt is gone. He then sees that it has been taken by Octopus Dragon III, who challenges him to take it back. Kinnikuman tries but fails and Mari is kidnapped. Octopus Dragon gives Kinnikuman a time limit to save her before she is fed to the monster Gigasaurus and then returns to his home world of Planet Metro (メトロ星, Metoro-sei). Despite his injuries, Kinnikuman is determined to go and reclaim his belt and Mari. Luckily, Terryman, Ramenman, Robin Mask, Warsman, Brocken Jr., and Rikishiman arrive to lend him a hand.

Kinnikuman: The Stolen Championship Belt

4.6 1984
送春記

T and K are so close that they are said to be homosexuals. T has a steady girlfriend named T, but things are not going well. The two meet in a park, where they meet Yoko, the singer of a folk group, and Yoko and K have a secret attraction. Meanwhile, T-girl is trying to get back together with her old boyfriend. In the midst of such a mundane group of high school students, T's malice and Yoko's sudden mistake. Some just stare at the blank time of grace in front of them. This film, produced by a large group of people, is a comedy with a high sense of humour and thoroughly sophisticated dialogue.

送春記

NR 1980