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A short horror film by Gordon Louch.

BBC documentary about West Country animators. The first half covers CMBT, the studio behind The Trap Door and Stoppit and Tidyup (along with an unmade feature, tantalising concept art for which is shown). The second half covers Maya Brandt, an independent animator who had recently begun her career with a couple of shorts made for Channel 4; again, concept art for an apparently unfinished film is showcased in the documentary.

Hackney teenagers - black, white, gay and straight - talk sex, love and marriage in this compelling drama-documentary.

Shot on location at Bluebell Hill, Kent.

Documentary about the night life in Newcastle's Bigg Market.

This is an intimate account, using film and Sibelius's music and words, of a great artist's struggle with his medium, with the world and with himself. The films set out also to try and free Sibelius's reputation from some of the unnecessary encrustations of history by looking at the composer's own declared intentions, so poetically expressed, which are earning the increasing attention and respect of composers today.

Documentary about Samoa and the myth that it is paradise.

A soundscape of the comings and goings in a home precedes a description by a young boy of a bosun's chair, a device suspended on ropes for crossing stretches of water. A film in three scenes captured on Betamax video shot in 1983, the material of the image floats and ripples on the screen. Distributed by LUX, London.

Including: Truck Train Tractor, Comin' Through & Automatically Yours.

"The tellingly titled Dialogue for Two Players, also 1984, moves into quasi-dramatic space, in which the seemingly spontaneous relationships, are revealed not just as a construct but also as a complex puzzle. It implicitly comments on and critiques the 'confessional' modes of video and its illusion of real presence. It thus rejects that was at the time a dominant style in artist's video, turning on its head the simpler versions of the slogan that 'the personal is political'. At the same time it is a political work in a different sense, questioning the popular TV format of the in-depth personal interview which it ironizes. As such, and with Partridge himself playing the part of interviewer/director, it is his most overt 'intervention' into documentary drama even as he subverts it." - Al Rees

Made as one of a four part series exploring different aspects of women and the law, on which all the women animators involved researched and worked as a group, before then making individual films, each quite different in content, tone and style. Based on the real life experiences of Josie O Dwyer, the film uses her voice as commentary, taken from hours of taped conversation with the filmmaker. Different styles of drawing convey her emotions and the devastating effects detention and imprisonment have on young girls put away 'for their own protection'.

I was looking through boys’ comics and books at the images of ‘honour’, ‘heroism’ and violence. Then there was the Falklands War, and the newspapers, TV and other media were recycling the same emotive non-sense to paper over the cracks and the calculated, futile waste of lives. This is intended to be a serious film. So many people were deceived. –Vanda Carter

The haunting qualities of the English countryside are evoked in this enigmatic film: part fake public information film, part occult jaunt.

A documentary about the 1967 Sexual Offences Act in England, which decriminalized homosexuality between consenting males over the age of 21.

Beautiful slowed down images, often framed through doors and windows, offer a metaphorical and lyrical journey of discovery through memory. The silent images of childhood memories contrast with room interiors and windows. The seemingly innocent nature of the children at play is threatened by the haunting sounds of their voices over the interior spaces.

A video magazine put out by the Come Organization label. Noise, smut, medical procedures and an unwholesome fascination with infamous murderers. SUTCLIFFE JUGEND interview and music PETER KURTEN preview WHITEHOUSE LP TRACKS 1 birthdeath experience side A PHILIP BEST talks to MARY DOWD WHITEHOUSE studio action 1 KINGS CROSS PROSTITUTION 1982

BFI Catalogue: Safety film showing how accidents in the home usually happen and how they can be avoided. Includes fire safety, electricity and gas appliances, babies and children, the elderly, glass, and DIY.

Part of BFI collection "The Miners' Campaign Video Tapes."

Explaining new developments in civil engineering survey work, and the latest methods of preparing accurate and highly detailed drawings. The film basically tells the story of the Selby Diversion and how the then modern Durham County Council's "Moss" computer aided drawing system was used. Made for BR Eastern Region and Transmark for showing to engineering and general audiences in the UK, and to potential users of the BR system in other countries.

A beautiful woman screams at something unseen off camera. Paul Newman appears eating salad and soon the famous sequence of Paul Newman closing a car door cut with a helicopter takes place. Absence of Satan is probably one of George Barber's best Scratch works and is a deft reworking of cinematic narrative and cliché. George Barber is one of the pioneers of Scratch Video which emerged in the UK during the mid-1980s. Scratch video makes use of found images from films and television, cutting seemingly incongruous imagery together to make a new meaning; it has been compared to the record-scratching techniques of hip-hop music, hence the name. (lux.org.uk)

Made using footage from USA Olympics in Los Angeles 1984 and snippets of Alistair Cooke's America: A Personal History of the United States. The footage was combined at Goldsmith's Art Department using an unusual Grass Valley mixer that had oscillating wipes which created the signature colours and wiggly lines. (Modern Art Oxford) Barber was always the most polished of the Scratch video artists, and Tilt shows his ability to make seductive, easy-viewing pieces, while maintaining a subversive undercurrent.

Documents the post-punk period between 1978 and 1981, featuring the looks, the poses, the rucks, the riots and the slaggings of bands and their fans. Includes footage of the Wasted Festival and some of the original bands 25 years on. Also has performances from exponents of Punk, Mod, Oi and Ska - all filmed in the same DIY ethic that spawned punk itself.

Tuning In – A Film about Karlheinz Stockhausen was produced for the BBC in 1981. Directed by Robin Maconie, who authored The Works of Karlheinz Stockhausen, this documentary is a lively and informative introduction to the work and process of a man who shook music and consciousness up.

An animated UK public information film which explains what to do if you see somebody in trouble on a visit to coastal areas.

A film in two parts. In the first part, the narrator describes the events that led to his impulsive decision to rob his former employer. The camera meanwhile walks about above the nearby road junction, surveying the distracted environment. In the second part, he recounts the anatomy of his panic following the crime, while the walking camera reconstructs his escape route. A final caption reports what happened after that.

Gus Williams, who stood for the Liberals at Nuneaton in 1979 (against the wishes of some of the local party), speaks powerfully about the uphill struggle for equality - as does Bert Carless, Birmingham's first Black councillor, who quotes from an illiterate and abusive letter he received when he started off in politics.

Shots of various spring flowers. The film-maker was Charles Palmar, a Natural History Curator in Kelvingrove Art Galleries, Glasgow from 1949 - 1984.

Documentary recording the liberation struggle and the actions of the ANC and the UDF from the blowing up of the Sasol oil plant in 1980 to Nelson Mandela’s rejection of a conditional release from prison, read by his daughter in 1985.

A daughter, a mother, and an angel travel through urban and natural environments which blend reality with the divine.

A specially created tape devised to make learning the alphabet fun and entertaining. Contains over 400 words to help children develop their early vocabulary.

A half-remembered lullaby from childhood haunts a new mother as she sets out to re-adjust and re-balance her old life with her new one. A sadness and longing for something lost battles with the excitement of change and the unknown. Flashes of past selves, now-derelict landscapes and remnants of nursery rhymes intertwine with the first days of a new life now as motherhood forces her to grow up and into a new identity.

The interior of a house. Outside, the sun parches the landscape. A woman’s voice tells a story. Filmed from 35mm slide projection on 16mm reversal Fuji film with in camera fades and pans.

1. Hands On The Clock 2. Don't Be Denied 3. Burning Oil 4. Promised Land 5. Trees 6. So Sure 7. 11:15 8. She Cries Alone 9. Someone New 10. Waiting Here 11. Black Ju Ju 12. The Wind Blows 13. No Chance (Cool Hand Luke)

Student film produced as a competition entry to Channel 4's Time Piece in 1987.

This piece of work is composed of slides, music and poetry which document the two cultures in Ulster today. It also expresses the futility and inanity of the civil war which the two cultures are manipulated to perpetuate. The poetry expresses something of the hurt which the majority of the people there feel.

Commander in Chief reveals the true message behind the manufactured mediation of news and politics.

A film about the plight of the women in the Shetland Isles who had to rely on knitting to make a living.

An film showing the strange lives and behaviour of Freda and Greta Chaplin, identical twins from Yorkshire, whom leave doctors puzzled as to what their condition actually is.

Walia joined the newly formed Birmingham Film Workshop in the early 1980s and quickly began work on this compelling portrait of the Handsworth Cultural Centre Organised through the probation service, the Centre provided an important space for Afro-Caribbean communities to meet, make and create.

Takes the scratch genre to a postmodern extreme by processing and colouring Andy Warhol's Marilyn prints. Warhol's famous print undergoes intense changes of tone, as a whole spectrum of colours slowly slide across the screen to the lush, over-the-top muzak on the soundtrack.

Dramas of life and death with the ambulance service in action in central London.

Documentary about Bernard Perks, who has spent 15 of his 20 adult years in prison, his impending release, and his problem in combating alcoholism.

An anthology of various children's parties

This is the third of a series of four themed programmes made by Yorkshire Television that aired in 1987 about life on the Manor Estate of council housing in Sheffield, consisting of events on the Estate and interviews with, mostly unidentified, residents. This one focuses on what residents do in their spare time, including pigeon fanciers, fishing, gardening, youth playing on slot machines, boys boxing and down the pub on a Friday night.

Over a million black women live in a state of domestic bondage, underpaid, working long hours, at the mercy of draconian laws which separate them from their own families. This powerful 1985 documentary, shot in South Africa, examines the tragedy of Apartheid through the complex relationship between a black household worker and her white employer. This domestic situation is a microcosm of the situation at large.

In this groundbreaking and rare account of the 1980 Notting Hill Carnival, the filmmakers weave together a range of performances from reggae bands Aswad, Sons of Jah and Brimstone, amongst many others. Interspersed between them are interviews with the artists about their lyrics and music, and conversations with audience members about their lives and experiences. The result is a powerful documentary of the Black community in Ladbroke Grove at the beginning of the 1980s.

The artist has described the making of Chant Down Greenham as follows: “‘This was a seminal work. It came out of a moment when many of us from Ireland gathered at the women’s peace camp, nuclear missile base at Greenham Common (1983), England. The protest ‘Sounds Around the Base’ had 30,000 to 50,000 women surrounding the 9-mile perimeter fence all making sounds on the hour every hour. There I heard a small group of women keening. I was very struck by this. It was moving, powerful. Back in my studio on Gardiner Street, Dublin my work changed. I changed. It became necessary to use my voice and my body.  Though the equipment was basic or non-existent, it happened, and was essential and seemed vital. I developed a series of calls and out of silence the ‘caoin’ emerged. With the prompt and help of women artist friends I understood something really important and necessary there. I understood I had to pursue this.”

An unorthodox, compelling film about a gay, black British writer locked in a prison cell with a philosophical mouse for company.

World hunger: this partly animated film points out the connections between surplus and famine. It shows a game of chance being played across continents and down the centuries. Meanwhile, a young shop assistant in a supermarket demonstrates the links between past and present, international and local events. A trip round the world offers a fresh insight into the use of food as a commodity and as a weapon, and into what we can do about it.

The men of the Afro-Caribbean population of Cuyagua enact a ritual that occurs 60 days after Easter. The film is a portrait of two men who direct the devil dancing. They tell the history of the village, the organisation of devil dancing, and stories associated with the Devil. The film also focuses on the intriguing ritual of the dancing itself.

National governments, itinerant gold-miners, and indigenous inhabitants compete for control of an area of the South American rainforest. The film shows the potential conflict between the interests of aboriginal peoples and the responsibility of nation states to implement ecologically sound policies in tropical forest areas. It also demonstrates the complex relationship between culture and ethnic identity under conditions of rapid social change

"Leggett's early experiment was with film, though his exploration of video started in the '70s with CCTV and performance ... and re-contextualising the video image as film, to questioning the electronic technology and its 'ambiguities'. Leggett has moved fluidly between shifting moving-image technologies, film, video and digital, and engages the audience directly with the associated and variable discourses." - J.Hatfield.

Working Week - Inner City Blues Working Week - Sweet Nothing Jaki Graham - Heaven Knows Mike Oldfield - Moonlight Shadow Dave Gilmour - Run Like Hell Dave Gilmour - Out Of The Blue Dave Gilmour - Comfortably Numb Pete Townshend - I'm One Annie Lennox - Blame It On The Sun Pretenders - Little Latin Loopy-Loo Pretenders - Property Of Jesus Annie Lennox/Pretenders - Give It Up

Status Quo perform at the National Exhibition Centre Birmingham in front of an audience which includes H.R.H Prince Charles.

This film documents The Mission's 1988 tour of South America, on and off-stage in Argentina, Brazil, Uruguay and Paraguay.

Documentary by WiTCH (the Women's Independent Cinema House collective) discussing the concept of collective ownership and interviewing many different labor collectives based around Merseyside, UK.

A Night at the Xclusiv Nightclub: Batley, West Yorkshire UK.

Satirical docudrama based on the racist practice of virginity testing that was carried out by the Home Office on Asian girls arriving in the UK from India and Pakistan between 1971-1979.

U2 30 May 1983 Glen Helen Regional Park Devore War In The U.S.A. 1983 Tour Setlist: 01. Gloria 02. I Threw A Brick Through A Window 03. A Day Without Me 04. An Cat Dubh 05. Into The Heart 06. New Year's Day 07. Surrender 08. Two Hearts Beat As One 09. Sunday Bloody Sunday 10. The Electric Co. 11. I Will Follow 12. "40"