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Beru and These Women

Inspector Bérurier, having inherited a mansion three years earlier, comes to collect rent from the tenant when the latter is murdered under mysterious circumstances. Béru calls Commissaire San Antonio to the rescue, and the two men discover that Laurenzi's hotel is home to a "brothel" whose director, Madame Albertine, soon reveals to the two policemen that Laurenzi was having an ongoing relationship with Helga, one of the boarders, and Mr. Max, a regular guest of the house.

Beru and These Women

4.8 1968
Playtime in Paris

Catherine Varlin's 27-minute Playtime in Paris (1962) is almost a practice run for Le joli mai, a sampling that starts in a classroom and then observes various subjects from afar. A woman is compared to a cat, and then we see a little girl on a playground, kissing, hugging and swatting a little boy companion as if he were a doll-plaything. A supermarket is compared to a flea market; an upscale equestrian event is compared to a soccer match, a comic bullfight and other attractions. Marker edited and Lhomme was the cameraman.

Playtime in Paris

NR 1962
The Queer ... The Erotic

The documentary shows in succession a ritual of male initiation in an African tribe, a lesson in sexual education in an European country; a travelling through the rooms of a museum of erotism in Germany, the window shopping of prostitutes in Amsterdams red district, a public bath for both sexes in an unhinibited Scandinavian country, the headquarters of an association that is against keeping ones virginity, a marriage ceremony of two homosexuals, and the effects of drugs on addict people.

The Queer ... The Erotic

10.0 1969
Leutnant Gustl

In the foyer of a Viennese concert hall, Lieutenant Gustav Wilfert is called a "stupid boy" by master baker Habetswallner because of his clumsy arrogance and is grabbed by the pommel of his sabre without putting up a fight. A major witnessed the incident and, according to the army's code of honor, the lieutenant had lost his honor and should have shot himself. However, as the master baker died overnight, Gustl's testimony is pitted against that of the major in the court of honor. One of the main witnesses is Gustl's fiancée, Anna, who openly denounces the folly and obsolescence of chauvinistic notions of heroism. Finally, the meme-like Gustl awaits the verdict in her room...

Leutnant Gustl

7.0 1963
The Committee

The Committee, starring Paul Jones of Manfred Mann fame, is a unique document of Britain in the 1960s. After a very successful run in London’s West End in 1968, viewings of this controversial movie have been few and far between. Stunning black and white camera work by Ian Wilson brings to life this “chilling fable” by Max Steuer, a lecturer (now Reader Emeritus) at the London School of Economics. Avoiding easy answers, The Committee uses a surreal murder to explore the tension and conflict between bureaucracy on one side, and individual freedom on the other. Many films, such as Total Recall, Fahrenheit 451 and Camus’ The Stranger, see the state as ignorant and repressive, and pass over the inevitable weaknesses lying deep in individuals. Drawing on the ideas of R.D. Laing, a psychologically hip state faces an all too human protagonist.

The Committee

5.4 1968
Tonio Kröger

This drama is taken from Thomas Mann's 1903 semi-autobiographical novel. Tonio (Jean Claude Brialy) is an aspiring writer and the son of a rigid aristocratic father and a music-loving mother. Wandering throughout Germany and Italy to "find himself," Tonio frequently remembers his childhood experiences in a series of flashbacks. The highlight of the film is the expert lensing by cinematographer Wolf Wirth. Erika Mann, the daughter of the late poet and author, collaborated with Ennio Flaiano on the screenplay.

Tonio Kröger

6.3 1964
Tarzan the Magnificent

After the Banton family rob a store is a small village and kill the local police constable, Tarzan captures one of them, Coy Banton. He decides to return him to the authorities so that the dead policeman's family will benefit from the $5000 reward. The head of the clan, Abel Banton and his two sons have no intention of letting Tarzan deliver Coy and burn the river boat they were to use. Several of the passengers are now stranded forcing Tarzan to take them along on a trek through the jungle. Abel Banton trails them intent not only getting his son back but getting rid of Tarzan.

Tarzan the Magnificent

5.9 1960
Therese

Thérèse is living in a provincial town, unhappily married to Bernard, a dull, pompous man whose only interest is preserving his family name and property. They live in an isolated country mansion surrounded by servants. Early in her marriage her only comforts are her fondness for Bernard's pine-tree forest, which was her primary reason for marrying him, and her love for her sister-in-law and Bernard's half-sister, Anne. The movie recounts in flashback the circumstances that led to her being charged with poisoning her husband.

Therese

6.7 1962
Filmsommerliches

A feuilletonistic conversation with the movie audience about the question: How do you feel about going to the movies? In general - and especially in summer? What do people expect from movies these days and what criticism do they have on their minds? The interviewees are vacationers of all ages and tastes. The occasion and background for this not entirely serious survey is the 1965 Summer Film Festival, which is captured in a cheerful reportage style. Interviews with actors on the festive opening evening and climax of the film confirm that there is only a relative cinema fatigue. It depends on the quality of the film on offer.

Filmsommerliches

NR 1966
Dance

« I made several underground films in the period between 1966 and 1969: "Two Sisters", "Drums", "Hommage è Marlene", "Dance", "Indian Summer", "Brigitte", "Gut dass es den Fußball gibt" and others. Most of them are experimental films shot on 8 mm material without sound. During the editing the films were synchronized with alienated, deformed music from magnetic tapes. The films were shown in universities, during parties or in music clubs. Some of the films were used later on as elements of scenery in the theatre piece "Zigger Zagger" by Peter Terson. They were projected contemporaneously on different screens in front, behind and on both sides of the audience in the theatre of Münster. » (Georg Brintrup)

Dance

6.0 1969