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The Crown Shyness

When high school ends and adulthood begins, Benjamin and Joshua Israel, two identical twins of Jewish origin, start feeling burdened and without a future. Being in your twenties and having a sassy attitude is not enough if you have an intellectual disability and the world makes it hard for you to fit in. Joshua would like to have sex for the first time, while Benjamin chases the utopia of love. Although they clash repeatedly, the two brothers share an unbreakable bond. They will soon learn that growing up also means giving the other space without casting a shadow.

The Crown Shyness

6.4 2022
Letizia

Letizia, a young 16-year-old boxer, lives with her mother in a small town just outside Milan. After losing her job, her mum decides to move to Rome where she can be supported by her parents and of course decides to take Letizia with her. The film concentrates on the last few days before Letizia moves away, paying particular attention to the relationship she has with Clara: an older girl who trains in the same gym as her. Just when she has to leave, Letizia is forced to reflect on how important this relationship with Clara is for her.

Letizia

7.0 2022
Baiae, the Atlantis of Rome

With an area three times larger than Pompeii, Baia, about 15 km from Naples and within the volcanic area of the Phlegraean fields, is the largest underwater archaeological site in the world. In 100 BC Pompeii is an ordinary city of small traders crouched on the slopes of Mt. Vesuvius, while Baia gains a peculiar reputation: it gradually becomes the ancient Las Vegas or Monte Carlo of the Roman Empire, a real posh center for noble gens and the powerful . Nestled in the center of the Gulf of Pozzuoli, Baia is flanked on one side by the port of Puteoli (ancient Pozzuoli) and on the other by the port of Capo Miseno.

Baiae, the Atlantis of Rome

7.7 2022
The Fabulous Ones

It often happens that at the moment of death, transgender individuals are shorn of their identity. Their families are ashamed, the funeral takes place in secret, and on the tomb appears the name the deceased had before their transition, in one stroke nullifying the entire life path they had chosen. The same thing happened to Antonia. Her girlfriends gather to honor her memory and give her back her identity denied. In telling her story, the film’s stars, all drawn from the variegated transgender world, interweave the narrative with tales of their own lives, experiences, and memories.

The Fabulous Ones

5.9 2022
Senza fine

A timeless spa town, a 1940s hotel, a place that transports the present to who knows where. Not the past, Ornella Vanoni's life, but the revelation—current—of her intimacy, exhibited through a relationship: her relationship with the director. The energy, the character, the music, the confrontations, the heat, the fatigue. Everything is filmed without sparing anything, not even the arguments between Ornella and Elisa. The film goes along with what Ornella naturally generates and bends to the unexpected, to the present. And then there are the encounters with friends, musicians, Vinicio Capossela, Samuele Bersani, Paolo Fresu's trumpet resounding in the empty spaces of the grand hotel where, between identical days marked by care and treatment, the story, the memory, but also the future take shape as Ornella prepares to become a fantastic creature made of voice and dreams, destined for eternity.

Senza fine

7.0 2022
Daniel Pennac: Ho visto Maradona!

Rehearsals for a play about Maradona in Naples, with Italian actors and an Argentine director. Nothing about Maradona except anecdotes about his figure from the Neapolitans; one of the actors had come to play football. They were all 'touched' by Maradona, as is logical. Pennac is very intelligent, but he has never seen a ball in his life: his fascination comes from the public figure of Maradona, from the totem, from the stupor that invaded him when many friends confessed to having cried at his death. The spectator, Maradonian or not, has an irrepressible desire to travel to Naples and join the song that he sees towards the end of the film, which is moving and overwhelming in its beauty and simplicity. Ideal for theater lovers, or Maradona lovers, or both.

Daniel Pennac: Ho visto Maradona!

6.3 2022
Ghost Night

It is evening. Tarek is seventeen years old and is on his way to see his friends, who have asked him on the telephone to pass by the park first and buy a few grams of dope: nothing much, just enough for some fun. The boy buys the stuff in the dark park, but when he emerges finds that someone has seen him: a policeman in plain clothes, sitting in his own car. The man could simply confiscate the hash, intimidate him a little and then let him go, or he could decide to take him to the station and call his parents. But he opts for neither of these things. He tells the young man to get in the car and starts the engine. Where does he want to take him? The policeman is ambiguous, mysterious. What does he want from the teenager? Tarek is in check, he can’t just leave. The policeman makes him stay with him the whole night, driving around in apparently aimless fashion, stopping first in one place, then in another.

Ghost Night

6.5 2022
The Bone Breakers

Inside a warehouse in Palermo, a group of people smashes a man’s arm to pieces with a wheelie bag packed with weights. This is the method used by an amateur criminal organization that fractures the limbs of its willing victims before staging fake accidents and raking in the insurance payouts. Vincenzo recruits the individuals from among the down-and-outs that haunt the city streets, where Luisa is a habitué, since she gets her crack there. Vincenzo’s problems suddenly get worse, though, after a series of mistakes shut him out of the gang, and Luisa is now his only chance: he convinces her to have her bones broken.

The Bone Breakers

7.1 2022