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Nau Do Gyarah

A sleep suspense thriller, from Vijay Anand (his directorial debut), Nau Do Gyarah is the story of Madan (Dev Anand) on his way to Bombay to inherit his uncle's estate. On the way, he picks Raksha (Kalpana Kartik), who has run away from home, rather than be married to a man she does not like. On reaching Bombay, Madan finds his uncle dead, and the estate taken over by Kuldeep, his aunt's nephew. The new will is missing. Madan has to find out, what really happened to his uncle and the missing second will. S. D. Burman's compositions embellish this fast paced and stylish thriller.

Nau Do Gyarah

7.4 1957
Main Nashe Mein Hoon

Belonging to a family that has a grandfather addicted to alcohol, Mohan Khanna (Raj Kapoor) too is addicted to alcohol, compounded by the fact that he is enamoured with a woman, Miss Reeta (Nishi), who is using him to extort money and vengeance from his Judge father, Kundan Lal Khanna. The only person who is really interested in the welfare of Mohan, in a practical way, is an aged and recently hired servant of the family, who has just been released from prison for killing two people.

Main Nashe Mein Hoon

9.5 1959
Adaa

Arrival of The Great Variety Show is the topic of the town. The show ends with a challenge thrown from the stage for a shooting contest. Carefree Madan accepts it and wins the heroine Meena's necklace. Reaching the theatre, Madan finds to his utter chagrin that Meena has left along with Singh-the hero. In search for Meena one day Madan stumbles against Rajini heroine of Rang Mahal Theatre, Rajni falls for him and invites him to witness her show. Madan is astonished to see Meena dancing there. He is shocked to learn from Rajni that Meena is soon to mary Singh Rajni.

Adaa

10.0 1951
Malliswari

During the days of the Vijayanagara Empire there was a system to bring willing women to the royal palace and render them official residents. This was called 'Rani Vasam'. According to this royal tradition, they sent palanquins to their houses, after they presented the family with gifts and jewelry. These Rani Vasam women should never have any contact with any man or let any man see them without permission. If any one violated the law, they were beheaded. Malleswari (Bhanumathi) was taken to this Rani Vasam. She was forced to accept this, for lure of money and jewelry by her parents. But she was already in love with her 'Bava' Nagaraju (N.T. Rama Rao), a sculptor. He stealthily got into the garden of the palace to meet his beloved and was caught. He was to get the death penalty. Krishnadevaraya for once pardoned the hero and allowed Malleswari to go with him.

Malliswari

10.0 1951
Our Struggle

A stridently nationalistic story of India’s freedom struggle, presented through the experiences of a Bengali family from 1885, when the Indian National Congress was established, to 1947. Important events incorporated into the plot were Gandhi’s satyagraha (1920), the Simon Commission (1928), Vallabhbhai Patel’s Bardoli satyagraha (1928) and the 1942 Quit India agitations. Krishan Chander’s script, Sachin Shankar’s choreography and the acting styles owed much to the IPTA theatre of the 40s. The film, made at Bombay Talkies, was produced by the distributors of the Chicago Radio PA systems label. Kishore Kumar plays the militant hero of this quasi-documentary. Motwane included old documentary footage purchased from Kohinoor and Krishna Film, as well as a shot of Rabindranath Tagore singing his Jana Gana Mana composition, one of India’s national anthems (Arunkumar Roy’s Of Tagore and Cinema, 1994, traces this footage to Ufa, shot when Tagore visited Munich)

Our Struggle

9.0 1951
Mayurpankh

Famous British author Joan Davis goes to India with her boyfriend and encounters Ranjit Singh, a game hunter, in the jungles of India. They fall in love but Joan discovers that Ranjit is married. They meet again in Jaipur at Ranjit's palace, during Ranjit's sister's wedding and Joan meets his wife Shanti. They immediately start liking each other. Ranjit's father is a mining baron and Joan's boyfriend a mining engineer. Both of them strike a deal and Ranjit has to go to England with them. Ranjit's heart wavers and he is undecided as to which love to follow, but he eventually decides.

Mayurpankh

7.0 1954
Ek Gaon Ki Kahani

Jaya lives in a village called Chandangaon in India along with her widower dad, Gokul, who works for a living as a compounder, but calls himself a Homeopathic doctor and dispenses Arnica for all kinds of ailments, especially since there is no qualified doctor in the village. Since Jaya is or marriageable age, he has arranged her marriage with hard-of-hearing Shiv, the son of Dayashankar, who is the President of the Gram Panchayat. Dayashankar is anxious to get Shiv married so that he can get some dowry from Gokul. The other suitor for Jaya is Ratan, whose mother would like her to re-marry her son as his wife, Maya, is unable to conceive. Then a new doctor arrives in this village to look after the charitable dispensary. Things heat up when Dayashankar and Ratan's mom find out that he may be Jaya's new suitor. Hilarious chaos reigns when Maya assaults her cruel mother-in-law, and Ratan abducts Jaya from her marriage with Shiv.

Ek Gaon Ki Kahani

10.0 1957
Yasmin

A powerful and princely Sheikh lives in 18th Century Persia, makes a living renting out properties, and recovering taxes and dues on them. He lives in a palatial house with his wife, Zubeda, and son, Ahmad. When Ahmad grows up, Zubeda notices that he is spending too much time with women in their harem, and wants his father to get him involved in their business. Sheikh accordingly instructs Ahmad to collect all revenue, which he does so. A few days later, Sheikh is informed that Ahmad has been spending time with a friend named Farid, and is romantically involved with a dancing girl named Yasmin. A visibly upset Sheikh accordingly warns Ahmad to mend his ways, give up on Yasmin and return home, where he has planned his marriage with Nadira, the daughter of Amir Qasim.

Yasmin

10.0 1955
Sadhna

Mohan lives a middle-class life with his ailing mother, and works as a college professor. His mother would like him to get married, but he asks her to be patient as he awaits his probationary period to end at the college. At the college he lectures his students about Vasantsena, the evils of prostitution and his personal hatred of courtesans, who sell their lives for money. Things take a turn for the worse, when his mother suddenly collapses, loses consciousness, and is not expected to live long. The only way he can bring peace to his dying mother is to get married. His neighbor, Jeevan Ram, agrees to find a woman who will pose as a wife for a fee, and introduces him to a woman named Rajni, who is then introduced to his mother.

Sadhna

4.0 1958