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Esto sí se hace

Fabian and Casimiro are two respectable married men, who have their little adventures every now and then, like any good husband. The problem begins to Fabian when his wife Adela, accompanied by her friend Martirio, discover him with another woman. After this, and as revenge Adela decides to return the ball to Fabian, with his best friend. Aware of the plan, Fabian looks for someone to solve thesituation and finds Casimiro, which is suitable, precisely because he lacks "it".

Esto sí se hace

9.3 1987
Dedicated to...

A mix of characters and actions create only a semblance of a plot in this confusing tale of intrigue, undefined crimes, and incest. A newspaper reporter is working on a story about a criminal serving time in jail. He interviews the prisoner, has an affair with the criminal's daughter, and also spends some time in bed with his editor's wife. His amorous life is an adjunct to his searching out the details of the prisoner's case -- though tragedy strikes before the journalist can wrap everything up. In the meantime, it becomes clear that the daughter and imprisoned father had an incestuous relationship, raising more questions than answers.

Dedicated to...

4.7 1980
Heartbeat

Paul Marnac and his infirm wife Geneviève move to his childhood estate in the French countryside. The estate is also the site of the castle inhabited by Paul's ancestor Alaric de Marnac, who was known for brutally slaughtering anyone whom he suspected of infidelity. There is a legend that Alaric rises from the grave to continue his deeds. The estate is currently inhabited by Paul's aunt Maville and cousin Julie. Right after Paul and Geneviève arrive, mysterious things begin to happen. Geneviève begins to wonder if the legend about Alaric is true.

Heartbeat

5.1 1983
¡Biba la banda!

In 1938, at the height of the civil war, the musicians of the military band were very worried about their next concert. Agustín receives a letter from his girlfriend, who tells him about the difficulties he is going through with the rice harvest. She then decides to ask permission to go and help her, but as Lieutenant Urquiza refuses, she escapes. Two companions sent to bring him back, finally, stay with him. Also Sergeant Perez and several musicians who go looking for him stay with them.

¡Biba la banda!

6.3 1987
Double Feature

Director José Luis Garci has turned his camera inward on filmmakers and screenwriters to portray them as so self-absorbed in the creative process that there is no other world, no other human relationship that can compete. As José (Adolfo Marsillach) and Federico (Jesus Puente) work together on a new screenplay, their interactions with their family (José's teen daughters, Federico's wife) disappear under the all-consuming task of creation. The daughters give up and go off on their own, and the wife joins a convent while Federico barely notices. And when the producer is interrupted by profound grief at the sudden death of his older son, he almost automatically returns to thinking about the film project when the funeral has ended. Garci honors many great directors at the beginning of this film, and the film continues to play out as an elaboration on this homage -- an illustration both of the dedication and the cost of filmmaking, no judgments given.

Double Feature

5.5 1984
Soldados de plomo

Andrew returns to his hometown after a long absence. His father was a military high society who abandoned his wife to join the mother of Andrew, one cupletista second row. The reason for his return is to take over an old inheritance left him by his father: A semirruinoso house that is about to be declared a historic monument. But his desire to settle the matter soon are broken by the intrusion of his brother Ramon in buying the house. Andrés relationships with his family and with old attorney Don Dimas and her daughter Whitey complicated.

Soldados de plomo

4.4 1983
Manoa

The intent of novice director Solveig Hoogesteijn to make a drama about two Venezuelans from opposite sides of the economic and social tracks wobbles and weakens in the telling. Although the two compatriots both live in the capital, Caracas, and both love music, they have a need to go out into the rest of the country and discover their roots. As big-city dwellers, they are limited in their perspectives, though this excursion into other areas of Venezuela may prove more illuminating to them than to a foreign audience.

Manoa

7.0 1980
Madrid

Hans, a German director, is in Madrid to film a television production about the capital and the Civil War, 50 years after it occurred. Accompanied by Lucía, his editor, and Goyo, his cinematographer, he films shots of the modern city, searching for spaces and people related to its past. At the same time, he views materials related to the past. In this search, Hans questions the point of his project, and disagrees with his producers until he discovers a project that he is passionate about.

Madrid

6.4 1987
¿Dónde estará mi niño?

Manolo is a famous singer who has a brief affair with Diana, a beautiful hitchhiker. Diana becomes pregnant and gives birth to a child, Lito, the Manolo ignores their existence. Seven years later, Diana wants her son Manolo meet and therefore decided to look for him. However, when he is suffering a great disappointment because Manolo does not remember her. One person who remembers the father Manolo, who follows that Lito is his grandson and both plan unite Manolo and Diana.

¿Dónde estará mi niño?

5.3 1981
The Minister's Wife

Rafael, a young man from the provinces, works as a waiter in a resort and helps himself economically having sex for money with rich older women. During a bomb threat, he is discovered in bed with one of the guest, Leonor Marchioness of Montenegro, and he is fired as a consequence. The Marchioness of Montenegro is an aging aristocrat, ruined economically, but still with wealthy and influential friends. She helps Rafael finds a new job in Madrid as the gardener in the mansion of Antonio Fernández Herrador, Minister of economy in the new democratic Spanish government.

The Minister's Wife

4.9 1981