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Até Que a Vida nos Separe

A group of friends in Sao Paulo see each other regularly in different venues of this huge metropolis, and act as their own de-facto family. They are similar in many ways, all upper middle class professionals between 28 and 32 years of age, and very conscious of their psyche and lives. The diversity within the group however, is also remarkable. It's made up about half men and half women. The men are the most diverse, ranging from your average guy looking for love to an Afro-Brazilian womanizing rich playboy, to a conflicted homosexual, heir to a business empire. It is the friendship (Amizade) and bond between these people that the film exposes, and at the same time it explores the different personalities of this apparently homogeneous, but actually psychologically diverse group of Sao Paulo yuppies. They stick together "'til friendship should ever separate them"

Até Que a Vida nos Separe

7.0 1999
Entangling Shadows

Documentary that celebrates 100 years of cinema in Latin America and talks about the origins and the development of cinema in this subcontinent. Its structure is based in 12 short films directed by various Latin American directors. These are: 1) "Los inicios", Iván Trujillo 2) "Cuando comenzamos a hablar", María Novaro 3) "Jugando en serio", Jacobo Morales 4) "De cuerpo presente [Las espirales perpetuas del placer y el poder] Cine Mexicano [1931- 1997]", Marcela Fernández Violante 5) "Cuando quisimos ser adultos", Edmundo Aray and David Rodríguez 6) "Cinema Novo", Orlando Senna 7) "Memorias de una isla, Juan Carlos Tabío 8) "Un grito, 24 cuadros por segundo", Julio García-Espinosa 9) "El día de la independencia", Federico García 10) "¿Sólo las formas permanecen?", Fernando Birri and Pablo Rodríguez Gauregui 11) "Todo final es un principio", Andrés Marriquín.

Entangling Shadows

5.8 1998
Hideous Creatures

Dr. Rottenberg, the greatest Martian scientist, comes to Planet Earth to make preparations for a wild invasion involving re-animated Earth bodies, Martian zombies and teenagers playing in the woods. Criaturas Hediondas is one of the first Brazilian Shot On Video (SOV) to have national distribution via VHS tapes that were marketed in stands at grindcore, death metal and punks shows, becoming a reference (at the time) in the national underground. The video was filmed with a VHS camera and mounted from video to video, in an analog way.

Hideous Creatures

5.0 1993