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Somehow, Crystal

While her boyfriend Jun'ichi is out of town, college student and part-time model Yuri passes the time in Tokyo by shopping for luxury products, visiting affluent neighborhoods, eating expensive food, and seeking new kinds of entertainment. At a dance club she meets Masataka, to whom she describes her relatively frictionless life as "crystal". Yuri has a sexual encounter with Masataka that she enjoys but finds less satisfying than her experiences with Jun'ichi. When Jun'ichi returns, Yuri learns that he also was unfaithful during his trip, but she reflects on her financial independence and decides that staying with Jun'ichi is the best fit for her crystal lifestyle. Adaptation novel by Yasuo Tanaka.

Somehow, Crystal

NR 1981
RUNNING HIGH

A man on his way home from a wedding. When he wakes up drunk, he finds himself in a park in the early morning. As he wanders the city in the early morning, he meets a girl on a mountain bike and is suddenly chased by the police instead of the girl. The camera, which had been following the lazy, fresh morning air, turns around and starts running away with the man. The police chase him relentlessly. As he struggles to outrun his pursuers, he finds himself becoming increasingly elated. As he runs, he finds himself becoming more and more elated, as if it is the start of a journey away from the boredom of everyday life. The camera work is superb, eloquently capturing the man running with all his might.

RUNNING HIGH

7.0 1989
Angel's Smile, Devil's Tears

This musical play is based on the first act of Goethe's Faust. The angel Mephistopheles is condemned to fall from heaven after committing a sin. He is told that he can only return to heaven if he can bring a human being on the path of salvation. Mephistopheles refuses, believing that man is inherently evil. Vowing to drag a human down to hell along with him, he descends onto Earth and sets his sights on a man named Faust, an aged professor with no will to live.

Angel's Smile, Devil's Tears

NR 1989
Keiko's Mambo: Molester Train Hidden Run

A wife who invites a molester to a hotel to play a honey trap, but falls in love with the molester's extraordinary sexual prowess. A newlywed married a molester who was so handsome that she fell in love with him at first sight, but is at a loss when she finds out that he only gets aroused on the train. A university student who likes masturbating accidentally meets the nude model he always masturbates to on the train. A wife who brings various adult toys onto the train to cure her husband's impotence, has the molester use them, and shows them to her husband.

Keiko's Mambo: Molester Train Hidden Run

5.0 1981
MA: Space/Time in the Garden of Ryoan-ji

The early sixteenth-century Japanese garden in the Zen temple of Ryoan-ji, in Kyoto, is considered a masterpiece of the karesansui or "dry landscape" style... In this film, the viewer is invited to experience the garden as an embodiment of ma, a Japanese concept that conveys both time and space... The aesthetic of the film is the message, it has the quality of an experimental film, a conceptual film-an artwork in itself. Good balance of music/visuals/titles. If not as compelling for some viewers as for others, still rated as very effective. Makes one want to visit the actual garden and experience its spiritual energy. – Art on Screen

MA: Space/Time in the Garden of Ryoan-ji

9.0 1989
Ninja Gangsters IV: The Mysterious Golden Castle

On their way to the Owari, Sanzo and Yumenogosuke gets lost in the Kiso Mountains. There they encounter a hidden gold mine being demolished by the Mino Naegi clan. The two join a beautiful girl named Tsubakuro Osen, whom they meet in the mountains to extort the Nabeki clan. They reach an agreement with Kageyama Taito to receive 300 ryo in three days but suddenly the Naeki clan is stripped of its power by the authorities... a plot set in motion by Sakai Wakasamori and Saegusa Kanmotsu.

Ninja Gangsters IV: The Mysterious Golden Castle

NR 1983
Brave Fire S09

This work was submitted in a special animation competition as part of a PR project for a power company, but was unfortunately not adopted. The reason is very clear: the setting of the story is the exhausted earth. There couldn't be a more instructive setting for a power company that uses enormous amounts of the earth's resources. Additionally, a girl robot discovered by the main character can store sunlight and convert it into energy; in other words, the robot does not require a power-generating company. In addition to this, the robot destroys herself to protect the established solar power generation system in space. The unsuccessful outcome of the competition for Tezuka Osamu was only natural, and it is clear that he created this piece, as it was intentionally, as he managed everything from the original story to the screenplay, animation, narration, etc., all the while knowing that the competition was sponsored by a power company.

Brave Fire S09

NR 1987
Lapse Communication

Writes Kobayashi, "In 1972 I started a series of participatory performances where the first person performs an ambiguous action in front of a recording camera; the next person watches the recorded footage and imitates the action in front of a recording camera; the third person repeats the same procedure using the second person's video recording, and so on. Within the repetition of recording and action, the original gesture is transformed by the participants' misunderstanding, interpretation, and memory."

Lapse Communication

NR 1980
Circle & Square

The 1981 performance Circle & Square by Takahiko Iimura, New York-based Japanese film and video pioneer, evolved from the artist's interest in exposing the apparatus of projection and the materiality of image and light, which began in the mid-60s. The work commences with the projection of a long loop of black 16mm film leader suspended from the ceiling. The artist punches a hole on the film's surface and as it loops through the projector's gate, a single white circle of light pierces the darkness. With each subsequent punch the film builds before the viewer’s eyes into a cascade of white circles before reaching its abrupt and revelatory conclusion.

Circle & Square

NR 1981
The Moments We Lived

After working as a reporter and an assistant at a radio station, Watanabe Yoshimitsu, former leader of the bosozoku gang Black Emperor, returned to his old stomping grounds and began to make a film about bosozoku. At the time, he was 21. The teenage members of the bosozoku group, also known as " Thunder " would get into their revamped motorbikes and cars and race around the city. With the police as their enemies, they ran from patrol cars and did other defiant acts. They would put on outlandish clothing and, as a result of fights with rival groups, were very loyal to other members of their own gang. Every Saturday, they would cruise around, vanish and reappear throughout the entire night with no particular goal. However on 1 December 1978, because of provisions in the new highway transport law, the end was at hand for their " season of running wild. " The film shows them simply continuing to run wild on this last night before the law is to take effect.

The Moments We Lived

NR 1982