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Once Upon a Time in the Oued

In 1988, Johnny Leclerc, the son of a Norman mother and an Alsatian father, lives in a suburban housing estate with his friends. He behaves like a Muslim, observes Ramadan and wears a djelaba. He's even convinced that his name is Abdelbachir and that he was born in a small village in the bled. When his friend Yacine gets into trouble with a local kaid and decides to return to Algeria for the vacations, he smuggles himself into the Sabri family's luggage to fulfill his dream and finally get to know his "roots". As soon as he arrived on the Algerian coast, Johnny felt right at home. But Yacine is opposed to his father, who wants to arrange his marriage.

Once Upon a Time in the Oued

5.5 2005
Les Filles à papa

Jean-Jacques Daloiseau has worked as civil servant in the Ministry of Health and his now retired.Jean-Jacques and his old friend Robert have always dreamed of a sailboat and a trip around the world by sailboat.They have found a nice sailboat: Robert has paid his part but Jean-Jacques needs to sell a ground in the Soth of France.And also Jean-Jacques needs to speak with his wife Carole about this trip around the world with Robert.Then begin all the difficulties and impediments.Carole doesn't agree with this and runs away to London.Then one daughter ,Pauline, has problems with her husband and has come back home with her children.So Jean-Jacques becomes a nanny and has to solve all the problems of his daughters, find the money for boat and recover the love of Carole.

Les Filles à papa

7.3 2001
Joe Dallesandro, a Naked Angel

Joe Dallesandro embodies a certain form of American dream, thanks to his career launched by Andy Warhol, fascinated by his ephebe body. Revealed by Paul Morrissey in the trilogy "Flesh" (1968), "Trash" (1970) and "Heat" (1972), he established himself as an icon of underground cinema thanks to stripped roles, becoming the liberator of the male nudity in Cinema. The one who inspired the song "Walk on the Wild Side" to Lou Reed is now in his sixties, happy manager of a property close to Hollywood Boulevard. In his courtyard, seated on a low wall, he evokes with amusement and nostalgia his youth and his various collaborations with Warhol, Morrissey, Coppola, Waters, Breillat or Rivette.

Joe Dallesandro, a Naked Angel

NR 2008
The Jungle

Vincent and Mathias are two friends, in their thirties, who live off Vincent’s father. One day, during a meal where the wine and talk both flow a little too freely, Vincent’s father offers the two friends a bet. If they can survive seven days and seven nights in Paris with just seven Euros in their pocket, he will pay off all of their debts. If not, they will have to learn to fend for themselves. Confident of their abilities to survive in the jungle that is Paris, Vincent and Mathias willingly accept the offer, but soon regret doing so...

The Jungle

4.7 2006
Moebius Redux: A Life in Pictures

French artist and author Jean Giraud is one of the most famous and influential comic strip illustrators and authors of all time. He achieved his greatest fame as Moebius - not so much a pseudonym as an alter ego. With his triple-split personality - Jean Giraud, Moebius, Gir - he succeeded in making his work accessible in popular comic strip series like Blueberry, in metaphysical fantasies like John Difool and, not least, to a broad public, with set designs for films such as The Fifth Element. In Moebius Redux - A Life in Pictures an exceptional artist tells his life's and work's story. Extraordinary views on Paris, Los Angeles and the Mexican desert build a visual link between his life and his artistic universe, accompanied by the electronic soundtrack composed by "Kraftwerk" legend Karl Bartos.

Moebius Redux: A Life in Pictures

6.6 2007
Madame Sans-Gêne

In August 1792, on the eve of the attack on the Tuileries, Catherine Hubscher, a laundress in Paris, met a sergeant and an artillery lieutenant who would become respectively Marshal Lefèvre and Emperor Napoleon I. 1810. Napoleon was about to marry Marie-Louise. Fearing the inconstancies and moral lessons of Marshal Lefebvre, the emperor asked her husband to keep her away from the wedding ceremonies. He is unaware that the hotheaded young woman has received a personal invitation from the Austrian embassy.

Madame Sans-Gêne

10.0 2002
Crossway

A very interesting thriller about the coming of age of a troubled young man searching his place in this world. Teenage boy Jonathan (Fabien de Marchi) is having a hard time living with his father and stepmother. On a whim, he steals some money and embarks on a journey of forbidden pleasures. He spends the night in abandoned building and wakes up bound and is held prisoner by Antoine (Johan Libéreau), a young drug dealer wanted by the police. The two boys forge an ambiguous relationship between violence, compassion and fascination. Victim, Jonathan ends up taking a liking to his tormentor.

Crossway

5.6 2008
Adanggaman

In West Africa during the late 17th century, King Adanggaman leads a war against his neighboring tribes, ordering his soldiers to torch enemy villages, kill the elderly and capture the healthy tribesmen to sell to the European slave traders. When his village falls prey to one of Adanggaman's attacks, Ossei manages to escape, but his family is murdered except for his captured mother. Chasing after the soldiers in an effort to free her, Ossei is befriended by a fierce warrior named Naka.

Adanggaman

6.9 2000
Never Say... Never!

Paris, 1830. Valentin loses himself in alcohol, gambling and women. He does not believe in life and especially not in love. His uncle Van Buck believes only in the virtues of money and trade. Everything separates them until the day when Van Buck, to improve his public image, wants to make Valentin marry the young and impoverished Baroness Cécile. Valentin, who has absolutely no desire to get married, bets that he can easily seduce her in 24 hours and thus prove that she, like all the others, is not worth loving... But Cécile, who believes in true love, will prove much more difficult to woo than envisaged and Valentin will have to use all possible stratagems to try and win his bet. The game of cat and mouse starts... But who is the cat?

Never Say... Never!

5.3 2005
À vot' bon cœur

French independent director Paul Vecchiali playfully bites the hand that periodically feeds him (and many of the nation's other creative filmmakers) in this dark comedy. Writer and director Vecchiali stars as a moviemaker named Paul Vecchiali, who is trying to complete his latest project, a dramatic love story about a young couple whose relationship is complicated by the man's addiction to drugs. Short on funds, Vecchiali approaches the National Cinema Center, who offer loans and grants to independent filmmakers whom they believe are deserving. The NCC is less than impressed with Vecchiali's latest script, and they turn him down, just as they have done a number of times in the past. Angry and determined that the NCC will never break the spirit of another director, Vecchiali and his crew block out a plan to assassinate the nine members of the funding board, though the press and public seem more bemused than outraged by the sudden rash of killings.

À vot' bon cœur

5.5 2005
Pierre Richard, l'art du déséquilibre

This documentary brings a lighting on the originality and the specificity of the actor-author Pierre Richard, improbable synthesis of the talking ant silent films, heir to Buster Keaton for the gestural one and the expression of the body, and to Groucho Marx for the puns and the burlesque verbal one. Conceived like a voyage inside the universe of Pierre Richard, "the Art of unsteadiness" makes it possible to better understand its step, its method of actor, director and gag man. With through many testimonies, extracts of films and archives documents, drawn up here the portrait of one of the large last burlesques.

Pierre Richard, l'art du déséquilibre

8.0 2005
Assoud et les fantômes de La Havane

Assoud, known as "The Buffalo", and his sister Louise are private detectives. One day, a mysterious character asks them to carry out an investigation into the places of his childhood in Cuba. In Havana, the siblings find their cousin Mimi Shanghai, and discover an evil beach haunted by a mysterious legend. They then set out for their client's childhood home. When the client decides to join them, they at last discover his face and enable him to come to terms with his past.

Assoud et les fantômes de La Havane

NR 2008
The Hunter

In an isolated village in the Kazakhstan mountains, Erken, a boy of 12, lives with his mother, a beautiful and alluring single woman. One night, when the mother is visited by a hunter, Erken steals the latters horse and his gun to hold up a shop. Sought by the police, he is found by the hunter who gives him a choice: to go to prison or to go and live with him in the mountains. Thus begins a voyage of initiation, in the course of which the hunter tries to pass on his taste for and understanding of life.

The Hunter

5.6 2004
Prokofiev - L'Amour des trois oranges

L'Opéra National de Paris' production of L'Amour des trois oranges must certainly be one of the most elaborate operatic presentations. It has a cast of gazillions, characters who fly, jugglers, fire-eaters, remarkably elaborate costumes, amazingly realistic props (those five-foot oranges are convincingly juicy and edible looking), a huge set, fireworks, and so on. In fact, at times, it looks more like a Cirque de Soleil show than something you'd see in an opera house. Director Gilbert Deflo's conception and William Orlandi's costumes and sets are rooted in commedia dell'arte, but the production is thoroughly eclectic, with allusions to a wonderfully weird assortment of styles and periods.

Prokofiev - L'Amour des trois oranges

NR 2007