3,530 Matches Found
The film proves that the apparently ideally and extremely purposefully coordinated relationships between flowers and the insects that pollinate them are nothing other than the result of a very long period of natural selection and mutual adaptation. Phenomena that contradict the preservation of the species must die off. The example of the bee and the red clover illustrates that contradictory relationships can be cultivated artificially.
Unscrupulous girl traders transport unsuspecting blonde girls from a nightclub in Amsterdam to a brothel in Havana. The young journalist Verena Linkmann wants to expose the slave trade, disguises herself as an available dancer.
Giefer documents the International Vietnam Congress, which took place on February 17 and 18, 1968 in the Audimax of the Technical University of Berlin (TU). With his photographs of the counter-demonstration, which was organized on 21 February 1968 under the slogan "Berlin stands for freedom and peace" on John-F.-Kennedy-Platz in Berlin-Schöneberg, Giefer also shows the counter-movement.
At a farm-equipment plant, production lags at 89 % and a new, untested combine proves a “failure” in the fields. A promising redesign exists, crafted by a transplanted West German engineer, but he’s mistrusted. Meanwhile, workers and the Party secretary blame plant director Berendonck’s poor leadership. As harvest season looms, personnel upheaval and swift action are needed to install the reliable new machine and get production back on track.
The focus narrows to short cuts relating to the place were the footage was shot, then moves to the portrait´s subject, Franz West, sitting at a wine tavern´s table. From this point on the film deals with the process of shooting film itself and the distribution of positions in front of and behind the camera. What does it mean, filming someone whose position of power is linked to the role behind the camera? The film shows what normally isn´t visible - the "layman´s" uncertainty when being filmed.
The aircraft mechanic Hans Bertram is an incorrigible apron hunter who boasts that he can get around any woman. He even makes bets on it. But then he falls in love with the new colleague, the budding engineer Helga Nonnert. He fails to conquer them by storm. After many tangles and fun episodes, she manages to heal him of his gallant frivolity.
Humorous statistic that shows how much the GDR amounted to during the first 15 years.
A young doctor saves head secretary from a group of hired murderers and frees her from suspicion.
An American military plane takes six people, who have taken part in a NATO maneuver, from Tripoli to Oslo. Among them are the British Captain Loy and the United States Air Force Corporal Doris Graves. During the flight, the two become closer, and they regret that the trip will end that evening. But everything turns out differently. The flight captain has received orders to pick up an agent at a German NATO airport, who is to be dropped off again on a Soviet island …
Dutch pop singer and actor Bruce Low talks about his school days.
Kristl was a member of the prestigious Zagreb Studio of Animation and his early works as painter and filmmaker had brought him instant acclaim and instant censorship. He fled Croatia and lived in Germany; he died there in 2004. Poor People, a “collective scream” of Cold War fear, was produced just after he left his country.
Film by Hanns Anselm Perten.
A grotesque review of actions performed in vain and those of frustration incarnate: it is about the vain attempt to button up a pair of briefs, the failure of a cavalier, a voyeur, a couple taking part in a dance contest; five fragmentary scenes running backwards and forward, standing upright and on their head, accelerated and recurring in cuts that vary in length. A film about the voyeur in the auditorium, who is made to participate in the frustration, and about the underlying schmaltzy music, he actually shares in. (Jörg Peter Feurich)
Kren frames the image to suggest a proscenium, with a view to the harbor that conveys a literal sense of “tele-vision”. The static framing of the image and the clearly stratified mise-en-scène can hardly provoke interpretation. The sight of the girls does so all the more. Kren, the gentle voyeur - who turns the viewer into a secret accomplice - observes three teenagers, and probably like them, awaits a rendezvous. (Thomas Trummer)
Allegory of a man who leads the people to destruction and then is reborn to recommence the cycle.
An ironic film about the 1966 beauty competition to find Miss Germany.
Almost as if entering the picture frame by chance, mute characters lean out of Viennese apartment windows, simply to have a look.
A middle aged man got cancer and doesn't know how long he got left to live. He has to undergo therapy.
On the occasion of the »Construction Days« in the autumn of 1969, the Hamburg Building Authority commissioned five HFBK film students to film one Hamburg commercial each. Christian Bau opted for a critical portrait of Osdorfer Born, Hamburg's first large-scale, prefabricated housing estate, which had been built from 1967 by Neue Heimat, SAGA and other housing companies on the western edge of the city. The images, shot on 16mm, were accompanied by interview passages and a text taken from SAGA's housing construction program. The client was less than enthusiastic, the film disappeared into a closet for decades and can now be shown for the first time in the cinema.
Adolf Winkelmann films his future mother-in-law, who is requested to talk about him, the film-maker, who is standing opposite her with the camera. Frau Schmidt talks about her initial prejudices against the long-haired, bespectacled artist and about the way she overcame them as she got to know him. Adolf Winkelmann said of his film: ‘Depiction of constancy of opinion and change of opinion after confrontation with the object of the opinion.’
Short documentary on the making of Henry Levin's Genghis Khan, which filmed on location in Yugoslavia. The final film's epic battle scenes are contrasted with the mundane reality of life on a film set.
Satirical short film about wage labour.