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Platoon Leader

West Point graduate lieutenant Jeff Knight meets cynicism when taking command of sergeant Michael McNamara's tour veterans platoon in a Vietnamese trench camp. Unlike his predecessor, who hid till the end of his tour, Jeff takes charge, experiences the manual doesn't allow coping with all realities and gets wounded. He returns, now fully respect by men and superiors. Besides the Vietcong, the platoon wrestles with the inscrutable villagers, which the G.I.'s officially protect, but also fear as some collaborate with them, other covertly with the Cong, either way subject to bloody reprisals.

Platoon Leader

5.5 1988
Take It to the Limit

This movie is a fun look back into a bygone era of motorcycling. More than the ubiquitous "history of Harley" type documentaries, this move looks at the entire culture of motorcycling from the 60's & 70's and covers road racing, motocross & desert racing, drag racing, trials and more. The viewer gets to see in action the famous racers we had only previously seen in photos and even ride along with Mike "The Bike" Hailwood on a 190 MPH lap of the Isle of Mann. If you liked the requisite motorcycle movie "On Any Sunday," you'll LOVE this one. The soundtrack, with songs by Foreigner and Arlo Guthrie, is nostalgically cool too.

Take It to the Limit

7.7 1980
Hanna's War

Hanna's War is the true story of Hanna Senesh, a Hungarian-Jewish WW2 resistance fighter, who would become Israel's "Joan of Arc". As a young person, she fled Nazi-occupied Hungary for Palestine, where she was recruited and trained by the British to serve as a commando. After completing her training in Britain, she parachutes into Yugoslavia with a commando team to establish escape routes across the Hungarian-Yugoslavian border for downed British pilots. Her attempts to save Hungarian Jews in Nazi-occupied Hungary, however, leads to her capture, torture and demise at the hands of the Gestapo and the Nazi-controlled Hungarian police.

Hanna's War

5.2 1988
Los Naúfragos II:  Los Piratas

The Cast Aways saga continues as the shipwrecked islanders discover a cave full of buried treasures, along with the bones of Pirates. They use the cave as a shelter and plan an escape with the loot. Before their plan is complete, a ship arrives with pirates, lead by a young woman, who have come to claim their treasure as their own, and a battle ensues between them and the shipwrecked islanders.The islanders discover by chance that the new arrivals have no claim to the treasure, and their leader a treasure hunting imposter.

Los Naúfragos II: Los Piratas

7.4 1986
Anyay Abhichar

Ghanshyam (Mithun Chakraborty) lives in a small coastal town of Raipur, where he makes a living as a fisherman. He sells his sells his catch to a man named Mahesh Manna who gives him half the price which he has to bear as there is no other buyer in the village. Mahesh is greedy, lecherous, and crooked and has been swindling money from Ghanshyam. In the midst of sorrows, a sweet romance blossoms between Ghanshyam and the village beauty, Kadam(Rozina). But Mahesh cannot stand their love as he wants to make Kadam his own. He tries his best to impress Kadam but Kadam pays no heed as she is lost in the love of Ghanshyam. A jealous Mahesh takes a vow to finish Ghanshyam and plots a lethal plan to do so. Can Ghanshyam escape the odds stacked against him?

Anyay Abhichar

8.0 1985
Under the Gun

A St. Louis cop, Mike Braxton (Sam Jones), receives an urgent call for help from his brother Tony (Nick Cassavetes), a small time thief in Los Angeles. Mike rushes to LA and finds that his brother has been murdered and his brother Tony's girlfriend gunned down right in front of him. Mike quickly learns Tony was a courier for an arms smuggler, Simon Stone (John Russell). When Mike meets Stone's lawyer, Samantha Richardson (Vanessa Williams), the two team up to bring down Stone's arms smuggling empire. However, Mike's infatuation with Samantha keeps putting them in greater danger.

Under the Gun

7.1 1988
Likely Stories Vol. 2

VINCE D'ANGELO is a low life, Congressman from New Jersey who'll stop at nothing to get elected to the U.S. Senate. With his sleazy, below-the-belt campaign tactics, he's hell-bent on destroying his opponents reputations and getting himself and his wife to the top of the heap in Washington D.C. In "SCHOOL, GIRLS, & YOU," it's the 1950's -- and strait-laced Everdale University is about to go "coed". In order to prepare it's student body for the onslaught of "females" on campus, they present this hard-hitting educational film. Wally Bile is the "wrong-way" role model with Science Professor, Dr. Bloom. Dr. Bloom explains the vital "do's and don'ts" on dating women, and the all-important "warning signs" and "danger signals" to look out for when close-encountering the opposite sex.

Likely Stories Vol. 2

NR 1983
Urgh! A Music War

Urgh! A Music War is a British film released in 1982 featuring performances by punk rock, new wave, and post-punk acts, filmed in 1980. Among the artists featured in the movie are Orchestral Manoeuvres in the Dark (OMD), Magazine, The Go-Go's, Toyah Willcox, The Fleshtones, Joan Jett & the Blackhearts, X, XTC, Devo, The Cramps, Oingo Boingo, Dead Kennedys, Gary Numan, Klaus Nomi, Wall of Voodoo, Pere Ubu, Steel Pulse, Surf Punks, 999, UB40, Echo & the Bunnymen and The Police. These were many of the most popular groups on the New Wave scene; in keeping with the spirit of the scene, the film also features several less famous acts, and one completely obscure group, Invisible Sex, in what appears to be their only public performance.

Urgh! A Music War

7.4 1981
Getting Physical

The world of female bodybuilding provides the backdrop for this tale of an aspiring young actress who initially becomes interested in the sport as a means of self-defense following a physical attack by two men, but then finds that while concentrating on building up her body her relationship with her parents, with whom she is living, and her new-found boyfriend, a young cop, is breaking down. Several noted bodybuilders and iron-pumpers, male and female, put in appearances to give this production an added authenticity.

Getting Physical

4.3 1984