Discover Movies

“Sardar Gurcharan Singh was the father of studio pottery in India. "Daddyji" as most called him lovingly was very close to my father. I often tagged along to visit his home studio where pottery wheels were lined up under the big neem trees in his old brick house. My father wanted me to make a film on Daddyji, who was then 95. He was afraid that Daddyji's wonderful story would be left untold. He not only introduced studio pottery in India but due to his longevity, mentored many potters. So despite not knowing anything about films, I made the documentary, Imprint in Clay with a classmate of mine, which was mostly funded by my father.”

A judge sentences an innocent villager to death for a murder he didn't commit. He then meets his lookalike who had actually committed the murder and is guilt ridden upon finding out he had sentenced the wrong man to death. Out of guilt, he sets out to make amends by sending the criminal back to the man's village in his place.

Through sabotage, a hateful man tries to harm the reputation of a construction company.

Film from Avtar Bhogal

A quizzical journey through colors, forms, space, movement and gestures at artist Achyuthan Kudallur’s new exhibition.

On Shankar Guha Niyogi’s last testament.

A family who comes to Ooty on vacation, befriends a newly married couple on their honey moon staying next door. The couple looks happy on the outside, but the wife has problems underneath the surface.

"We Are Not Your Monkeys is a music video that reworks the epic Ramayana story to critique the caste and gender oppression implicit in it. Sung by Sambhaji Bhagat and composed by Sambhaji, the late Daya Pawar and Anand Patwardhan, the music video opposes the systematic oppression and negation of basic human rights of the underclass, in the name of religion and culture."

A 1999 Indian horror film.

Film about a collegian woman and the three men who pine for her.

Dacait Jagira (Amrish Puri) has terrorized the entire country-side with his raids and cruelty. On one such encounter he kills Gopal's mother, leaving him an orphan. Durga (Rohini Hattangadi) takes care of Gopal and raises him as her own son, Birju. Years pass by, Gopal (Raj Babbar) and Birju (Vinod Khanna) have grown up. While another band of dacaits is raiding their village, the leader Sohn Kanwar (Sahila Chaddha) is about to kill Birju, when she is told that his mother is Durga, and she spares him, due to Durga being the wife of Dara (Dara Singh), another dacait. This revelation unleases a tide of hate against Birju and Durga, and they are forced to leave the village. To make matters worse, Gopal disowns any relationship he has had with both of them, and wants to marry Madhu (Amrita Singh), who loves Birju.

Suresh Verma, who owned a radio shop in Agra, was shot in the head in 1983. Titu Singh was born in December 1983 and had spontaneous memories of his life as Suresh. He had birthmarks corresponding to the entry and exit wounds documented on the autopsy report for Suresh Verma.

This is a story of a youth who is ignored by his parents due to their drive for money. One day, he sees a child, who also faces a similar situation like him and he brings him to his house. The youth’s mother considers the child as a lucky mascot and wants to use him for her benefit.

The film documents the life and art of painter Jehangir Sabavala, capturing the intricate relationship between the artist’s vision and his environment. Khopkar describes the challenges of conveying Sabavala’s creative spirit through film, emphasizing the need to engage with the subtleties of colour, light, and composition.

Ami Je Tomari' is the love story of Amar and Jyoti. Amar and Jyoti belong to two rival families. They meet and fall in love. But their families don't accept their relationship. Jyoti gets pregnant. Her grandma gets her married to Amar and then they elope. Ajit who was supposed to marry Jyoti finds out about them and tries to harm them but fails. By this time their families have realized their mistake. They accept them and their son.

Jagan, a poor blacksmith, kills a rich man who is allowed to go scot-free after killing Jagan's son. Now known as Jagannath, he once again faces the ugly side of a flawed judicial system in Ranigadh.

Four tales of girls’ coming of age - through the trajectories of aspiration, curiosity, flamboyance and desire - are juxtaposed with testimonies of adult women on familial violence. The fictional tales and the documentary testimonies overlap, complement each other and then create a line of legacy of FEAR. The normalized and habitual moments in the daily lives of the women weave together a formidable web of fear. This omnipresent female fear then accompanies the young girls into the womanhood of vulnerability.

With the help of a journalist, a honest district collector fights political corruption.

Khongchat (meaning "journey" in Manipuri) chronicles the life of a simple village dweller guy named Ta Tomba (Olen) who for the first time goes to Imphal city. He comes across and tries to adapt to many new things there most importantly the city people who try to take advantage of his innocence. After he lands a job as a helper in a family, Tomba not only faces the harsh class disparity but also loses his love interest.

The first feature in the Karbi language of northeast India follows a schoolteacher who gradually becomes politicized from dismay at his region's troubles. Aka The Spring.

An army major is transferred to a training camp after being blamed by the police for doing their job. However, when the law and order worsens, the police ask him to take over the nation's security.

Four friends are on a holiday on hilly region and want female with whom they can have quality time.

A film about the indiscriminate destruction of forest taking place in the foothills of Himalaya, particularly in Bodoland area of Assam (India) and predominantly inhabited by the indigenous Bodo people.

Shortly after the double homicide of his dad's business partner, Mehta, and Shilpa Mehta, Akash Sandhu returns home to Ratnapur, and runs into the ghostly apparition of Shilpa. After recovering from the shock, he goes on a business trip to Mahabuleshwar, meets and falls in love with Shilpa's look-alike Shalini. He meets with her dad, who agrees to get them married.

The 'Century of Cinema' is an 18-part series produced by the British Film Institute to celebrate 100 years of cinema. The series includes films directed by Scorsese, Oshima, Godard, among others. Mrinal Sen directed the Indian chapter of the series.

A 1999 Indian horror film.

The film revolves around a loyal driver caught in a romantic conflict that threatens to divide two brothers, featuring music composed by Koti

A man lives a poor lifestyle in British India along with his widowed mum and his sister and makes a living through crime. He is in love with a gypsy dancer and wants to marry her, but he has to contend with her suitor. He is arrested by the corrupt British Police, jailed and beaten mercilessly.

When Anand, a young scientist, is found mysteriously murdered, the policemen retrace his life leading up to the day he died. His maid, boss and wife become prime suspects in the murder case.

A family takes a person with disabilities under their wing and encourages him to develop his skills while the family members deal with their own instabilities.

Rano came to consiousness in a female ward after spending 4 years disguised as a man. On being interrogated, 'she' at first denied the charge of fraud. On further probing 'she' finally broke down and confessed that extreme poverty led her to claim the job meant for her dead husband

In Siwan, a small town in Bihar caught in the vice-like grip of a political strongman, student activist Chandrashekhar Prasad is assassinated in broad daylight for daring to speak out. Back in Delhi, the Jawaharlal Nehru University campus erupts on hearing this news about its former student union president. The students come on the streets to protest the inaction of the administration in spite of eyewitness accounts identifying the perpetrators, and they, too, are met with police water cannons and lathis. In that moment of protest, emerges an idea: to create a testament of Chandrashekhar's courageous and principled brand of politics as a tribute to him and as a mirror to the state of society and politics around. Several television professionals and Chandu's friends get together and, from the footage of television channels on Chandrashekhar, a documentary is created that pulsates with urgency and a purity of purpose that communicates itself to viewers to this day.

Langmani Haduk is a Tripuri film in Kokborok language that portrays patriarchal norms through what may be referred to as "feudal familial romance."

This film is a study on the relationship between the tribal and the bamboo as a relationship from birth to death. It investigates further into the flowering of bamboo in Manipur and Mizoram which has got environmental, economic and political dimensions.

Meena and Mona are two friends working in prostitution business for them every day is night and every night is day fed with everything they want to give up the profession of flesh trade and start a new life but the society around looks at them in a different way how will the two friends make a better living.

Four honest cops, who are also best friends, consider their duty to the nation above everything. They discovered that one of them is a traitor and has killed the Police Commissioner. The friendship between the four suddenly turns out to be sour. How will the friends find a traitor among them?

The film is a cinematic articulation of inculcating curiosity in classroom spaces. It urges reflection on the idea that education is not just about gaining knowledge; it is also about being open to dialogue, self-awareness, and personal transformation.

Set at the RSS headquarters in Nagpur, India, this is a film about the indoctrination of young Hindu boys by the Rashtriya Swayamsevak Sangh (the RSS), India's foremost Hindu fundamentalist organization. Juxtaposing the activities of two different RSS 'shakhas' or branches, the film documents the stories and the games, the rituals and the play that socialize the young RSS recruit.

A happily married businessman has one night stand with his widowed secretary. Will his wife forgive him when she finds out the truth?

Nisha K. Rathod and Anand Kohli are two collegians who are in love with each other and would like to get married. While Nisha lives with her widowed dad, Customs Officer Kailashnath Rathod, Anand is an orphan living with his paternal uncle,Inspector General of Police, Suryakant Sharma. When the two officials find out, they have a meeting and both agree to this marriage alliance provided Anand gets employed by the Police. Anand undergoes training and does get employed and goes to surprise Nisha. To his shock and surprise he finds her in the arms of another man, Dr. Deepak Kaushal. When he questions her, she refuses to have to do anything with him and tells him to go out of her life. Then Suryakant assigns Anand to the cases of some underworlds criminals, namely Peter Gonzales, Mr. John, and Tinnu.

Mera Punjab is a 1994 Indian film directed by Krishna Dev Mehra. It stars Haider Bandi. The film is considered one of the best Punjabi films ever made, although it didn't earn much at the box office at the time of release in December 1994.

1993 Hindi film

Aag Aur Shabab is a 1990 film, directed by C. P. Vijaykumar and produced by Dinesh Gupta. The film stars Captain Raju, Ravi, Kumar, Raj Verma, Sudha, Rohini, Radhu and Madhuri in lead roles. The film had musical score by G. Ramanathan.

A village school-teacher gets in disputes with his step-brother and the Police.

Anju dies a mysterious death while on a college camp. Her boyfriend discovers the truth behind her death and seeks revenge.

The tale is set in a village in Assam. It is the fallow season and the village is preparing for its annual Bhaona performance. Balaram , a farmer, has got two large pieces of wood from the forest to make ploughs, one of which he has promised to his brother in law. Maghi Mahajan, the rich man of the village, appears and asks for one of the two logs. Balaram refuses.

Lotiram Khabadia is an MLA based in Bombay, who is corrupt, and involved in all kinds of criminal activities. He has close links with another gangster cum wrestler, Tamancha. As elections are coming close, Lotiram and Tamancha start canvasing for themselves, to retain power. Their competitor is an eunuch by the name of Chayavati. The people pronounce their verdict, and Chayavati is elected. Lotiram is devastated, no one really pays attention to him anymore, even Tamancha will have nothing to do with him. Upset at the humiliation at the hands of Tamancha, Lotiram seeks the help of a former municipal employee, Yeshwant, and becomes a witness for the prosecution, so as to enable them to lay charges against Tamancha. Corrupt elements within the police alert Tamancha, who is enraged at Lotiram, and will do anything to stop him from testifying against him.

Kishan Shah Debut

the story is very personal as it explores the dynamics of the relationship between siblings coloured by the complexities of relationship between their parents

A pre-emptive fictional story that expresses the filmmaker's feelings about her marital relationship with her first husband.

A Documentary about the decadence of Donyi-Polo in Northeast India through the eyes of an anxious Nyibu.

Sankar wants to get married to Meena, but her mother puts up a condition that Ajay will have to stay in their house after the marriage. Sankar's family gets disappointed with her decision.