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May, 1946, in Paris young poet Jacques Prevel meets Antonin Artaud, the actor, artist, and writer just released from a mental asylum. Over ten months, we follow the mad Artaud from his cruel coaching of an actress in his "theatre of cruelty" to his semi-friendship with Prevel who buys him drugs and hangs on his every word. Meanwhile, Prevel divides his time between Jany, his blond, young, drug-hazed mistress, and Rolande, his dark-haired, long-suffering wife, who has a child during this time. Cruelty, neglect, poverty, egoism, madness, and the pursuit of art mix on the Left Bank.

The story of a few couples who have arrived at a point of no return whose history will cross, mingle or fall apart.

1993 TV movie

Experimental film by Teo Hernández.

A man thinks he's a scarecrow. He meets a Russian clown on a train.

A short "vue Lumière" by Alain Guiraudie.

This film illustrates a recurring theme in the work of Dominik Lange: the opposition of nature and city. The film explores various different aesthetic options. Lange begins by filming a bare tree, magnifying it and giving it the plastic seductivity of a watercolour in movement. The shots of the tree, either gently caressed by the artist's camera or exploding in a multitude of trembling and scratched forms, alternate with a series of shots of depressing new public-housing tower blocks. Lang revitalizes these buildings by clustering them together and/or blurring their contours. At a certain point, a building site appears; we see the buildings under construction, with construction workers busy at their task. Were these shots filmed later, or did the film-maker choose to show them later? It doesn't really matter; the alchemical phenomenon which mutates vegetation (nature) into the depressing uniformity of tower blocks is conveyed with sensitivity.

Carole sees her parents twice a year in Paris.

A hard-drinking, ascetic minotaur wanders in his labyrinth. Only his nightly dreams will lead him out of his den, in search of a "cold gold woman".

Gaspard is a brilliant pupil who makes a clean sweep of all the prizes every year. He despises his family, and do not want to remain a crude peasant like them. Two businessmen, Mister Fereor and Mister Frolichein, want him to work in their factories. The former wins the contest. Gaspard is a young Turk who wants to make his way of life at any cost. He steals ideas from other young men and becomes an occasional informer. He wins his boss over and, as this tycoon has no son, he is adopted by him even though his biological parents are still alive. But unfair competition threatens Fereor's business and Gaspard is forced to marry Frolichein's daughter, Mina.

In the practice of overtone singing (called also bi-phonic singing), whose best-known examples can be found in Mongolia and with the Tuva people of Southern Siberia, a single person sings what the audience perceives as two voices at the same time: a low pitch with his vocal cords, and in addition, a high-pitched melody using harmonics (overtones) selected by modifying the volume of the mouth cavity. This documentary is not an ethnography filmed in location. It is partly an illustration of the results of former research, partly the very actual investigation on overtone singing carried out in Paris, in the Ethnomusicology Department of the Musée de l'Homme, during a workshop, during a concert of the Mongolian National Ensemble, and in the medical visualization department of a hospital.

Oscar nominated documentary short from 1991

High school life chronicles set before, during and after the events of May 68.

At gunpoint, a plastic surgeon must operate on a criminal to escape the police. But when the criminal returns for treatment, the doctor plans to take revenge on his unfaithful wife.

Madeleine, a young nurse, makes a fatal mistake that costs the life of the patient Léopold Sicard. She leaves the hospital after her colleague, Dr. Senez, writes a damning report against her. Some time later, the young psychologist Paul Forest receives at the end of one of his lectures a visit from his childhood friend, Roger, who tells him of his fears about the strange behavior of his wife, who is none other than Madeleine.

Sarajevo was under siege already 9 months when Radovan Tadic flew there with a UNO machine to take pictures of misery and destruction in a city, in which dread is part of everyday life. He lets people talk about their desperate situation and repeatedly the dismay about the hatred between former neighbors. We see pictures of a wedding, interrupted by gun fire, an emergency operation on a soldier is interrupted by a woman's delivery, children disassemble a theater to get firewood. -- A dramatic appeal against carelessness and forgetting.

Hour by Hour I, February 1, 1991: Every hour, I film my portrait in its environment. During sleeping hours, the film is black. Generally with a particular rhythm of images. It is not a self-portrait, because no one else was available to me at all times.

Notorious con artists Lune and Schula are given a second chance by the police: they have to pose as rich art collectors to infiltrate art galleries and confound two famous experts and dealers, suspected of authenticating fake works of art.

Antoine steward on the night train Paris-Venice. He must cards and identity documents of travelers in 'his' pick wagon. One day, a passenger, Jean-Bernard, for protection. He suffers from an unknown illness and he is not alone on the run for scholars who want to use him as a guinea pig, but also for Brandeburg, a trader in human organs.

Story about Elise and Helene, two sisters who do everything alike.

A couple is torn apart for a whole night, evoking old age, death, memories, everyday life together, their work, their anguish.

Othilie spends her vacations with her uncle Antoine, an old lonesome bear. In charge of a regional park, Antoine lives a long way from Paris, in company of the shepherd Tambourin, whose frightening face hides the innocence of a new-born child. Since the arrival of Othilie, odd things happen. A slaughtered sheep is found and weird howls are sounding through the night. The wolves are not far away.

Short movie

Hans Christian Andersen, from early age, regards himself as being different. Soon he discovers he has a shadow which takes over and behaves differently from it's master?

Magda Freund, widow, recently arrived from Argentina, visits a Parisian apartment. Although knowing that its owner does not want to rent it for the moment, Magda, mysteriously seduced by this place, wishes to meet him to convince him to change his mind. This man is called Marek Kowalski and lives in the outer suburbs. Magda decides to make the journey.

When a South American fetish is stolen and then reappears the next morning, Tintin investigates.

Film essay on the mystical dimension of Tarkovsky's cinema.

A look at the entire process of creating and developing Patrice Chéreau’s third staging of "In the Solitude of Cotton Fields" by Bernard Marie Koltès with Pascal Greggory and Chéreau himself. From the first reading around the table through the first contact with the performance space, rehearsals and lighting to opening night, the entire creative process unfurls in front of our eyes. The film shows us the evolving and ongoing dialogue between Greggory and Chéreau, a dialogue full of crises and magical moments of harmony and insight via which the truth, intensity, complexity, mystery and depth of Koltès’ text gradually emerge to form an implicit bond between these two men. The film also shows Chéreau directing rehearsals for Mozart’s "Don Giovanni" in Salzburg, revealing both the unity of and profound differences between his opera and theater work.

A naive, sixteen-year-old boy named Richard becomes involved with a single mother after babysitting her child.

Short film about young people walking.

A documentary about Hindu cow worship and the British BSE crisis.

Bouquets 1-10 is Lowder’s first collection in an ongoing series of one minute episodes, each composed of footage shot around a general geographic location that has been alternately woven, frame by frame, into a single film reel and connected through the interstitial still life image of a flower that cues the beginning of each integrated film Bouquet. Each bouquet of flowers is also a bouquet of frames mingling the plants to be found in a given place with the activities that happen to be there at the time. Lowder uses the film strip as a canvas with the freedom to film frames on any part of the strip in any order, running the film through the camera as many times as needed.

“Requiem pour le XXè siècle” is a manifesto against war. It is an elegy. The photograph is connected with images that are part of our collective memory: extracts from newsreels of World War II that have been reworked and transformed through various optical and electronic processes. World War II was a condensation of violence (biological and environmental destructions, racism, ethnic clearing, and persecution of people who are different…) and ongoing wars perpetuate that violence. This work is a metaphorical representation of all past, present and future wars. Constructed on the dramatic tension between the violence of wars and the presence of the intersex hermaphroditic “Angel”: Their eyes are bandaged; they are a symbol for difference, having an ambiguous position: observer, witness, victim or judge.

A short documentary on the life and art of Steina and Woody Vasulka, produced in 1996. The Vasulkas speak candidly about their work and worldviews, and the piece features excerpts from their early works and a glimpse into their '90s output.

A shortfilm directed for Canal + TV Show "L'Œil du Cyclone", Episode 74. "What interests me is the hypnotic trance in which one can plunge a viewer. When you make a film and it works, you're like a shaman, a hypnotist."

This film is a confrontation between the texts Antonin Artaud wrote about the Tarahumaras and the films Raymonde Carasco made with the Tarahumaras (from 1977 to 1994) on the track of Antonin Artaud, in Norogachic, the only place explicitly mentioned by Antonin Artaud.