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The French Love

Bryan is an American journalist, married with two young daughters. Assigned to cover the Paris Conference on Vietnam, he is approached at the airport by two stewardesses, Corinne and Lucile. They meet again, talk politics, but the discussion veers off course: “Do you know how to make love? - Of course, I'm married.” Bryan sleeps with Corinne as Lucile looks on, then confesses to both women: he feels no remorse, but he's sad that it's so easy to cheat on your wife. “Corinne is a free woman,” as Lucile later tells Bryan. The latter is too puritanical and romantic to accept being just another fling. He thinks of nothing but the young woman, and is constantly on the lookout for her.

The French Love

4.5 1972
Romance of a Horsethief

Since time immemorial, the simple-minded boisterous people of Malava, a small Polish town near the border of imperial Russia, have lived on horse-stealing, horse-trading and horse-smuggling. Life changes abruptly when a Russian garrison, commanded by Captain Stoloff, occupies the town and, in the name of the Czar, requisitions all the horses for the Russian-Japanese War. With no more horses to steal, Kifke cannot afford to marry Estusha and all the young men in the village are likely to be incorporated into the Russian army. This state of affairs cannot continue and Zavill will take care of things.

Romance of a Horsethief

4.0 1971
The Devil's Wedding Night

The 1800s: scholarly Karl Schiller believes he's found the ring of the Nibelungen, which holds great power. It's at Castle Dracula. His twin, Franz, a gambler, asks if vampires frighten Karl; Karl shows him an Egyptian amulet, which may protect him. Franz takes the amulet and sets out ahead of his brother, arriving at the castle first. There he finds a countess who invites him to dine. Later that night, Karl arrives. Coincidently, it's the Night of the Virgin Moon, a night that falls every fifty years and draws five virgins from the surrounding village to the castle not be heard from again. Can Karl protect his brother, find the ring, and rescue any of the women?

The Devil's Wedding Night

5.3 1973
Up the Front

In Frankie Howerd's third Up... film it's World War I and he plays Lurk, an absolute cowerd, er coward. He's evading the call-up for all he's worth. But one evening he's hypnotised by a drunken hypnotist (Stanley Holloway) into being brave, but he fails to be released from it. So with his yellow streak gone Lurk is down that army office before you can say "titter ye not." Off to war he goes, mingling with sexy spies like Zsa Zsa Gabor and before long, the spellbound recruit is heading hot-foot back to Blighty with the Germans' plan of attack tattooed on his bum, and the Germans are bringing up the rear...! Full of sauce, knowing real-life references and witty remarks to camera, this is a cheeky incorrigible final instalment.

Up the Front

4.4 1972
I Love You, I Kill You

German movie set in the future where there is a village existing only to maintain a game preserve for the ruling class and whose inhabitants are kept happy by popping pills. Written and directed by Uwe Brandner, the movie operates on many levels of love-hate relationships, but it is primarily a political parable about fascism and freedom. A young teacher comes to a remote village , which rich gentlemen have chosen as their hunting ground. The residents are happy and nice to each other. Any dissatisfaction that arises is wiped away with freely available drugs or with the clubs of the village police. A gamekeeper who makes sure that the high lords' hunting parties are not endangered becomes the new teacher in the village's first friend. They fall in love, and the gamekeepers gift of love is a gun, which will eventually break their relationship as a confrontation ensues as the teacher starts poaching with his new gun.

I Love You, I Kill You

4.9 1971
Lotte in Weimar

Johann Wolfgang von Goethe (1749-1832) was the author of Werther, the romantic novel that was transformed into a play during Goethe's lifetime and which initiated the whole German romantic movement. The book's story tells of young love and suicide. In this East German film, based on a book by Thomas Mann, Lotte (Lilli Palmer) was the woman who served as the model for the heroine in the novel Werther. She comes to Goethe's hometown for a visit, and her experiences there eerily re-create episodes from the book. Goethe comes across as a pompous old bore, and his friends as pandering sycophants, in this very proper communist party-sponsored, anti-heroic movie.

Lotte in Weimar

5.8 1975